Art Nouveau

Early 20th-Century French Portrait of a Seated Woman in a Black Coat & Wide-Brimmed Hat by Louis Pierre Amiel, signed in the lower right and in a vintage gilt frame. A refined e...

Gold mounted, faceted smoky quartz perfume or snuff bottle with a cabochon Carnelian stopper and bone 'tamper'. The mounts carry French assay gold marks. A European interpretation of...

"Portrait of a Contemplative Poodle, 1885" Carl Reichert (Austrian, 1836-1918) Oil on canvas Signed and dated center left "C Reichert 85" 19 1/4 x 15 3/4 (27 1/4 x 24 x 5 frame) in...

"Pair of Cat Portraits," oil on canvas, circa 1920s Artist unknown Oil on canvas Unsigned. 6 x 7 1/4 inches each (18 3/8 x 12 frame) A pair of finely depicted cat portraits on canva...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

Pierre-André Farcy, known as Andry-Farcy (1882–1950) French Cancan Oil on canvas 61 × 50 cm (24 × 19.7 in.) 71.5 × 66 cm (28.1 × 26 in.) framed Signed lower left Best remembered tod...

Antique child portrait oil painting in a gold coloured frame. A simple but stunning 19th Century portrait of a French boy. Here, the artist has given us a minimalist portrait with ...

Original Lithographic Poster created 1895 by Henri de Toulouse-Lautrec. Title: “La Revue Blanche” Medium: Stone Lithograph on Paper Signed: Lower left with the artist’s monogra...

Henri Bellery-Desfontaines Enigma (Apparition in a Blue Dream), 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

Original ‘Chemin de Fer de L'Ouest; Paris a Londres’ vintage travel poster. Antique original European travel poster from circa 1880-1900 sto...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

horse. 19th century bronze sculpture measurements with the base are 37.5 x 17.5 x 31 cm

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

Antique Oil Painting on canvas in velvet rimmed frame signed in the lower corner by French artist, Adrien Schulz (1851- 1931). Which captures the romantic elegance of the 19th centu...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...

This magnificent large-scale oil on canvas is an outstanding example of European academic painting, created in the late nineteenth to early twentieth century and executed in the gran...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

Louis Icart, After, French (1888 - 1950) - Coursing 3, Medium: Offset Lithograph on paper, signed in plate, Image Size: 14.5 x 23.75 inches, Size: 16 x 25 in. (40.64 x 63.5 cm), D...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

A captivating Belle Époque character study attributed to the French painter Tony Tollet (1857–1953), depicting a young woman seated in quiet contemplation. Rather than presenting hi...

The 1890 original poster by Eugène Grasset for the Théâtre National de l'Odéon is a prime example of the elegant and refined design that defined the French Belle Époque period. This ...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate Numbered / 500 Published in "Edition d'Art Henri Piazza" Authenticated by the blind...

Lucia Ponga degli Ancillo (Venice 1887 - 1966) - Venetian Capriccio with Jetty, Gondola and Staffage Figures. 25 x 35 cm (without frame) - 44.5 x 55 cm (with frame). Oil on panel, ...

Figural candlestick with a golden maiden on an iridescent form. This ceramic features a beautiful juxtaposition of the smooth texture of the woman against a psychedelic stone-like fl...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

Alphonse Mucha was a painter and decorative artist best known for the sensual Art Nouveau paintings, posters, and advertisements that came to define Art Nouveau in fin de siècle Pari...

La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Michael Wittmann Bouquet Giclée on Hahnemuehle Velvet 2020 Size: 24 x 17.425 inches (61.0 × 43.5 cm) Edition: 25 Signed and numbered in marker by the artist COA provided (gallery is...

Lucien Joseph Coront Ducluzeau, known as Joseph Coront (1859–1934) Symbolist Portrait, circa 1900 Oil on canvas 40.5 × 32.5 cm 49 × 41 cm framed Signed “Coront” lower right Born in...

Alphonse Mucha's "Gismonda" poster, featured as Plate 27 in "Les Maîtres de l'Affiche," stands as a testament to the harmonious convergence of visual arts and theatrical brilliance. ...

A lithographic reproduction of Henri de Toulouse-Lautrec's "Moulin Rouge Bal La Goulue", created for Les Maîtres de l'Affiche as plate number 122, is an outstanding example of the po...

The Times of the Day by Alfons MUCHA (1860-1939) "Morning Awakening", "Brightness of Day", "Evening Contemplation" and "Night's Rest" from the series "The Times of the Day" Rare s...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Louis Rhead’s 1897 Art Nouveau poster features a well-dressed man with a top hat, cane, and other late Victorian winter fashions. “America was quick to reveal strong Art Nouveau vo...

Lithograph of Ignatius Taschner’s Electricity, published as Plate 95 in Gerlach’s Allegorien by Gerlach & Schenk, Vienna. Allegorien-Neue Folge ...

Edward Burne-Jones Beauty, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for t...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

Limited edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). Offered unframed. Ships rolled This li...

Henri Meunier’s Gonthier-Meymans lithographic poster, published by Verlag von Gerhard Kühtmann in Dresden, 1897. While this poster was printed in multiple sizes and formats, this edi...

Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Very Rare Portrait of 6 Dogs on Enameled Ceramic Maison Pichenot-Loebnitz Enamels, ceramic France, ca. 1875. 25 x 8 (31 x 13 framed) inches This rectangular panel made of enameled c...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

Gorgeous Sculpture “Woman blowing bubbles”, Bronze and marble, Art Nouveau, 1920 – Germany Refined antique solid bronze sculpture depicting a woman blowing bubbles. This piece is of...

Alphonse Mucha's "Lorenzaccio" poster, featured as Plate 114 in "Les Maîtres de l'Affiche," encapsulates the Art Nouveau spirit and the enchanting collaboration between the iconic ar...

This rare original lithograph was created for the 1955 exhibition of French painter and printmaker Pierre Bonnard at the Musée National d’Art Moderne in Paris. Expertly printed at th...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right

Eugène GRASSET Antic Beauty in the Woods, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

Steinlen, Theophile "Lait Pur Sterilise de la Vingeanne" Original lithograph, c. 1894 Rennert 12 Printed by Charles Verneau, Paris Bright Fresh Colors, RARE...

Auguste ROEDEL Montmartre : Moulin de la Galette, 1897 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") Authenticated with the blind stam...