Art Nouveau

Early 20th-Century French Portrait of a Seated Woman in a Black Coat & Wide-Brimmed Hat by Louis Pierre Amiel, signed in the lower right and in a vintage gilt frame. A refined e...

"Portrait of a Contemplative Poodle, 1885" Carl Reichert (Austrian, 1836-1918) Oil on canvas Signed and dated center left "C Reichert 85" 19 1/4 x 15 3/4 (27 1/4 x 24 x 5 frame) in...

A captivating Belle Époque character study attributed to the French painter Tony Tollet (1857–1953), depicting a young woman seated in quiet contemplation. Rather than presenting hi...

This magnificent large-scale oil on canvas is an outstanding example of European academic painting, created in the late nineteenth to early twentieth century and executed in the gran...

"Pair of Cat Portraits," oil on canvas, circa 1920s Artist unknown Oil on canvas Unsigned. 6 x 7 1/4 inches each (18 3/8 x 12 frame) A pair of finely depicted cat portraits on canva...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

"Le Port de Marseille" Eugène Galien Laloue (French, 1854-1941) Gouache and watercolor on paper, original carved and gilded frame. 12 3/8 x 7 3/4 (14 1/2 x 9 5/8 frame) inches Signe...

Pierre-André Farcy, known as Andry-Farcy (1882–1950) French Cancan Oil on canvas 61 × 50 cm (24 × 19.7 in.) 71.5 × 66 cm (28.1 × 26 in.) framed Signed lower left Best remembered tod...

Alphonse Mucha Seasons: Autumn, 1903 Original lithograph Printed signature in the plate Printed on paper 71 x 31 cm (c. 27.9 x 12.2 inches) On paper linen on canvas, 75 x 35.5 cm (c...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

Original Lithographic Poster created 1895 by Henri de Toulouse-Lautrec. Title: “La Revue Blanche” Medium: Stone Lithograph on Paper Signed: Lower left with the artist’s monogra...

The 1890 original poster by Eugène Grasset for the Théâtre National de l'Odéon is a prime example of the elegant and refined design that defined the French Belle Époque period. This ...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

Louis Icart, After, French (1888 - 1950) - Coursing 3, Medium: Offset Lithograph on paper, signed in plate, Image Size: 14.5 x 23.75 inches, Size: 16 x 25 in. (40.64 x 63.5 cm), D...

Created in 1895, “May Milton” is one of the most celebrated images by Henri de Toulouse-Lautrec, a master of the Parisian Belle Époque and one of the pioneers of modern poster design...

Hyland Ellis The Gay Parisienne, 1897 Stone ithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 123 of "Les Maîtres de l'Affic...

Antique child portrait oil painting in a gold coloured frame. A simple but stunning 19th Century portrait of a French boy. Here, the artist has given us a minimalist portrait with ...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Louis Icart, After, French (1888 - 1950) - Speed, Medium: Lithograph, facsimilie signature, Image Size: 14.5 x 24.5 inches, Size: 22 x 30 in. (55.88 x 76.2 cm), Description: A gh...

Constantine (Algeria) Claude Firmin-Goy (1864-1944) Oil on canvas Signed and dated lower right 11 3/4 x 15 1/2 (17 1/2 x 21 1/4 frame) inches This bright and luminous work by the Av...

Antique Oil Painting on canvas in velvet rimmed frame signed in the lower corner by French artist, Adrien Schulz (1851- 1931). Which captures the romantic elegance of the 19th centu...

Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...

Linen backed original of the official event spectacles of Paris, promoting Moulin Rouge, Salome, Musee Grevin, Sarah-Rita, Madame Butterfly, Carmen, La Vie de Boheme. Orignial in ex...

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

Lucia Ponga degli Ancillo (Venice 1887 - 1966) - Venetian Capriccio with Jetty, Gondola and Staffage Figures. 25 x 35 cm (without frame) - 44.5 x 55 cm (with frame). Oil on panel, ...

Note: Due to the size, weight, and value of this piece, we require shipping through 1stDibs, for its cost effectiveness, full insurance coverage, and reliable handling. While standar...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate Numbered / 500 Published in "Edition d'Art Henri Piazza" Authenticated by the blind...

Eugène GRASSET Antic Beauty in the Woods, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograp...

Original ‘Chemin de Fer de L'Ouest; Paris a Londres’ vintage travel poster. Antique original European travel poster from circa 1880-1900 sto...

Original turn of the century French poster: Gustave Rouquier turn of the century stone lithograph for jewelry. Artist: Charles Naillod. Size: 47" x 63". "The most important choice in jewelry, watches, and goldsmith objects". This antique art nouveau authentic vintage poster...

Limited edition vintage lithographic reproduction poster of "Le Théâtrophone" by Jules Cheret, published in 1968 by The Sunday Times (London). Offered unframed. Ships rolled This li...

Alphonse Mucha was a painter and decorative artist best known for the sensual Art Nouveau paintings, posters, and advertisements that came to define Art Nouveau in fin de siècle Pari...

Figural candlestick with a golden maiden on an iridescent form. This ceramic features a beautiful juxtaposition of the smooth texture of the woman against a psychedelic stone-like fl...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap di...

A lithographic reproduction of Henri de Toulouse-Lautrec's "Moulin Rouge Bal La Goulue", created for Les Maîtres de l'Affiche as plate number 122, is an outstanding example of the po...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Louis Rhead’s 1897 Art Nouveau poster features a well-dressed man with a top hat, cane, and other late Victorian winter fashions. “America was quick to reveal strong Art Nouveau vo...

“Tuareg Rider in the Desert, 1908” Paul Jouve (1878-1973) Oil on panel, signed lower right. 21 ¾ × 17 1/2 ( 27 ½ × 24 frame) inches Paul Jouve’s work has been celebrated and collect...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

1899 Original Print by Mucha Bières de la Meuse Les maitres de l'affiche pl 182 Les maitres de l'affiche pl. 182 - Bar le duc - Aux caves du roy S...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Alphonse Mucha's name shines like that of a visionary artist who left an indelible mark on the aesthetics of the early 20th century. The year 1902 saw the publication of "Documents d...

Henri Meunier’s Gonthier-Meymans lithographic poster, published by Verlag von Gerhard Kühtmann in Dresden, 1897. While this poster was printed in multiple sizes and formats, this edi...

Eugène Grasset’s medieval-inspired Art Nouveau poster, commissioned by Sarah Bernhardt to promote her 1894 role as Joan of Arc in Jules Barbier’s Jeanne d'Arc. Grasset portrays Bernhardt in the spirit of her historic role: standing bravely with a flowing flag embellished with fleur-de-lis amidst an onslaught of arrows and spears. This antique lithograph is the only color small-format edition of the original poster design, from an extremely rare folio published in conjunction with a landmark exhibition of poster design in St. Petersburg in 1897. This poster design for Jeanne d’Arc is especially important as being the collaboration that led Sarah Bernhardt to discover Alphonse Mucha, as she wanted a new artist...

Victor PROUVE Family : Mother and Father Kissing a Baby, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMA...

Louis Icart, French (1888 - 1950) - Hydrangeas, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20 inches, Frame Size: 24.5 x 28.5 inches, Reference: Figur...

Lithograph of Ignatius Taschner’s Electricity, published as Plate 95 in Gerlach’s Allegorien by Gerlach & Schenk, Vienna. Allegorien-Neue Folge ...

Original 1918 WWI French Poster by Maurice Romberg - Compagnie Algérienne Liberation Loan, linen-backed, Grade A- This exceptional and authentic 1918 vintage lithograph is a large-f...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

Artists tend to peak quite young, and I often love their early work. It tends to have an infectious enthusiasm, great vigour, originality, imagination and a sense of fun. René Marie...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

Émile Bertrand's poster for Jules Massenet's Cendrillon, advertising the première performance at the Théâtre National de l'Opéra-Comique, Paris. 1899. Color lithograph. On linen. De...