Antique Sepia

Produced circa 1885, this sepia-toned print demonstrates the sharp tonal clarity characteristic of albumen printing from large glass negatives.

The pages combine multi-colour lithographs with soft sepia and monochrome line illustrations, depicting scenes of young children playing domestic games, washing doll clothes, and int...

On offer is an intriguing monochromatic figurative watercolor rendered in sepia tones with white gouache accents. It features a reclining male nude figure resting across minimalist, ...

Eberson, an uncoloured lithograph in warm sepia tones from J. H. Leliman's album, 1865 to 1866.

Mineral pigments in shades of charcoal, sepia grey, and soft off-white have been smoothly blended and fired into the glaze, with finely flecked white highlights creating an atmospher...

The oval photograph panel is framed by a dainty brass border and protected by a glass pane. The sepia portrait depicts a young lady, adding a personal and nostalgic touch.

Molemans, a steamboat landing stage and an auxiliary police station, a lithograph printed in sepia tones from the third part of J. H. Leliman's album, 1865 to 1866.

The saucer mirrors this intricate arrangement, organised around a central white reserve displaying a radiating sepia and gilt rosette. The underside of the cup base bears a hand-p...

This vintage set of four miniature portraits presents a gallery of profile silhouettes, two women and two gentlemen, each cut and painted in deep black and soft sepia tones on a crea...

Raffiné décor de guirlandes en dorure, lambrequins sépias, motifs rayonnants, palmettes... Le blanc de ce modèle particulier est probablement issu des fours de la manufacture de Locr...

This is an original antique chromolithograph, printed in sepia, tan and buff, lettered "Fin du XVe Siècle, STALLES EN BOIS SCULPTÉ, à l'Eglise de Vitteaux.

This is an original antique chromolithograph, printed in sepia, tan and buff, lettered "Fin du XVe Siècle, STALLES EN BOIS SCULPTÉ à l'Eglise de Vitteaux.

This is an original antique chromolithograph, printed in sepia and warm brown, lettered "RÉTABLE en chêne sculpté (1500) placé sur l'Autel de l'une des Chapelles de l'Eglise paroissi...

This is an original antique chromolithograph, printed in sepia and brown, lettered "RÉTABLE en chêne sculpté (1504) provenant de la Cathédrale de St Bavon (Gand) représentant la vie ...

Woven in a sophisticated monochromatic palette of warm browns, ochre and golden beige, the tapestry has the appearance of an antique sepia engraving. The subtle tonal contrasts highl...

The draughtsmanship relies on minute, cross-hatched pen and sepia-toned ink work, delineating the intricate mottling of the feathers, barring along the flanks, and the limp posture o...

A glass pane protects the sepia photograph of a mother with her child, a tender domestic portrait typical of the period.

A pair of large Italian Neoclassical drawings depicting scenes from the life of Julius Caesar, executed in sepia ink and wash with white gouache highlights on paper.

This is an original antique chromolithograph, printed in sepia and brown, lettered "RÉTABLE en chêne sculpté (fin du XVe siècle) provenant de la Cathédrale de St Bavon (Gand) représe...

John Abbott – Osage (Plate 680) is an original sepia-toned photogravure by renowned American photographer and ethnologist Edward S.

Moss for the Baby-Bags – Cree (Plate 625) is an original sepia-toned photogravure by legendary American photographer and ethnologist Edward S.

The boy at the left, his shaven head dressed with a topknot and side tufts, wears an open lemon-yellow jacket sprinkled with sepia flowerhead roundels over rose-pink trousers, his ba...

Behind the glass pane is a sepia family photograph of a mother with her child.

The palms rise in a dense column on the left while one breaks away in a long diagonal across the sky, echoed below in the water and reeds. The print has warm sepia tones on matte pap...

To the reverse is an easel‑style metal stand and a small hanging hoop supported by gently undulating brass panels, allowing the frame to be displayed either on a tabletop or mounted ...

London: Benjamin White [& Walter Shropshire], 1775-1776. 3 volumes, 4to, 11 3/4 x 9 1/8 inches (290 x 228 mm); Vol. 1: [2], iv, [2] table, 112 pp, 68 sepia plates [2 plates are numbe...

A lanciform vase has rocks in shades of blue enamel, upon which is perched a pheasant in sober plumage regarding her mate, in more brilliant plumes, perched upon the sepia-shaded tru...

In portrait frames, it was often chosen to evoke stability and dignity — qualities that complement the formal sepia photograph of the sitter protected behind the glass.

Rendered predominantly in warm sepia and ochre tones, the work has the appearance of a late 19th or early 20th-century European illustration.

Behind the glass sits a sepia portrait of a child. Art Deco design favoured bold geometry, streamlined profiles, and innovative materials, and Bakelite became a signature medium for...

A glass pane protects the sepia photograph of a young girl posed beside a flower‑ornamented piece of furniture, and the reverse retains its original easel stand.

Soyaksin – Blood (Plate 651) is an original sepia-toned photogravure by iconic American photographer and ethnologist Edward S.

These magnificent, deeply figured natural calcite alabaster bowls present a rich tapestry of warm amber, honey, and sepia tones. This striking visual depth is the result of centuries...

La composition asymétrique associe la précision d'une impression au transfert brun à de riches rehauts polychromes posés au pinceau : nuances de bleu cobalt, vert végétal et tons sép...

Composition & Iconography: The scene captures a stylized desert oasis caravan rendered in a warm, monochromatic sepia palette. A dignified Berber or Bedouin leader in a heavy draped ...

Limited Edition. 4to, 12 7/8 x 10 inches (328 x 253 mm); rubricated title page; 20 color plates from pencil drawings by Antoine Calbet, all with tissue guards captioned in sepia ink;...

Produced using the chrystoleagram photographic process, the image has been treated and enhanced to create a softly painterly appearance, combining the precision of photography with t...

Verlaine consequently appears to emerge from—or dissolve into—the warm sepia atmosphere surrounding him. A darker aquatint tone gathers around the lower body and right side, while th...

The image features a head and shoulders portrait of a Tewa tribe member from the Nambe Oweenge Pueblo in New Mexico. The sepia tone is typical of Curtis along with the deluxe Japanes...

The woman photographed is an indigenous woman from the Santa Clara Pueblo in New Mexico. The sepia tone is typical of Curtis along with the deluxe Japanese Gampi tissue, often referr...

"Tse-Kaq" pictured here is a "Cacique" which is a traditional spiritual chief within the Southwest Pueblo Native American community (see image; noted and printed in the bottom margin...

The necklace is held together by an exquisite and rare Georgian clasp dating from the 1780s, which takes for form of a hair-work and sepia pastoral scene. It shows a country cottage ...

The lithography is worked in warm sepia tones with soft shading for the trees and shrubs, and two scales are given, one for the roof detail and one for the plans.

The lithography is fine, uncoloured line with soft grey and sepia washes. Jan Hendrik Leliman (1828 to 1910), an Amsterdam architect and a founder of the architects' society Architec...

The lithography is in the same warm sepia wash as plate 8, without printed colour, the trees and sky rendered softly to set off the pale stone.

Wonderfully executed reminiscent of Zuber Wallpaper but with an artist's hand. Sepia Grisaille Cherubs with Faded Teal Blue Background.

The scene shows fashionably dressed figures dancing and socialising within an extensive formal garden, with further figures seated around a table and beneath an elaborate latticework...

The rim carries four panels of turquoise cell diaper, each bordered in blue and yellow and pointed inward with a pink triangle, with a pink peony at the outer edge, alternating with ...

The exterior is wrapped in its original crimson cloth, featuring striking Art Nouveau botanical borders that epitomize Edwardian-era bookbinding. Inside, the sepia-toned pages exude ...

Condition: London, The Guildhall (sepia/off-white/blue/pink) - Discoloration right edge.__- Stradford-on-Avon, The Shakespeare's school (sepia /offwhite /blue /green /pink) - Both ...

Around the rim runs a deep border of large pendant lappet-shaped panels, their ground densely worked with dark sepia-brown scrolling curls and overlaid with famille rose peonies, chr...

Pen and ink in sepia and watercolor on board, 7 x 11 1/2 (178 x 293 mm), the full sheet.

This sepia-toned etching depicts a serene pastoral landscape, with a majestic mountain dominating the background while lush trees frame the foreground.

Apio-Mita (White Dog) – Blood (Plate 648) is an original sepia-toned photogravure by legendary American photographer and ethnologist Edward S.

Charming in its simplicity, the ‘Orchid’ pattern exemplifies the Aesthetic Movement philosophy of “Art for Arts Sake.” Transfer printed in sepia on a creamy white ground, cylindrica...

Vase "Cariatides" made in glass with sepia patina by Rene Lalique in 1920. Molded signature on bottom and engraved control signature.

Charming in its simplicity, the ‘Seine’ pattern exemplifies the Aesthetic Movement philosophy of “Art for Arts Sake.” Transfer printed in sepia on a creamy white ground, the jug has...

Pen and sepia ink wash on cream laid paper, 4 1/8 x 6 3/16 inches (103 x 152 mm).

The illustration captures the refined craftsmanship of period French furniture, highlighting ornate carvings, scrolling forms, and plush upholstered elements in rich sepia tones. Pro...

Ink and wash in sepia on cream laid paper laid down to board, 5 5/8 x 9 1/16 inches (143 x 301 mm), the full sheet.