Antique Italian Etching

Large impressive and decorative mirror with multiple blown Glass flowers and foliate elements that are surrounding This mirror. All parts are in tact and without chips or missing ...

Venice was the subject for fifteen etchings, exhibited until 1935, at which time Litten appears to have quit etching.

Lovely etching on paper in back ink by Giovanni Antonio Canal (Canaletto). Measurements: 22" x 15" Hand-numbered in pencil at the bottom right with the number 6. Part of a co...

Etching and drypoint, signed and dated in pencil.

The central vase is carved with a priest and worshippers sacrificing the suovetaurilia (a boar, a ram and a bull), and is placed on a sarcophagus guarded by winged sphinxes. The left...

Old print of the battle of Marengo (Italy )- 14 June 1800 - etching from the famous Duplessis - Bertaux, who published all the Napoleon's battles.

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

Sir Claude Francis Barry ballet dancer swan lake, aquatint etching hand signed years '900 perfect and extremely rare.. Very good condition and numbered 1/12 and signed, Measure...

Comes from Ottley's one volume "The Italian School of Design", (1823) (First edition), which consists of 84 engravings made from a variety of techniques including stipple engraving, ...

Comes from a series of etchings with aquatint of various scenes of Mount Vesuvius and other European landscapes, (1797).

Title: "Portrait de Femme (Portrait of a Woman)" Portfolio: Gazette des Beaux-Arts Year: 1898 Medium: Original Etching and Aquatint on chine appliqué on white wove paper Limited edit...

Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark) 240mm by 345mm (sheet)

Spagna Square - Italy is an etching print on paper in the Late 19th century.

Through the comparison with some documents found, it is possible to identify the exact place represented in the paintings: it is one of the medieval towers of the town of Giaveno, ne...

Very well listed 17 century Italian master. He has had Auction results over $1 million for a painting and over $4000 for an etching.

A very good, richly-inked impression of this etching with strong contrasts and no sign of wear. Anchor or fleur-de-lys in a double circle watermark. From "Prospectus locorum urbis Ro...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claud...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claud...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claud...

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82). From 'Liber Veritatis; or A Collection of Prints after the original designs of Claud...

A collection of 50 copperplate engravings featuring early 19th century costume scenes set in the Roman countryside. With characters dedicated to work, games, revelry, and various act...

It is titled, described, and annotated in Italian at the bottom. The etching depicts what is now the Chamber of Deputies.

Bacher spent the next two years traveling extensively throughout Italy, with Venice as the center of his operations, and he produced a number of important etchings of Italian subjects.

His first major success came in 1924, when he won acclaim for his etchings exhibited in Italy and the United States.