Architectural Engraving

It captures Megara at a moment when classical memory, Ottoman-era remnants, and modern Greek identity coexisted, offering a refined example of nineteenth-century topographical lithog...

Louis Mercantile Library wrote that: "Ackermann excelled in the creation of landscape and architectural engravings. He created beautiful illustrations of the city of London, his ado...

He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wa...

He traveled to China, France and Italy before establishing an architectural practice in London. He became Architect of the King's Works and worked for Augusta, Dowager Princess of Wa...

Recognising it as one of England's most significant medieval structures, the society commissioned a series of engravings of St Alban's Cathedral by James Basire--based on drawings by...

Recognising it as one of England's most significant medieval structures, the society commissioned a series of engravings in 1810 of St Albans Cathedral by James Basire--based on draw...

It stands as a testament to nineteenth-century archaeological curiosity, Romantic travel culture, and the enduring fascination with Athens’ architectural past. Engraving Architectu...

This 1846 original lithographic engraving after Théodore Du Moncel depicts the Église des Camnicarées (more commonly known as the Kapnikarea Church) in Athens, one of the most import...

It captures not only one of Athens’ most distinctive ancient monuments but also the period’s evolving perception of Greece as a landscape of cultural memory, archaeological discovery...

Technique: copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keyword block: antique architectural print, caryatid sculpture engraving, baltard paris monuments, louvre a...

It captures an early European visual interpretation of the ancient site of Tiryns, blending archaeological curiosity, Romantic landscape aesthetics, and the rich cultural imagination...

It captures a nineteenth-century European vision of the Argive landscape — a meeting point of mythology, archaeology, and Romantic travel imagery — and stands as a testament to the e...

**Vintage textile designs** 7. **Architectural engravings** 8. **Classical stucco decorations** 9.

A compelling document of 19th-century topographical art, this lithograph is more than a view—it is a visual homage to the enduring spirit of antiquity and the travelers who sought to...

It stands today as a historical document and a poetic homage to Athens, seen through the eyes of travelers and artists who revered its legacy. Engraving Architecture - Greece Monu...

Both a historical document and a work of art in its own right, Erechthéum remains a treasured testament to the enduring allure of Greece—and to the artists and publishers who made th...

It stands as a refined example of nineteenth-century archaeological illustration and reflects the broader cultural interest in Greece’s layered architectural past. Engraving Archit...

It stands as a testament to nineteenth-century archaeological curiosity, Romantic travel culture, and the enduring fascination with Athens’ architectural past. Engraving Architectu...

It stands as a testament to nineteenth-century archaeological curiosity, early travel illustration, and the enduring fascination with Greece’s architectural legacy. Engraving Archi...

It offers insight into early scholarly tourism and the visual culture surrounding the rediscovery of the classical world. Engraving Architecture - Greece Monumental and picturesqu...

It captures a moment when ancient monuments were being rediscovered, studied, and celebrated as enduring symbols of Western cultural history. Engraving Architecture - Greece Monum...

Louis Mercantile Library wrote that: "Ackermann excelled in the creation of landscape and architectural engravings. He created beautiful illustrations of the city of London, his ado...

Styling Suggestions: Display alongside other 19th-century costume or architectural engravings in a gallery wall, or hang above an antique secretary, console, or bookcase for an eleva...

When working as an apprentice to his father, a pewter manufacturer, he began engraving pewter, and trained as an engraver. He was then apprenticed to the noted engraver James Basire,...

This small etching shows an unusual view of the church San Stefano Rotondo in Rome, which is more commonly pictured with the circular architecture in view. In this engraving, we see ...

The artwork depicts Bridgnorth, a town in Shropshire, England. The engraving would have been intended to capture the charm and appeal of Bridgnorth, with its notable bridge and surro...

Antonini's work often involved detailed botanical illustrations and architectural engravings, and this print is a fine example of his expertise in combining both interests.

To see our other architectural drawings and engravings, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot ...

Technique: copperplate engraving Maker: Louis-Pierre Baltard, Paris, 1803 Keyword block: antique architectural print, baltard paris monuments, louvre sculpture engraving, jean goujo...

The building appears to have been an architectural precursor to the nearby and better preserved Hussey Tower and Rochford Tower in Boston, Lincolnshire.

Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings.

Floor Plan of the Temple of Amun at Luxor – Ancient Thebes, c.1710 Description: This antique architectural engraving presents a detailed floor plan of the famous Temple of Amun in L...

Artist: Jean Berain (the Elder) (French, 1640-1711) Title: "Untitled" (Plate 35) Portfolio: Ornemens Inventez par J. Berain (Ornament Designs Invented by J. Berain) Circa: 1711 (Firs...

From a series of architectural prints of St George's Chapel; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick ...

Framing tips: This architectural engraving would look best in a black, dark brown, or antiqued gold frame.

Ideal for display in a study, library, or gallery wall featuring architectural or historical prints. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherland...

Over 350 year old antique copper engraving of the architectural floor plans to Sacchetti Palace in Italy by Giovanni Giacomo de' Rossi, 1650.

Over 350 year old exquisite antique copper engraving of the architectural floor plans to Massimi Palace in Italy by Giovanni Giacomo de' Rossi, 1650.

The two uploaded prints are from Jean-François de Neufforge's work and represent architectural engravings from the 18th century, specifically showcasing classical facades of doors or...

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

The restrained monochrome aesthetic gives the engravings a refined architectural quality that works exceptionally well in contemporary interiors.

Framing tips: A dark walnut, black-stained, or ebonized frame with a generous ivory mat enhances the engraving’s architectural clarity and historical gravitas.

Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...

'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...

Framing tips: Frame in black or walnut wood with a wide cream or off-white mat. The strong architectural lines and historic subject matter make this engraving ideal for display in a ...

It offers a snapshot of a pivotal moment in global maritime commerce and Sino-European relations, and is highly collectible for those interested in early China trade, port city histo...

Elephantine & Philae Temples, Rock Tombs and Granite Formations – c.1776 Prints Description: This pair of 18th-century architectural engravings showcases important monuments from Up...

A warm ivory mount paired with a dark wood or ebonized frame will enhance the tonal depth and architectural detail. Technique: Engraving Maker: Published by Boydell & Co., Londo...

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.

His series of Oxford architectural engravings was also produced for Editions Alecto, as was a series of predominantly architectural views in Southern Europe.