Antique Records

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Kien-lung period and record it as from the Imperial Palace of Peking; height 16 inches (41 cm), width 10 inches (26 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe them as Ming period and record them in the collection of S. E. Kennedy; height 9 inches (23 cm), width 7 3/4 inches (20 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Kang-he period and record it in the collection formed by Richard Bennett; height 11 inches (28 cm), diameter 8 1/4 inches (21 cm).

Gorer and Blacker describe it as Ming period and record it in the collection formed by Richard Bennett; height 10 5/8 inches (27 cm), width 10 1/8 inches (26 cm).

Gorer and Blacker describe it as Kang-he period and record it in the collection formed by Richard Bennett; height 29 1/4 inches (74 cm), diameter 11 inches (28 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Kang-he period and record it in the collection of G. R. Davies, Esq.; diameter 15 1/2 inches (39 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Ming period and record it in the Salting Collection, Victoria and Albert Museum; height 18 inches (46 cm), width 7 inches (18 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Ming period and record it in the Franks Collection, British Museum; height 20 3/4 inches (53 cm), width 7 5/8 inches (19 cm).

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

Gorer and Blacker describe it as Kang-he period and record it in the Salting Collection, Victoria and Albert Museum; diameter 15 5/8 inches (39 cm).

His architectural and urban prints are particularly valuable records of places subsequently altered or destroyed.

Princess Royal compiled an extensive frontline operational record throughout the global conflict. The ship engaged enemy forces at the Battle of Heligoland Bight in August 1914, befo...

The printing technique of this sheet has not been recorded more precisely than as a print, and this listing does not guess at it.

A remarkable and highly evocative set of three matching Edwardian photograph albums, comprising an unusually rich and intimate photographic record of the life, surroundings and pursu...

Dated 1830, the composition records an episode associated with the July Revolution (Trois Glorieuses), the three revolutionary days of 27–29 July 1830 that brought down Charles X and...

The working plates in particular are a straightforward record of how things were made. The sheet is the one plate from the volume that people remember.

The volumes were produced as a record of pieces Gorer handled or admired, and the plates were made with unusual care for the period.

Nosotti plaque and stock number 04633. The address recorded on the plaque, 398 & 399 Oxford Street, London, is particularly useful in dating the mirror.

This specialized filing system was particularly suited for banks, courthouses, law offices, insurance companies, and municipal record departments. Founded in Rochester in 1889, Offi...

Stamped with the War Department broad arrow and dated June 1914, the label records Size No. 2 proportions for a height of 5 feet 3 to 4 inches, a 33-inch chest, and a 29-inch waist, ...

Rather than functioning simply as a topographical record, the landscape appears conceived as an exploration of solitude, nature and spatial atmosphere.

Johann Jakob Speiser is recorded on this sheet's identification as a Swiss banker and politician, and this listing adds nothing to that which has not been confirmed.

Greenwich Observatory ledger transcripts preserved alongside the chronometer record its official acquisition in May 1865 through part-exchange of an Arnold instrument.

The canonical readings recorded in the margins go back to the 10th century, when the Baghdad scholar Ibn Mujahid established seven accepted traditions of recitation, each handed down...

Growers of the period prized such oddities, and Knoop, who drew from the tree rather than from books, was the right man to record them accurately together with the month each came in...

Júlio de Vilhena is recorded on this sheet's identification as a Portuguese jurist and politician, and this listing adds nothing to that which has not been confirmed.

Reinhold de Rosa is recorded on this sheet's identification as a military commander, and this listing adds nothing to that which has not been confirmed.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

Fridericus IV is recorded on this sheet's identification as a Holy Roman Emperor, and this listing adds nothing to that which has not been confirmed.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

A further period inscription records that Agnes Jack later gave the piece away in 1928, shortly before her death.

I could not confirm a first-state designation from the accessible record. Art Institute of Chicago Records the composition under The Seine at Port-Maurin.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

The plates are color collotypes, and the book records that it was produced and printed by the Menpes Printing and Engraving Company of London and Watford.

A scale model of our exceptional Fragment de Pied d'Apollon, almost certainly a remnant of a colossal Greek statue that has now disappeared. For the record, it is interesting to note...

Auction and dealer records also document 19th-century Kashmiri papier-mache vases with complex polychrome and gilt floral decoration, confirming the material, regional origin, and de...

Stroobant Sc. & Lith à Gand." records that L. Stroobant engraved and lithographed the plate in Ghent.

John Henry Hair both painted and engraved the view, as the lettering "pinxt and sculp." records, so the plate is his own work from start to finish.

No title, artist or etcher is lettered on the sheet. A single auction record lists an etching of this kind as a landscape after John Constable dated 1875, and the plate shares its si...

The white register dial records atmospheric air pressure in both inches of mercury and millibars, accompanied by traditional weather forecasting terms from Stormy to Dry.

Stated package dimensions of 49 cm wide by 60 cm high accompany the historical record, though individual vessel heights are not documented.

Through his paintings, Grubacs preserved the atmosphere and architectural splendour of Venice, offering a visual record of one of Europe’s most admired historic cities.

Exhibiting a refined fidelity to animal anatomy and natural texture, he produced his earliest recorded works around 1833 and remained active until the year of his death in 1889.

A Recorded Connection to Antoine-Louis Barye Most intriguingly, the family inscription records that a brother-in-law was Antoine-Louis Barye (1795–1875), the celebrated French Romant...