Antique Sepia

Within it sits an oval paper mount framing a sepia portrait of a man dressed in the traditional attire of the period.

The palette is dominated by earth tones—sepia, muted ochre, soft forest greens, and indigo gray sky washes.

A Gravure on copper etching colored in earthy sepia tones. At the top right, a cartouche with the inscription “Raise plan.

The glass‑covered panel holds a sepia photograph of a child, signed to the reverse by the photographic studio.

Beautifully printed in rich sepia tones, the photographs faithfully reproduce two of Thorvaldsen's most admired allegorical compositions, showcasing the sculptor's refined treatment ...

Executed with confident line work and delicate sepia washes, the artist has captured the relaxed pose and character of the sitter with remarkable economy and skill.

A charming late Georgian figure study depicting a standing man leaning casually against a wooden rail. Executed in sepia washes with confident, economical line work, the artist has c...

Wichita Grass House (Plate 654) is an original sepia-toned photogravure by iconic American photographer and ethnologist Edward S.

Kindling Fire – Assiniboin (Plate 631) is an original sepia-toned photogravure by iconic American photographer and ethnologist Edward S.

English School, 19th century c1850. Graphite and wash in sepia and brown ink on two sheets of heavyweight wove paper, 10 1/4 x 7 inches, (260 x 178 mm), the full sheet.

Aquatint with engraving printed in sepia on cream wove paper with a partial 1805 watermark, 6 x 9 1/2 (153 x 242 mm); sheet 10 3/8 x 14 1/8 inches (264 x 360 mm), full margins.

Executed in a beautifully balanced palette of soft sepia, warm ochre, muted beige and subtle terracotta, the tapestry has developed a gentle natural patina over time.

Turner designed and etched the plate himself, and the sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857).

Pen and brown ink drawing, with sepia and gray wash highlights, portraying a hunchbacked man wearing a long coat.

These darker, grounding motifs float elegantly against a time-softened field of warm beige and taupe, creating a sophisticated, sepia-toned effect that feels both deeply historic and...

Cheyenne Sun-Dance Lodge (Plate 660) is an original sepia-toned photogravure by celebrated American photographer and ethnologist Edward S.

Lucero – Santo Domingo (Plate 557) is an original sepia-toned photogravure by legendary American photographer and ethnologist Edward S.

The boy at the left, his shaven head dressed with a topknot and side tufts, wears an open lemon-yellow jacket sprinkled with sepia flowerhead roundels over rose-pink trousers, his ba...

A rare and historically significant sepia-toned photograph by noted American photographer and explorer Frederick Monsen (1865–1940), depicting Mojave children along the Rio Colorado ...

Executed in pen and ink with sepia watercolour wash, the drawing captures the energy and elegance of both horse and rider through confident, fluid linework and expressive brushwork.

Turner designed and etched the plate after his original painting of the same subject. The sepia gradations of tone were added through mezzotint by Charles Turner (1773-1857).

Oksoyapiw – Blackfoot (Plate 639) is an original sepia-toned photogravure by legendary American photographer and ethnologist Edward S.

A team photograph of a military hockey team in India, 1919 - 1920. The sepia team photo is mounted on the official Cambridge photographers mount 'Charles B.

Drawn in pen and ink with delicate sepia watercolour washes, the composition captures the energy and movement of galloping horses and animated military figures, one raising a curved ...

The exterior bears two large figural reserves depicting mandarins, elegant ladies and children gathered upon garden terraces and balustraded riverside settings, reserved upon a dense...

Stsimaki (Reluctant-To-Be-Woman) – Blood (Plate 650) is an original sepia-toned photogravure by celebrated American photographer and ethnologist Edward S.

European School, 17th century Ink and wash in black, sepia and grayish brown ink with white heightening on wove paper, 12 1/4 x 9 3/4 inches (311 x 248 mm), the full sheet.

The center & conforming border feature gilded sepia ground flowers with famille rose vines & dotted rose & blue flowers.

Executed with delicacy and considerable decorative charm, the composition captures the romantic sensibilities of the Georgian period, with warm sepia and soft earth tones lending the...

Executed in pen and ink with sepia watercolour wash, the drawing captures the character and costume of the figures with confident, economical linework and lively observation.

Inside the frame is a sepia portrait of two young girls. The frame embodies the expressive craftsmanship of the era, balancing sentiment with ornament.

This authentic antique Turkmen Ersari rug showcases the classic "elephant foot" or Gull design, rendered in a sophisticated, muted palette of sepia, chocolate, and sand. Hand-knotted...

Cream & white with cobalt highlighted handles & sepia borders. Pattern 1485. Impressed mark. Light staining & crazing; a few small nibbles en verso. 11 1/2" x 9 1/8" x 2".

The vibrant decoration reflects the aesthetics of traditional Chinese enamel painting, with a palette of iron red, copper green, yellow, and sepia tones, characteristic of Famille Ve...

Executed with delicacy and considerable decorative appeal, the composition combines portraiture with idyllic landscape in a manner highly characteristic of late 18th century English ...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

The muted color palette—sepia, cream, and soft blue-grey—reinforces the poster’s understated sophistication, distinguishing it from the more flamboyant Art Nouveau posters of the pre...

A well executed, intimate figurative work by the artist, depicting a young male model seated in pose in a studio interior. An exceptional sepia toned charcoal figure drawing by Ada...

A well executed, intimate figurative work by the artist, depicting a young male model seated in pose in a studio interior. An exceptional sepia toned charcoal figure drawing by Ada...

A well executed, intimate figurative work by the artist, depicting a young male model seated in pose in a studio interior. An exceptional sepia toned charcoal figure drawing by Ada...

A well executed, intimate figurative work by the artist, depicting a young male model seated in pose in a studio interior. An exceptional sepia toned charcoal figure drawing by Ada...

A well executed, intimate figurative work by the artist, depicting a young male model standing in pose in a studio interior. An exceptional sepia toned charcoal figure drawing by A...

A well executed, intimate figurative work by the artist, depicting a young male model standing in pose in a studio interior. An exceptional sepia toned pastel figure drawing by Ada...

The photograph features a delicate sepia-toned finish and bears the authentic studio mark of "Blackmon," showcasing the meticulous craftsmanship of early professional portraiture.

FIRST EDITION. 4to, 11 3/4 x 9 1/8 inches (290 x 228 mm); title, [4], 119, [1] index of manuscripts, [4] catalogue of plates; 24 pp. supplement; 72 engraved sepia plates. Contemporar...

Rene Lalique clear & frosted, sepia stained glass perfume bottle. 'Ambre Antique' design.

Each plate is meticulously painted with a dense, asymmetrical composition of oversized, overlapping tropical foliage rendered in a vibrant palette of chartreuse green, deep iron-red,...

The vases are beautifully hand painted with continuous landscape scenes in warm sepia tones, depicting coastal views with sailboats, rocky shores, and windswept trees reminiscent of ...

In this unique perspective typical of Prout, the subject is of a tight, almost obscured angle. The warm sepia tones of the setting sun cascade downwards through the painting.

Dial: Silvered, applied gold Arabic Breguet numerals, outer minute track with gilt dot markers, subsidiary seconds at 6, signed Movado. original and untouched, warmed to sepia Plea...

Struck by the renowned Suffolk Engraving Company on premium, heavy handmade Dutch Van Gelder paper, the oil-based sepia ink is physically pressed into the cotton fibers.

Château de Pau catalogue Musée du Louvre, Département des Arts graphiques—former custodial holding: Portrait of a Woman, 1837, graphite with India-ink and sepia wash, oval, 18.7 × 15...

Architectural landscape watercolor with sepia color tones

Within, a broad band of bright yellow enamel encircles the central well, hand-painted in dark sepia with a continuous garland of laurel sprays set alternately upright and pendant, th...

The group depicts Re Umberto I, Re Vittorio Emanuele II, Re Vittorio Emanuele III, Regina Margherita di Savoia e Conte di Cavour. Executed in sepia tones, the photographs display the...

To look into this mirror is to engage with history itself; it captures light with a soft, poetic hue, transforming the contemporary environment into a sepia-toned memory. This is not...

Layers of warm ochres, soft sepias and muted greys evoke the distinctive haze of the Thames, while swift, energetic brushwork captures the play of light across the water and the indu...

The sheet shows a warm sepia tone from paper oxidation and scattered foxing typical of its age.

Medium: original etching. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne.

The beautifully aged, organic tones of the wood match the sepia-toned photograph and off-white mat color, creating almost monochromatic, tone-on-tone brown color palette.