Antique Vest

, wearing a European-style blue coat, a golden vest, and a black necktie. His attire reflects the diplomatic

year "1902". Meant as a vest or fob chain but long enough to be worn as a necklace. 15.5" x .5" Fob

cold paint, mixed with gilt highlights throughout the figure's vest, belt, necklace and headdress

, issuant from a bank of clouds a figure of the Virgin couped at the shoulders proper vested in a crimson

traditional skullcap, a fitted buttoned vest wrinkling nicely in the front, breeches and tall boots. His right

typically attached to pocket watch chains, which were fastened to the vest pocket. Seal fobs, such as this

candle. The right arm is pressed to the chest, holding the opening of his collared vest. The left is

, behind him the lovers: the proud officer with long hair wig, frock coat, vest white pants, high boots

characterized by a layered look, with a yellow dress and a patterned vest over it, along with a headband and

Vestal Virgin after the painting by Angelica Kauffman (Swiss 1741-1807). It depicts a young maiden

includes a pair of striking cufflinks, 3 vest buttons (which can now be used as shirt buttons) and a pair

Bronze inkwell intricately embossed with scroll work. Features include a pen vest and back tray and

more like a vestal virgin, who is not at home in the solitude of the forest. And yet, the young beauty

garbed in traditional folk costume including lederhosen and vest, but the other two figures -- including

colors of red pants, checkered light and dark blue vests, flesh tone faces and dark and a light blue tea

, the heads cast in bronze with the body of terracotta, modelled with vest without sleeves and toga

fob. The clip mechanism on top holds the fob to the edge of a pocket or vest. The fob then dangles

his renown thick mustache and wearing a bow tie, vest and coat. Inscribed on the back: F.E. Triebel

in a sleeveless doublet with ornate patterning, over which a lighter, armored vest is worn for

black tricorn hat, boots, a yellow vest, and a blue waistcoat. The meticulous painting of the face and

resembling McKinley, adorned with a black tricorn hat, boots, a yellow vest, and a blue waistcoat. The facial

a vest and a top hat, seated in an undefined space, maybe a courtyard with a carriage on the left

sports a white shirt and black vest. Both of them have a shock of flaxen hair that offers a beautiful

position further emphasised by the gaze-binding red of the reclining peasant's vest. Here George Morland

piece suit. He stands, slightly bow legged, with his thumbs in his vest armholes, fingers over the wide

man's embroidered vest and knee breeches, are indicative of the Appenzell traditional dress. These

Vesting op Rembang.' A plan of the fort constructed by the Captain E. Bintang, in the Banyumas region of

were said to be wild, savage, and lustful. Claudia (Roman legend) Claudia was an ancient Roman Vestal

, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges

return of the standards lost to the Parthians several decades before: the emblems upon his vest allude to

mandolin. In the background, sits another man, he wears an armor vest and helmet. His presence reminds the

artist Gudmund Hentze. Oval 1 - A fair haired maiden, vested in blue with a golden belt holds a dagger

classic vest form with front lapel that can flap open or close fastened by MOP buttons, a tie on the front

descriptions. (Belägerung des Vests schloss{...} Passes Gennep; Obsidio Geneappae). 6 June - July 27, 1641

These lovely large-scale figures are dressed in richly patterned blue cloisonne vests and hold a

'Portrait of a lady as Vestal Virgin', it dates from circa 1781. Albert Ritzberger (born May 20, 1853 in

hand painted with a yellow and tan bonnet, yellow and green flowers, a black vest with yellow buttons

attire, or shenyi, which comprises a long vest tied to the waist with long flaring sleeves and a hair cap

mounts. The top section shows two standing vestal virgins on either side of the white enamel dial holding

wearing most elegant Rococo garments (the man is dressed in a jacket, a vest, a shirt, he wears breeches

skirt under a vest, a koi on her back, called a cloak, a woman customarily inherited the family business

Vestal 28, Capt. Edwards Lloyd Graham; under whom, until paid off in April, 1810, he was constantly

life are known. His formal posture and black costume with green ornamental details in the vest are

hat with a wind visor and ear flaps, a high-collared vest, and gloved hands that hold his riding crop

Set in 18 karats yellow gold, eagle's head hallmark. Composed of a pair of vest buttons and a

ornamentation, velvet vest covered with metallic ribbon, findings, and beads. Two front functioning pockets

fabric distinctfully woven to create a lengthwise corded or ridged effect. The vest is in very good

This sensational 1910's French Edwardian bolero vest is lavishly embellished with glossy glass

This is a striking, early 1920's,black silk brocaded waistcoat measuring 36" around the chest. There are appropriate holes for three studs and two studs have been provided. The waist...

This striking silk long vest was created for a woman in 19th century Tibet. It was worn for special

Woman's vest, Turkey

Woman's vest, Turkey, 19th century

Samurai warriors vest from the late 19th century, on metal base.

Gilded bronze clock depicting a vestal, Empire period. 19th century. Dimensions: Width 24cm

Plains Indian deerskin and beadwork vest with meandering vine motif on the chest panels. The back

Authentic antique life belt / vest. The cork blocks are covered in canvas. Made for The Steamer

Fine French bronze upon a later stepped marble base.