Antique Sepia

A gloomy and deeply atmospheric watercolour scene in sepia tones showing and elderly, ragged man testing the water in front of him with his stick.

Typical of that era is a desirable slight sepia tone to the print, which is made from the original negative (see images).

This antique framed photograph features an iconic image of Pancho Villa, one of the most renowned leaders of the Mexican Revolution. The sepia-toned vintage print is printed on canva...

Moreover it uses an incredible range of browns, sepia and camel. This kilim has been professionally washed and is ready to be enjoyed for many years.

The background architecture, including the unmistakable silhouette of the Eiffel Tower and surrounding Haussmannian facades, is rendered in sepia tones and ink, contrasted sharply ag...

The second plate focuses on *Bucheinbände* or historical bookbindings. This sepia-toned composition presents a harmonious array of ornamental elements used on 16th-century leather-bo...

Van Gogh’s meticulous use of ink, sepia, and pencil captures the rich textures of her heavy dress, conveying both its weight and the quiet dignity of the subject.

The piece is decorated in the Mason's recorded pattern called "Basket of Flowers" which is a vibrant floral pattern, hand polychrome enamelled over a sepia print on a white glaze. Th...

Maintenon Aqueduct is an excellent Sepia etching realized in the Second half of the XIX Century by the Italian artist and architect Luca Beltrami.

Use a light off-white or cream mat to complement the sepia tones, and consider a simple wooden frame in dark brown or black.

Framing Tips: A dark wood or matte black frame would beautifully offset the sepia and natural tones of the print. Consider a warm beige or tan mat to enhance the historic feel, dra...

Mary’s Church, Oxford Etching 40 x 47 cm From The Oxford Portfolio a series of thirteen views printed on Sepia paper; very rare.

Earthenware tiles, dust-pressed cream body, transfer-printed in black and brown sepia under a clear glaze. This set depicts characters or scenes QUENTIN DURWARD Louis Quentin and Jac...

The scarlet red border creates nice contrast with the sepia text and illustrations and the white background.

Antique English tray table with a lacquered paper mâché tray painted with a landscape depicting a shepherd and his flock in the countryside with an alluring sepia tone technique. The...

This English fabric map of Cornwall, rendered in pen-and-ink, showcases exquisite hand-drawn details and charming faded sepia tones. Encased in a classic frame, this piece elegantly ...

Works incorporating the reddish enamel known in China as zhucai (yellowish-red colour-or sepia often are grouped with ink-colour wares as well Condition Lid with replaced metal kno...

Striking pair of large scale baluster form urns in Levantino Albisola style with medallions depicting various rural landscapes with hunters, farmers, horse riders, etc. in sepia brow...

CONDITION: Overall, very good condition. Six sepia albumen photographs, each mounted on a stiff card.

The Coaching Age - Stanley Harris 1888, London; 468 pages Presents well, with intact pages and minimal coloration Hard bound in a tasteful cobalt blue cotton and gilt titling Cover f...

This black-and-white photograph captures the intricate Italian architectural details, focusing on a central seated sculpture of a Roman warrior, whose reflective gaze adds a meditati...

This French folding screen, crafted from toile fabric, showcases a sepia-toned medieval scene that brings historical narratives to life.

First Edition, Second Printing. 8vo, 8 5/8 x 4 3/4 in. (220 x 140 mm), title + 260 pp. 30 full-page one-sided sepia aquatints by George Criukshank. 3/4 bound in red calf with red can...

The neck of the vase is adorned with a continuous painted frieze rendered in sepia tones with gilded highlights. The detailed artwork depicts two Greek gods: Bacchus on the front, ri...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

Reflections dance on a saturated stone floor of sepia. Exquisite Renaissance Revival style. Titled: “Wiener Hofburg Neue Redoutensal.”

The paintings are done in muted pastel tones with sepia tone outlines. Both watercolors are framed in very elaborately hand carved softwood frames with a gilt finish.

This lovely Second Empire trumeau mirror in carved French walnut with shaped, bevelled mirror and beautiful painted panel in sepia tones depicting classical putti in the style of Lou...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

One of the forever-classics of world literature interpreted in a highly decorative Art Nouveau style, with color printing, gold frames on every page, and orientalist sepia wood engra...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

The tapestry featuring a palate of blue, green and sepia-tones.

An early Worcester Flight & Barr bright yellow beaker with gilding and a finely painted sepia scene of a landscape. The scene, possibly painted by John Pennington, shows two figures ...

Toussaint's use of a warm color palette, dominated by shades of gold and sepia, imparts a timeless quality to the scene, evoking a sense of nostalgia for a bygone era.

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Sepia mezzotint by Richard Earlom (1743-1822) After Claude Gellee ('Claude Lorrain') (1600-82).

Light Tan or Beige: These earthy tones harmonize with the yellowed or sepia tones often seen in old maps, giving a warm and sophisticated presentation. 3.

The young woman’s gaze is one of hope and reliance, reinforcing the message that the nation's future depends on the bravery and support of its people. The use of sepia tones and deta...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

This set has several different images in Sepia color in double-lined rectangular shape. The images are all of different landscapes with houses, trees, columns, bridges and one with a...

With a richly gilt cobalt border & decorated to the center with a hand painted portrait of a lady with crown amongst clouds in sepia tones. Marked with the incised fish mark & 2 o...

Medium: Sepia Gouache on Board Dimensions: 25.50" x 16.50" Signature: Signed Lower Right Story Illustration, Two Victorian women, man reading letter Lowell moved from Chicago...

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.

Hand-knotted from high-quality wool, the piece showcases a richly nuanced tonal palette of warm sepia, soft taupe, and chocolate brown, creating a stunningly distressed aesthetic tha...

This set of 20 pieces in sepia color depicts individual portraits, couples, groups, landscapes, and architecture in various countries and locations, most in vertical format, while so...

The imagery features an oval medallion with a portrait of George Washington, in sepia ink, on a striking blue background. Above this is a spread-winged eagle, flanked by 13 star flag...

Signed in pencil lower right. Created with Sepia ink. Signed lower left “Felsing” in pencil.

Dimensions: 30 in H x 55 in W, actual; 41.5 in H x 65.5 in W x 5 in D, framed. The sepia photograph is on the Bosco Terrace and was taken by Gabrielle Hebert, circa 1885-1896.

Beautiful, serene sepia watercolor of a moonlight sail on archival paper attributed to Robert Montgomery.

Clear glazing on a cream colored clay ground with a hand painted sepia glaze to the key pattern. The last two photos shows the tureen sitting on a corresponding bread tray – offer...

The other frame has two sepia tone trade cards: "Spise a Mule Bank" which is depicted as "Kicking Mule Bank".

Mezzotint with etched lines, printed in sepia. Engraved by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devon...

Condition: Overall, very good condition. Three vertical sepia albumen photographs, each mounted on a stiff card.

Mezzotint with etched lines, printed in sepia. Engraved by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devon...

., Engineer Signed and dated 1827 Sepia watercolour on paper 30 by 50.5 cm., 11 ¾ by 20 in.

Prints realized by hand-processing methods with a sepia toning process Tears and folds on cardboard, Slight scatches on prints, good conditions.

His palette reflects his purity of purpose, which comprised only the following ten pigments: Yellow Ochre, Gamboge, Indian Red, Brown Pink, Vermillion, Prussian Blue, Indigo, Burnt S...