Antique Sheep

Anatolia. The antique kilim runner presents entirely in shades of undyed brown sheep wool. Naturally earth

achieved through the use of unprocessed wool from native sheep breeds, giving the rug a warm and organic

with a child study the ducks in a pond. There's a gathering of cattle and sheep with their tenders just

dramatic peaks, with grazing sheep and autumnal trees guiding your eye toward the village nestled below

chairs feature boldly carved frames with pronounced os de mouton (sheep bone) legs and sculptural

PAIR of French XVI style porcelain figures of 18th Century man with dog and lady with sheep holding

sheep, goats, and attentive dogs. The subjects are beautifully executed with delicate brushwork and

Oil painting on canvas depicting two sheep resting on a grassy bank. The painting portrays a

idyllic scene depicting cottage, maiden, fishermen, dogs and sheep, and mounted on a turned shaft standing

birds in flight. On the right bank, a female figure with a child accompanies a flock of sheep along a

, with long since removed friezes. Known as the Plutei of Trajan, the marble relief of the bull and sheep

sacrifices, a pig, a sheep and a bull were sacrificed to the god Mars to bless and purify land. Most notably

gentleman and lady engaged in gentle interaction, surrounded by lush landscapes with trees, sheep, and

marked on the back with famous Lamm mark - underglaze blue sheep. Sauce boat is unmarked, gilt

, brown piping and rounded armrests. All original sheep hide leather and stuffed with horse hair

shepherd guiding a flock of sheep along a descending path in the foreground, leading the eye naturally

, Rosa Bonheur’s sheep are some of the most cherished. Sensitive and exacting, the manner in which she

Sheep, early spring Japan. Kyoto, early spring 1919 Maruyama School painting 31.8 x 45.6 cm Nakajima

tranquil countryside scene with a herd of cows, sheep, and goats gathered at a watering edge, overseen by a

sheep resting in the foreground. Signed and dated lower left. Presented in its original handmade antique

Highland scenes, particularly known for depictions of sheep and cattle set within the Scottish landscape

shepherdess and her flock of sheep is part of this story. This line of thought must be placed against the

his evocative depictions of sheep and barn interiors, works such as this reveal his foundation as a

wearing a long dress with two angels. The base of the mantel clock is enhanced by two golden sheep, raised

the Legion of Honneur in 1895. Isidore Bonheur’s bronzes range from domestic cattle and sheep, which

allover patterns. The rich, heavy pile comes from local Irish sheep.

and sheep stand just beyond. In the background, the narrative expands with additional groups of

derived from sheep’s wool, giving each triangle a slightly variegated look, enhancing the artisanal feel

patterns are abstract and geometric, the rigorous color palette usually includes one or more natural sheep

sheep, dated circa 1660. Tile 6: Biblical scene depicting David and Goliath, dated circa 1780. There are

set in a soft, atmospheric landscape. In the foreground, a group of shepherds herd a flock of sheep

Germany, which were used by farmers for milking sheep and cows. These highly decorative stools have

good quality wool from sheep that grazed in the nearby mountains. The designs were primarily inspired

, the Midlands and Wales usually with the inclusion of cattle and sheep and became known as “Baker of

in the foreground, accompanied by a large flock of sheep led by a shepherd — in an open landscape at

captivating design of a shepherd with sheep. This tapestry depicts a pastoral scene in soft, muted tones. At

flattened bun feet. The base displays a continuous frieze cast in relief with two sheep flanking a central

A charming pastoral scene by Walter Stuart Lloyd (1845-1959) depicting sheep grazing on Hampstead

good quality wool from sheep that grazed in the nearby mountains. The designs were primarily inspired

symbolically loaded with meanings of protection, fertility, and continuity. Constructed entirely of sheep

Retour à la bergerie by A de Gerville, Fr. 19th C. Lovely rendition of the Sheep returning to the fold at

center for the breeding of angora sheep, whose lustrous coats give this piece its distinctive sheen and

GERMAN SCHOOL 19th century Hiker Passing Cattle and Sheep in an Alpine Landscape Oil on panel

the inclusion of small, fully modeled sheep or goats (often two) resting on the rim of the spout. This

little girl watching a flock of sheep with one lonely ewe detached from the rest. The watercolour has

across the hillside, illuminating grazing sheep and guiding the viewer’s eye toward the distant rise and

detail. One scene depicts a tranquil riverside with sheep beneath a mature tree, a small dog in the

of the painting, dotted across a field sheep and their lambs create an idyllic backdrop to the stormy

foreground, animals—possibly sheep or dogs—enhance the idyllic, rural setting. The background is filled with

the well while watering the sheep, taken from Genesis 29:1-12. Oil on mahogany board in antique

or fruit) and the flock of sheep are standard symbols of "Arcadia"—a mythical land of peace and

innocence is further accentuated by the appearance of sheep in the work, an old Biblical motif for innocence

traditionally handwoven from hand-spun wool, sourced from Navajo-Churro sheep, prized for its quality. The

and hand-spun, producing a durable yet supple textile with a distinctive texture. Natural sheep wool

, surrounded by nature, sheep, and soft drapery — typical of Boucher's idyllic and sensual world. Painted on

Ansonia Gilt Metal Figural Mantel Clock, 19th century, with seated maiden and sheep finial on

tradition. After the introduction of Churro sheep by the Spanish centuries earlier, wool became central to