Antique Satyr

In the other candlestick one observes the satyr Pan while, with a poured chalice, drunk a small faun.

The body is ornamented around its base with stylised leaf forms, and its centre features a large painting of a flower. Navy porcelain satyr heads project from the shoulders of the ur...

A fine Meuble d'Appui by Vedder of Paris Constructed from gently patinated mahogany with brass-inlay to the edges, the cabinet of breakfront form resting on decorated toupie feet ...

The structural composition of the table is made firm with ‘X’-form cross stretchers of gilt-bronze with small bas-relief circular effigies of a satyr at the cross-section. The balan...

This example, which we feel is from the mid-19th century, is brilliantly carved, Whimsically, a goat peers out from the stump, wrapped in vines while the Silenus, chief of the satyrs...

Each candelabra consisting of an urn decorated with a continuous relief frieze of cherubs goats and garland superbly chased scenes of cherubs at play with goats and garlands, in the ...

The entire design and condition is remarkable, but the incredibly well carved faun or satyr sculpture in the stem of this table really is what takes it to the next level.

Flanked on either end of each candelabra are two satyrs each holding up a candelabra arm with superior quality, each wrinkle in their faces and hair on their heads is visible.

The body of the vase is detailed with carved Bacchus and Hercules masks and their attributes, club and thyrsus, between two satyrs, the pelt of the Nemean Lion below. Intertwined vin...

. - Japanese Fayfena or Brigantine boat, where the bow is shaped like head of an elephant. - Water Satyr and an Orangutan. This plate originates from the very scarse: 'La Galerie Agr...

The base is surmounted by a large patinated bronze sculptural group of a satyr and female figure, both of whom are engaged in Bacchic revelry.

The side panels, back and top all display stunning intricately inlaid designs with richly detailed tortoiseshell reserves of flowers, palmettes, horses and chariots, and satyrs playi...

One of the frieze mounts depicts a nymph, a youth and a satyr in playful embrace whilst the other depicts a putto in an attempt to prevent a goat from reaching a vine above a smoulde...

He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia he is recognized as the god of fields, groves, and wood...

This lovely small pair of two-light candelabra are made in gilded bronze and were made in France around the turn of the century. Cast as a satyr holding up sinuous candle arms termin...

The table is supported on four curving cabriole legs, which are set on scrolling gilt bronze feet and mounted with gilt bronze grotesque style satyr masks. The shaped table top is fr...

A very close comparison in terms of quality and pictorial style can also be made with a centerpiece from the Francesco Franchi collection in the Pinacoteca of Varallo Sesia, depictin...

The ornately carved drop-front cassone with an allegorical in-relief carvings depicting playful Putti among satyrs, fruits and acorns, centered with a carved winged lion holding a sh...

It is composed by to rounded elements decorated with the figures of Bacchus playing a flute in one side and the satyr Pan playing an harmonica in the other side.

Additionally, the merry reveler is accompanied by a boyish satyr playing trumpet - it hides behind man's back.

Next to man's feet there is a little satyr with a gnome's features visible: It holds some documents in both hands - these paper sheets have been drawn of a half-open casket being vis...

A very fine Italian 19th century carved Carrara marble figural fountain "Jardinière" modelled as a standing Putto and a Satyr supporting a sea-shell, on a rockwork base (drilled for ...

It is a powerful subject that combines all elements of the Bacchanalia: pan-pipes laying restive on the ground, pine cones, the tambourine in hand, grapes and the dancing satyr. Deta...

The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask.

Born from the union of Zeus and Persephone, as a child Dionysus was raised by the satyr and Silenus. In adulthood, Dionysus traveled East to India, spreading his knowledge of arts an...

Each reeded stem with draped scarf supporting oil lamp shaped arms centering satyr headed candle cups. The bases are decorated with mask heads and are raised on tripod lions paw feet...

The shaped rectangular top enclosing a gilt tooled brown leather writing surface within a molded border above a long central drawer enclosing a fine modeled mask of Hercules wearing ...

The handles of each vase are in the form of patinated bronze satyr’s masks. This important pair of candelabra are after the model attributed to the ciseleur-doreur François Rémon...

The final pair once again a triumph of woodcarving, dominated by a cascading fountain, each ripple and wave delicately hand carved. Two satyrs dancing among fish, snails, and salaman...

In the lower right corner we see a group of satyrs serving the wine, accompanied by rich metal vessels worked with a detailed and descriptive brushstroke.

Pacilli, at his studio ‘poco prima dell’Arco della Regina alla Trinita dei Monti,’ exercised, what the nineteenth-century scholar, Adolf Michaelis called ‘rejuvenating arts’ on seve...

Pan was a non-Olympic deity, with the appearance of a satyr, linked to forests and nature. He was the shepherd god, the god of the countryside and pastures.

Four leafing-scroll mounted supports with hirsute satyrs. Marked “Sterling”. Heavy weight: 189 troy ounces.

Each: Urn socket on upward tapering and knopped shaft; raised and spread base with four satyr head supports, the beard terminating in volute scroll.

Deep and tapering well and wide turned-down rim with chased Quattrocento grotesque ornament, including griffins and foliate scrolls. Satyr heads applied over leaf-and-berry border. R...

Cast figural handles with the ivy-covered heads of young Bacchus and slack-jaw satyr. Raised foot with cast egg-and-dart and chased rinceaux borders.

Besides this one, there is one other cast of the satyr sundial mentioned in the March 25, 1916 edition of “American Art News”.

Brueghel’s landscape—characterized by a meticulous handling of receding space and populated with beautifully-observed animals, fruits, flowers, and other natural elements—here serves...