Art Nouveau

ARTIST - Vittorio Augusto Piano (Turin 1882–1970), signed lower left “Vitt. Piano” // PERIOD - Early 20th century // ORIGIN - Italy // MEDIUM - Pastel // STYLE - Italian Symbolism wi...

Early 20th-Century French Portrait of a Seated Woman in a Black Coat & Wide-Brimmed Hat by Louis Pierre Amiel, signed in the lower right and in a vintage gilt frame. A refined e...

"Portrait of a Yorkshire Terrier with a Red Bow" Amable Bouillier (French, 1867-1940) Oil on wood panel Signed to lower right 9 3/4 x 8 2/3 ( 12 7/8 x 11 3/8 frame) inches. Though ...

This magnificent large-scale oil on canvas is an outstanding example of European academic painting, created in the late nineteenth to early twentieth century and executed in the gran...

Edmond Heuzé French Belle Époque Signed Watercolor A beautiful and rare watercolour by the great French Belle Époque artist Edmond Heuzé; it depicts with rare effectiveness a distin...

Wonderful Art Nouveau "Ebrezza" bronze sculpture of a woman lying on a bed of roses. It bears at the base the signature Barbella and the wording “Rome Palm Sunday 31 III 1912” Brand...

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

Original L'Andalouise au Temps des Maures vintage art nouveau poster. L'Andalousie au Temps des Maures. Exposition de 1900. Imprimerie C...

This artwork titled "Mah Jongg" 1985, is an original colors serigraph with embossing and gold foil stamping on Wove black paper by renown Russian/French artist Erte, AKA Romain de Ti...

French School, mid 20th century indistinctly signed and dated lower right corner, inscribed into the paint. oil painting on wood panel, presented within highly ornate carved wood or...

HOHENSTEIN Iris, Comic Opera, 1899 Original Lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 180 of "Les Maîtres de l'Affiche", Paris, 1899, printed by l'Imprimerie Chaix. Bears the blind stamp of the editor in the lower right corner . This image was created for the italian comic...

Paul LEROY Paris, 1860 – Paris, 1942 Young Shepherdess from Creuse region in France Oil on canvas 54 x 72 cm (70 x 87 cm with frame) Signed and inscribed lower left: "Paul Leroy / Sa...

Georges de FEURE (1868 - 1943) Return,1897 Original lithograph Printed signature, as issued 1897/98 Printed on paper Vélin (wove) Size 40 x 31 cm (c. 16 x 12") INFORMATION : Publis...

Theophile Alexandre Steinlen, French/Swiss (1859 - 1923) - Artiste Animaliers, Year: 1981, Medium: Poster with Embossed Cat Blindstamp, Size: 20.5 x 25 in. (52.07 x 63.5 cm), Prin...

Gorgeous Sculpture “Woman blowing bubbles”, Bronze and marble, Art Nouveau, 1920 – Germany Refined antique solid bronze sculpture depicting a woman blowing bubbles. This piece is of...

Constantine (Algeria) Claude Firmin-Goy (1864-1944) Oil on canvas Signed and dated lower right 11 3/4 x 15 1/2 (17 1/2 x 21 1/4 frame) inches This bright and luminous work by the Av...

The original 1898 lithography entitled "Le Concert" by Henri de Toulouse-Lautrec is a work of great artistic finesse, capturing both the artist's distinctive style and the elegant scene of society at the time. This lithograph features a well-dressed, wealthy couple in a red theater box. The gentleman is Gabriel Tapié de Céleyran and the lady is Émilienne d'Alençon. The woman is dressed in fur and wears an elaborate black hat, exuding undeniable elegance and sophistication. Lautrec meticulously captures the details of their clothing and expressions, creating a striking depiction of 19th-century high society. This lithograph was commissioned from Toulouse-Lautrec by Ault and Wiborg, American manufacturers of lithographic ink. It was part of a limited edition printed in Paris, with the original zinc plates subsequently shipped to America for printing in the main edition. The four original zinc plates are now housed at the Art Institute of Chicago. This work is all the more remarkable as it is believed to be the only lithograph Lautrec...

A captivating Belle Époque character study attributed to the French painter Tony Tollet (1857–1953), depicting a young woman seated in quiet contemplation. Rather than presenting hi...

Rare Original 1912 Théâtre National de L'Opéra Paris Poster - ROMA Opera - Rochegrosse Art - Jules Massenet - Classical Theater Collectible. This poster is archival, linen-backed, ...

On offer is a direct, hand-painted homage to Maxfield Parrish, one of the most famous American illustrations of the 20th century. Inspired by Parrish’s 1904 “Air Castles,” the compos...

La Pointe de Bretteville Color lithograph, 1899 Signed in the stone upper right Publisher: Sagot, Paris Edition: Edition: about 200 (per Arwas) References And Exhibitions: Arwas 33 2...

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Louis Icart, French (1888 - 1950) - La Dame aux Camélias, Year: 1927, Medium: Aquatint Etching, signed in pencil lower right, Image Size: 16.5 x 20.5 inches, Frame Size: 25.5 x 2...

The 1900 original poster "La Topaze" by Alphonse Mucha, part of the renowned "Les Pierres Précieuses" series, is a quintessential example of the Art Nouveau movement. This work, prin...

Pierre-André Farcy, known as Andry-Farcy (1882–1950) French Cancan Oil on canvas 61 × 50 cm (24 × 19.7 in.) 71.5 × 66 cm (28.1 × 26 in.) framed Signed lower left Best remembered tod...

Original Lithographic Poster created 1895 by Henri de Toulouse-Lautrec. Title: “La Revue Blanche” Medium: Stone Lithograph on Paper Signed: Lower left with the artist’s monogra...

Johannes Boese (1856 Ostrog - 1917 Berlin), Mutterglück, um 1910. Goldbraun patinierte Bronze auf gegossener rechteckiger Plinthe, montiert auf zweifarbigem Marmorsockel (9,5 cm Höhe...

A lithographic reproduction of Henri de Toulouse-Lautrec's "Moulin Rouge Bal La Goulue", created for Les Maîtres de l'Affiche as plate number 122, is an outstanding example of the po...

Original 1926 Pointe de Penmarch vintage French travel poster, linen-backed, Grade A- condition, ready to frame. The poster is in very good condition. The right-hand border has a mark along its outer edge, as shown in the images. The mark is about 1.5" long and .75" wide. It is not a paper loss but a stain. Minimal wear for a used poster...

Unique , finely carved white alabaster sculpture depicting a young couple, signed by the Tuscan artist Eugenio Battiglia. It rests on an exquisite oval wooden base, also ornamented w...

Original “Le Rapide, Grand Journal Quotidien” art nouveau vintage poster. Conservation linen backed and ready to frame. Year: 1892 Artist: Jules Cheret, referred to as the father of the poster. Le Rapide, Grand Journal Quotidien. Jules Cheret (French, 1836-1932) is a well-listed draftsman, printmaker, and designer is best known as a fin de siecle poster designer. Arguably, he is the best-known French poster designer of his age. Figure no 126; No 568; Posters of Jules Cheret. Most people overlook the fact that she is still writing for Le Rapide using a quill instead of an ink pen. Yes, this poster is over 130 years old and still presents itself well. There are telegraph wires in the sky background. The last time this poster was sold in the big NYC poster...

Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...

"Fantasia of Arabian Horseman" dated 1903 André Chaumière (French, XlX-XX) Oil on canvas Handcrafted original wood frame with bronze applique 20 3/4 x 12 3/4 (28 1/2 x 20 frame) inc...

Henri Gabriel IBELS Pantomime : Harlequin and Pierrot, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATI...

Alphonse Mucha was a painter and decorative artist best known for the sensual Art Nouveau paintings, posters, and advertisements that came to define Art Nouveau in fin de siècle Pari...

Alphonse MUCHA (1860-1939) (after) The Arts : The Dance Lithograph Printed signature in the plate Numbered / 500 Published in "Edition d'Art Henri Piazza" Authenticated by the blind...

Lucia Ponga degli Ancillo (Venice 1887 - 1966) - Venetian Capriccio with Jetty, Gondola and Staffage Figures. 25 x 35 cm (without frame) - 44.5 x 55 cm (with frame). Oil on panel, ...

Paul Wunderlich Altweibersommer 1982 Color Lithograph on B.K. Rives Edition: 381 of 400 Image Size: 8 × 18.25 inches (20.32 × 46.36 cm) Mat Size: 17 × 27 inches (43.18 × 68.58 cm) Signed and numbered in pencil Paul Wunderlich (1927–2010) was a German painter, printmaker, and sculptor, widely recognized for his refined, often enigmatic figurative compositions. A key figure in postwar German art, Wunderlich developed a highly distinctive visual language that blends elements of Surrealism, Symbolism, and Art Nouveau with a strong emphasis on line, form, and surface. Closely associated with the Hamburg University of Fine Arts—both as a student and later as a professor—Wunderlich gained early recognition for his lithographic work. His career, however, was not without controversy; in the early 1960s, some of his prints were temporarily confiscated due to their erotic content, which at the time was deemed provocative. This tension between sensuality and restraint would remain a defining characteristic of his oeuvre. Wunderlich’s work frequently centers on the human figure—particularly the female form—rendered with elongated proportions, smooth contours, and a sculptural precision that borders on the idealized. His compositions often evoke mythological or allegorical themes, exploring dualities such as beauty and danger, intimacy and distance, and control and vulnerability. The surfaces of his works are typically polished and highly controlled, reflecting his exceptional technical command. As a printmaker, Wunderlich achieved particular mastery in lithography, producing richly layered images with subtle tonal gradations and crisp, elegant line work. His editions are widely collected and remain an important part of the European printmaking tradition of the late 20th century. Paul Wunderlich lithograph...

Working in the Art Nouveau period style of Austrian Symbolist painter Gustav Klimt, artist Irina V. Karkabi has given form in this painting to the unimaginable, the moments whereby B...

Lithograph of Ignatius Taschner’s Electricity, published as Plate 95 in Gerlach’s Allegorien by Gerlach & Schenk, Vienna. Allegorien-Neue Folge ...

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Paul RENOUARD Ballerina Playing the Piano - "Danseuse au Piano", 1893 Original etching Printed signature in the plate On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMATION : Li...

Figural candlestick with a golden maiden on an iridescent form. This ceramic features a beautiful juxtaposition of the smooth texture of the woman against a psychedelic stone-like fl...

English butterfly chromolithograph, circa 1900. Plate number top right. From an English series of illustrations of butterflies and moths. Butterflies / moths are numbered and there i...

"Portrait of a Saint Bernard" Carl Reichert (Austrian, 1836-1918) Oil on wood panel Signed lower right 6 x 5 (12 1/2 x 11 1/2 frame) inches frame A tenderly and well executed portr...

The Waltham Manufacturing Company was co-founded in 1893 in New York by Charles Metz and three business partners. The company's designer, Metz, called his cycles “Orient racing bicycles,” named after the Orient Fire Insurance...

Original stone lithograph KOLA MARQUE, created by the artist Jules Cheret in 1895. Size: 16" x 23.5". Professional acid free archival linen backed and ready to frame. Full boarders. Printer: Chaix. Jules Cheret is known as the father of the poster helping bring color printing to the world. Kola Marque. Tonique et Aperitif. Stimule forces physiques et intellectuelles. It indicates that if you drink this it helps give you physical and intellectual stimulus. In addition, it is served in all the local cafes and restaurants. I haven't found a breakdown of what 'special' ingredients in this liquor would make you feel and think so much better. Condition. This 1895 poster...

Henri de Toulouse-Lautrec's "Divan Japonais, 75 rue des Martyrs" poster, created in 1896, is an emblematic example of the poster art of the period. It is part of the "Maîtres de l'Af...

Henri Meunier’s Gonthier-Meymans lithographic poster, published by Verlag von Gerhard Kühtmann in Dresden, 1897. While this poster was printed in multiple sizes and formats, this edi...

These beautiful and colorful lithographic posters were hand reproduced by the Mourlot Studio's Master Printer Henri Deschamps in 1969. They are not to be mistaken with later cheap digital and giclée reproductions. Ed. 1,500 In December of 1894, Mucha visited a print shop contracted to create a new advertising poster for a play featuring Sarah Bernhardt, the most famous actress in Paris at the time. Mucha volunteered to produce a lithographic poster within two weeks, and on January 1, 1895, the advertisement for the play Gismonda by Victorien Sardou was posted in the city, where it attracted much attention. Bernhardt was so satisfied with the success of this first poster that she signed a six-year contract with the artist. Written by Alexandre Dumas (son) when he was 23 years old, and first published in 1848, "La Dame aux Camélias...

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement. It's made by layering paper cutouts...

Paul RENOUARD Sleeping Ballerina - "Le Nouveau Roman", 1893 Original etching Signed in pencil On Japan paper 48 x 32 cm (c. 19 x 12.5 inch) INFORMATION : Limited edition of 20 copi...

CLINIQUE CHÉRON is a fine art lithographic re-creation after the original 1905 vintage French advertising poster created by Théophile Steinlen for the veterinary CLINIQUE CHÉRON Fran...

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Exquisite Quality French Art Nouveau oil on canvas painting of an elegant lady and pup, titled "The Little Prince" / "Le Dauphin no. 51" (on exhibition labe...

Henri Gabriel IBELS Harlequin and Pierrot, 1897 Stone lithograph Printed signature in the plate On vellum Size 29 x 39 cm (c. 11.4 x 15.3") INFORMATION : Plate 102 of "Les Maîtres...

Silk painting, batik, love, decorative, horizontal "Two on the Shore" is a painting made on a silk canvas in the cold batik style. The finished painting is stretched on white linen ...

An evocative French Art Nouveau portrait by Léon Tirode (1873–1956), created circa 1920 and entitled “Allegory of Autumn.” This exceptional oil on canvas depicts an elegant young wo...

An original Art Nouveau decorative panel design in gouache, a design for a square tile or framed panel, executed circa 1935 by Marina Astolfoni, a student of the Istituto Magistrale ...

In the realm of Belle Époque Paris, Jules Chéret emerges as a luminary, casting his artistic brilliance on the city's vibrant cultural scene. Known as the "father of the modern poste...