Skip to main content

Richard Müller Art

German, 1874-1954

Richard Müller was born in the Bohemian city of Tschirnitz, Germany, in 1874. He was a painter and printmaker, whose symbolism and surrealism has a key role in his artworks. Many of his artworks represent Grotesque and erotic scenes and also demonstrate his bizarre visions towards society and war. The nudes in his artworks are courted by grotesque animals, and his expression has irony.

to
1
2
Overall Width
to
Overall Height
to
1
1
1
1
1
2
2
1
1
2
2
8,234
2,807
1,648
1,318
2
Artist: Richard Müller
Das Grosse Tier II - Etching by Richard Muller - 1919
By Richard Müller
Located in Roma, IT
Das Grosse Tier II is an original etching and drypoint, realized by Richard Müller in 1919, signed on the plate, numbered 60/74 and signed in pencil l...
Category

1910s Symbolist Richard Müller Art

Materials

Etching

Vier Schmetterlinge - Etching by Richard Muller - 1899
By Richard Müller
Located in Roma, IT
Vier Schmetterlinge is an original etching, realized by Richard Müller in 1899, hand-signed in pencil, monogram on the plate, limited edition of 12 prin...
Category

1890s Symbolist Richard Müller Art

Materials

Etching

Related Items
Salvador Dali Pencil Signed Nude on a Rhinoceros Horn
By Salvador Dalí­
Located in San Francisco, CA
Salvador Dali: 1904-1989. One of the most famous artist of the 20th century. A master surrealist, whose auction prices are well into the millions. This image of a nude on a rhinocero...
Category

Mid-20th Century Surrealist Richard Müller Art

Materials

Etching

Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Richard Müller Art

Materials

Etching

Leonor Fini - Cats - Original Etching
Leonor Fini - Cats - Original Etching
$1,437
H 17.33 in W 11.03 in D 0.04 in
Birds - XXI century, Figurative print, Black and white, Animals
By Anna Mikke
Located in Warsaw, PL
Limited edition, 8/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Richard Müller Art

Materials

Paper, Etching

Salvador Dali - The Oak and the Reed - Signed Engraving
By Salvador Dalí­
Located in Collonge Bellerive, Geneve, CH
SALVADOR DALI The Oak and the Reed (La chêne et le roseau) from Le Bestiaire de la Fontaine 1974 Hand signed by Dali Edition: /250 Conditions: A small tear defect has been restaured...
Category

1970s Surrealist Richard Müller Art

Materials

Drypoint, Aquatint

Daniel in the Lions' Den
Located in New York, NY
Ukrainian-born, lower East Side based, Sarah Berman was active on the NYC-WPA and in artists' circles. Daniel in the Lions' Den is an etching, signed and ...
Category

1930s Ashcan School Richard Müller Art

Materials

Etching

Kerr Eby Shepherd and His Flock
By Kerr Eby
Located in San Francisco, CA
Kerr Eby: 1889-1946. Very well listed Canadian American artist. He is best known as a printmaker for his fabulous etchings. He has auction results over $6300 for a single print. This...
Category

Early 20th Century Realist Richard Müller Art

Materials

Etching

Leda and the Swan
By Albert Decaris
Located in West Hollywood, CA
Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...
Category

1920s Richard Müller Art

Materials

Etching

Green Cat, etching and aquatint, pencil signed & numbered, rarely seen in market
By Walasse Ting
Located in New York, NY
Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...
Category

1980s Pop Art Richard Müller Art

Materials

Ink, Pencil, Graphite, Etching, Aquatint, Mixed Media

Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Category

1980s Modern Richard Müller Art

Materials

Etching

Leonor Fini - Cat - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture...
Category

1980s Modern Richard Müller Art

Materials

Etching

Birds - XXI century, Figurative print, Black and white, Animals
By Anna Mikke
Located in Warsaw, PL
Limited edition, 6/10. ANNA MIKKE (born in 1950) She graduated from the Academy of Fine Arts in Łódź in 1975. After graduation, she was engaged in graphic design, including designing...
Category

2010s Other Art Style Richard Müller Art

Materials

Etching, Paper

Not an oversea jay. Limited edition print Animal, Bird, Realistic, Polish artist
By Marian Bocianowski
Located in Warsaw, PL
Contemporary etching print by Polish artist Marian Bocianowski. The print depicts a jay standing in a wintery scene. There is church behind her and house with snow on the roof next t...
Category

Early 2000s Other Art Style Richard Müller Art

Materials

Etching, Paper

Previously Available Items
Mckenzie River
By Richard Müller
Located in Sheffield, MA
Richard Muller American, 1928-1991 Mckenzie River Oil on canvas 30 by 42 in. W/frame 36 ¾ by 48 ¾ in. Signed & dated 55 lower left Richard Muller joined the Army after graduating from Syracuse University. When he continued his art education at the University of Oregon in 1954, he shared an apartment with Harry Widman...
Category

1950s Modern Richard Müller Art

Materials

Oil

Mckenzie River
Mckenzie River
H 36.75 in W 48.75 in D 2 in

Richard Müller art for sale on 1stDibs.

Find a wide variety of authentic Richard Müller art available for sale on 1stDibs. You can also browse by medium to find art by Richard Müller in etching, paper, vellum and more. Not every interior allows for large Richard Müller art, so small editions measuring 12 inches across are available. Customers who are interested in this artist might also find the work of Eugène Carrière, Max Klinger, and Edvard Munch. Richard Müller art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,159 and tops out at $3,523, while the average work can sell for $3,231.

Artists Similar to Richard Müller

Recently Viewed

View All