Antique Oval Frame

part of an architectural interior scheme.  Each panel centres on an oval mirror plate framed by a

exemplify the elaborate decorative style favored in the Victorian period. Each earring begins with an oval

representation of the woman's facial features. It retains its original oval, gilded wooden frame, protected by

century. The oval plate is framed by exuberant Rococo scrollwork and surmounted by an elaborate crest

in an ornate Louis XVI–style giltwood frame with an oval sight, probably contemporary to the work

with an approximate combined weight of 0.95 carats, to a framed oval cameo design, featuring a raised

intact, evoking the craftsmanship of 19th century provincial France. Mounted above is an elegant oval

within an elongated oval plaque, framed by an Etruscan rope-twist and beadwork border typical of the

period. The oval beveled glass is framed by an intricately hand-carved surround, featuring stylized

the Bigg family. Jane Harris is depicted at half-length within a feigned oval stone frame, wearing a

out of the frame. Oval by sight: 4 3/8" x 3 3/8". Frame: 7 5/8" x 6 1/8". We are a family business

oval perimeter rail that frames a secondary horizontal bar and a turned central spindle. The rack is

an oval medallion framed by dense ornamental foliage. Another panel presents a square composition

gracefully rounded corners, this exquisite piece features a central oval jasperware plaque depicting cherubs

The painted and carved frames with oval padded backs, small arm rests, and seats supported by

carved beech wood. Each chair features a classic oval cane back framed by finely molded rails, surmounted

is surmounted with an impressive scrolling frame supporting an oval mirror; the revolving mirror is

18th Century Portrait of a Lady, framed in an oval-shaped, faded gold frame. A head and shoulders

19thC Rosewood and Marquetry Inlaid Cheval Mirror, with oval shaped plate, the frame with two

oval gilt wood frame.

brilliance. The design features multiple emerald-set oval and drop elements framed by finely worked silver

painted by a known Artist of the 19 th century. The size noted is for the outer Frame. The oval paintings

oval medallion framed by intricate ornamental motifs including scrollwork, garlands, and decorative

decorative spirit of the Belle Époque period. The oval glass is framed in finely cast silverplated over

, restrained ornament, and an emphasis on symmetry. The oval backs are framed by finely carved rails, flowing

is framed by an oval cartouche bordered in yellow and white, flanked by geometric blue accents that

intensity and camaraderie of early road racing. The central oval vignette is framed by a decorative border

, and classical ornamentation. The oval inner frame, surrounded by finely detailed corner motifs

adorned with swirling-motif engravings, and the backside features an oval-shaped frame, which would allow

centred by twin oval medallions framed in concentric cane work. The frieze and legs are enriched with

popular during the Victorian period. The oval cameo is framed by a halo of rose cut diamonds set in silver

enriched by a refined Breccia Pontificia marble top. The oval top, framed by a shaped molding, is made from

in richly detailed bronze, the oval form is framed by a sculptural openwork rim adorned with grape

, foliate ornamentation, and crisply modeled classical motifs. The bodies are adorned with oval portrait

A Victorian pendant crafted in 18kt yellow gold. The piece is set with a large oval banded agate

, consisting of fine inlays covering the surface. The lid is adorned with a central oval panel framed by silver

medallion is framed by concentric ovals of stylized botanical garlands, acanthus leaves, and intricate

carved and centered by an oval medallion framed with delicate floral and laurel motifs, reflecting the

sits an oval porcelain portrait framed in gold — delicate, aristocratic, composed — watching the room

patterning. The central oval medallion is framed by a rich, looping border of ivory and crimson. Within the

features a round pierced seat with a sunburst motif and a scrolling openwork backrest framed within an oval

, showcasing his refined neoclassical style and allegorical sensibility. The composition, framed within an oval

for the Taj Mahal. Each in a gold leaf rectangular frame with oval opening with a simple raised bezel

marquetry on a tortoiseshell ground. Oval curved top and frame with drawer and contoured brass moldings. In

Pair of English 18th century (circa 1765) rococo (Chippendale) gilt mirrors oval shaped framed with

This is a lovely late 19th century mahogany side table with an oval rouge marble top framed by a

. Framing tips Excellent framed as a full suite in matching frames for a statement wall, or individually

canvas depicting Sophie Charlotte of Hanover, Queen of Prussia. The figure appears half-length, framed in

armchairs were crafted by bending corrugated cardboard inside a bentwood frame, with black oval-headed iron

and impressive antique brooch has been crafted in 20k yellow gold with a 9k yellow gold pin. The oval

Ottoman Empire. This example features a central medallion framed by an oval lattice field, with scrolling

giltwood Empire frames with oval windows executed by a a noted early 19th century portrait artist

floral motifs. The design is organized around large oval reserves framed by gilt borders. On one side of

yellow gold frames. Each oval cameo depicts a classical female profile in soft coral and ivory tones

(circa 1830–1845), presented in its original oval gilt-brass frame with protective domed glass and green

antique brooch has been crafted in 10k yellow gold with a silver setting. The pierced decorated oval

AM, in an oval and rectangle frame, surrounded by tiny rose-cut diamonds, with an oval, Etruscan