Antique Lead

The gate of the Divan in the second court of the Seraglio, its deep lead roof and painted panels rising over the arch, mounted officers and guards passing through, a great octagonal ...

The use of Egyptian-revival busts, geometric symmetry, and noble bronze castings paired with glittering lead crystal captures the majestic, authoritative aesthetic tailored for imper...

The box displays a mottled bottom Ormolu frame below the double Glass sides which are elegantly decorated by a unique thin and pierced Ormolu interior decoration of foliate scrolls. ...

Tall Arts and Crafts Glazed Display Cabinet This piece is being offered from a dispersal sale of Arts and Crafts mainly Liberty and Scottish School pieces which will be listed in ...

A border of vertically streaked glass frames the composition, all held within a zinc or lead came structure with visible solder joints throughout.

China drawing and  white lead on paper. Mounted on mat

China ink and white lead on paper. Not signed. Good condition.

China ink, pencil and white lead on paper. Not signed. Good condition.

China ink and white lead on paper. Not signed. Very good condition.

China ink drawing and white lead on paper. Not signed. Good condition.

China ink and white lead on paper. Not signed. Very good condition.

Pencil drawing and white lead on paper. Not signed. Very good condition.

China ink drawing and white lead on paper. Hand signed. Very good condition.

Tall stained-glass windows with roses, 1910s Pair of rectangular stained-glass panels with light-colored frames, made of leaded glass. Both feature the same design, with a symmetrica...

Italian liberty roses stained-glass windows, 1910s Pair of rectangular stained-glass panels with light-colored frames, made of leaded glass. Both feature the same design, with a symm...

This corner display cabinet makes its impression through dark mahogany, leaded glass doors. Dating to 19th Century and originating from France, it reflects the design sensibilities o...

China ink and white lead drawing on paper. Not signed. Good condition.

Tones of deep sea blue, warm tan, cream, and soft green define the sculpted details beneath a glossy lead glaze. The hollow opening through the cap functions as a single candlestick ...

Rising from the front is an overlapping green leaf forming the spout with an ochre tip, while the fitted oval cover is surmounted by a sculpted mushroom finial displaying delicate gi...

The white porcelain body displays the characteristic tone and slight greenish translucency of early Worcester soaprock formulations, finished in a smooth, clear lead glaze. Produc...

Scrolled handles, laurel swags and ribbon-tied wreaths adorn the ovoid bodies, while acanthus-leaf cradles lead to spreading socles and square plinths raised on delicate feet.

Pencil, white lead and watercolor on paper. Not signed. Good condition.

China ink and white lead on paper. Not signed. Very good condition.

China ink and white lead on paper. Not signed. Very good condition.

China ink and white lead on paper. Not signed. Very good condition.

China ink, white lead and watercolor on paper. Not signed. Good condition.

It is basically a calcium carbonate (CaCO3) with traces of lead (Pb), strontium (Sr), and zinc (Zn), which explains why it's so heavy (this piece is 14,5cm high, 19cm wide, 11cm deep...

China ink drawing and white lead on paper. Not signed. Very good condition.

The frame encloses two heavy lead crystal decanters of cylindrical form, seated into twin circular wells carved into the polished mahogany base.

Enlarged edition of Ercker's main work and the only one well illustrated. '. presents a systematic review of the methods of testing alloys and minerals of silver; gold; copper; antim...

China ink drawing and white lead on paper. Not signed. Very good condition.

China ink and white lead on paper. Hand signed (Ratalanga). Very good condition.

First introduced by Liberty around 1902, Tudric pewter became famous for its refined finish, achieved by blending lead-free pewter with a modest proportion of silver to yield a soft,...

China ink and white lead drawing on paper. Not signed. Very good condition.

The exterior is finished in a vibrant, high-gloss lead glaze in varying tones of green. This glaze pools heavily within the deeply carved facial furrows, eyelids, and ear folds, crea...

The body is dressed in a rich palette of lead-based majolica glazes. Glossy cobalt blue fills the shaped lip and the lower lobed cartouches, offset by warm ochre accents, deep chestn...

Executed in fine English bone china, the plates offer a translucent body with a glossy lead glaze. Measuring 23 cm in diameter, this intermediate format serves equally well for lunch...

The scene is closed on the right by a curtain and a plate rack with dishes arranged on a blue cloth, while a leaded glass window lights the back wall. In the foreground, a small dog ...

The body is covered in a vibrant, beautiful light yellow lead glaze that stops perfectly above the unglazed terracotta base.

The upper section is covered in a vibrant, copper-green lead glaze that runs down in thick, natural drips over the unglazed terracotta body.

The interior and the upright rim are finished in a vibrant, bright green lead glaze, which creates a striking contrast against the pale, unglazed terracotta exterior.

Faceted panels and deep wheel-carved blossoms define this petite suite of six Bohemian liqueur glasses. Hand-blown in lead crystal tinted with a rich amethyst hue, each vessel tapers...

Their symmetrical compositions feature soft rose and blush pink tones, vibrant cobalt blue accents, warm amber and golden hues, and deep ruby red details, all beautifully outlined by...

In 1908, Wennerberg left Gustavsberg and Ekberg became the lead artistic director and ceramic designer. His works were displayed at the Stockholm Exhibition of 1909 and in the Swedis...

In 1908, Wennerberg left Gustavsberg and Ekberg became the lead artistic director and ceramic designer. His works were displayed at the Stockholm Exhibition of 1909 and in the Swedis...

In the process, as Wilfrid Blunt describes it, the dried plant was passed under pressure between a steel plate and a plate of soft lead, leaving a precise impression in the lead from...

Broken rock in the foreground and a track along the slope lead the eye down the fall of the hill, and the figures are kept very small so that the scale of the down is not lost.

The jug features a vibrant, copper green lead glaze noted for its rich gloss and thick texture, artfully centered by vertical, hand-applied ochre yellow bands.

When we acquired this piece we took it to the long standing Queensland institution, The Pen Shoppe, who serviced the mechanism, refilled it with lead, and have kindly provided us wit...

Arts and Crafts Glazed Liberty Bookcase with Open Shelving This piece is being offered from a dispersal sale of Arts and Crafts mainly Liberty and Scottish School pieces which wil...

Starting in 1906, Daum revived pâte de verre (glass paste), an ancient Egyptian method of glass casting, developing the method so that by the 1930s Daum's window panels used pâte de ...

Formed in an oval contour reflective of the Louis XVI revival style, the box relies on substantial lead crystal glass to produce crisp refractions across the flat-topped lid and curv...

Condition is fair to good for lead-glazed earthenware of this period, with bright glaze colours throughout.

The frame, likely late 19th to early 20th century, is constructed of zinc or lead-coated metal, once part of a rooftop dormer, now repurposed into a decorative mirror.

The elegant, fluidly turned stiles lead down to shaped armrests that culminate in classic sculpted "mushroom" button caps over slender turned front posts.

The tall, tapering back stiles lead down to a comfortable drop-in slip seat upholstered in a beautiful, hand-stitched needlepoint tapestry.

Colonial Williamsburg Foundation, teapot and cover, accession no. 1956-361,A&B: a small lead-glazed earthenware crabstock teapot in manganese tortoiseshell, possibly William Greatbat...

Josef Hoffmann subsequently invited him to join the Wiener Werkstätte and set up and lead the artist workshops. Already in 1916 Peche became deputy director of the company.

In 1908, Wennerberg left Gustavsberg and Ekberg became the lead artistic director and ceramic designer. His works were displayed at the Stockholm Exhibition of 1909 and in the Swedis...

This upper section houses four glass phials, a small dish holding lead and brass pan weights, a handheld balance beam with brass pans, a silver-plated miniature funnel, two graduated...