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Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)
Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

Umberto Brunelleschi, Untitled, from The Tales of Boccaccio, 1934 (after)

By Umberto Brunelleschi

Located in Southampton, NY

Deeply influenced by Symbolism, the Ballets Russes, and the vibrant theatrical culture of interwar Europe, he developed a visual language that blended wit, sensuality, fantasy, and p...

Category

1930s Art Deco Figurative Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Portrait of a Young Girl, from Faces of Children, 1968 (after)
Sonia Delaunay, Portrait of a Young Girl, from Faces of Children, 1968 (after)

Sonia Delaunay, Portrait of a Young Girl, from Faces of Children, 1968 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of simultaneity celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Russes and Atelie...

Category

1960s Orphist Figurative Prints

Materials

Lithograph, Stencil

Portrait of a Young Man Oil Painting Celebrated 20th Century Artist
Portrait of a Young Man Oil Painting Celebrated 20th Century Artist

Portrait of a Young Man Oil Painting Celebrated 20th Century Artist

By Oliver Messel

Located in London, GB

These were seen by Serge Diaghilev, director of the Ballet Russes, and Charles B. Cochran, a theatrical producer, both of whom made Oliver offers of work.

Category

20th Century Modern Portrait Paintings

Materials

Canvas, Oil

Marie Laurencin, Young Woman and Her Son, from Antares, 1944
Marie Laurencin, Young Woman and Her Son, from Antares, 1944

Marie Laurencin, Young Woman and Her Son, from Antares, 1944

By Marie Laurencin

Located in Southampton, NY

After a wartime exile in Spain and Germany, she returned to Paris in the 1920s, where she became a leading portraitist and designer for Sergei Diaghilev’s Ballets Russes. Throughout ...

Category

1940s Modern Figurative Prints

Materials

Etching

Marie Laurencin, Three Young Girls, from Antares, 1944
Marie Laurencin, Three Young Girls, from Antares, 1944

Marie Laurencin, Three Young Girls, from Antares, 1944

By Marie Laurencin

Located in Southampton, NY

After a wartime exile in Spain and Germany, she returned to Paris in the 1920s, where she became a leading portraitist and designer for Sergei Diaghilev's Ballets Russes. Throughout ...

Category

1940s Modern Figurative Prints

Materials

Etching

Marie Laurencin, Abandoned Young Woman, from Antares, 1944
Marie Laurencin, Abandoned Young Woman, from Antares, 1944

Marie Laurencin, Abandoned Young Woman, from Antares, 1944

By Marie Laurencin

Located in Southampton, NY

After a wartime exile in Spain and Germany, she returned to Paris in the 1920s, where she became a leading portraitist and designer for Sergei Diaghilev’s Ballets Russes. Throughout ...

Category

1940s Modern Figurative Prints

Materials

Etching

Marie Laurencin, Anxious Young Woman, from Antares, 1944
Marie Laurencin, Anxious Young Woman, from Antares, 1944

Marie Laurencin, Anxious Young Woman, from Antares, 1944

By Marie Laurencin

Located in Southampton, NY

After a wartime exile in Spain and Germany, she returned to Paris in the 1920s, where she became a leading portraitist and designer for Sergei Diaghilev’s Ballets Russes. Throughout ...

Category

1940s Modern Figurative Prints

Materials

Etching

Marie Laurencin, Pastoral, from Antares, 1944
Marie Laurencin, Pastoral, from Antares, 1944

Marie Laurencin, Pastoral, from Antares, 1944

By Marie Laurencin

Located in Southampton, NY

After a wartime exile in Spain and Germany, she returned to Paris in the 1920s, where she became a leading portraitist and designer for Sergei Diaghilev’s Ballets Russes. Throughout ...

Category

1940s Modern Figurative Prints

Materials

Etching

Sonia Delaunay, Plate No. 38, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 38, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 38, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 40, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 40, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 40, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 39, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 39, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 39, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 37, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 37, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 37, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 36, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 36, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 36, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 35, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 35, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 35, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 33, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 33, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 33, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 30, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 30, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 30, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 32, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 32, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 32, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 31, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 31, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 31, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 34, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 34, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 34, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 27, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 27, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 27, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 29, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 29, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 29, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 28, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 28, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 28, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 25, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 25, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 25, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 26, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 26, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 26, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 24, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 24, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 24, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 23, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 23, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 23, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 22, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 21, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 20, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 20, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 20, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 19, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 17, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 17, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 17, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 18, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 18, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 18, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 16, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 16, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 16, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 15, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 12, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 12, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 12, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 14, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 14, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 14, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 13, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 13, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 13, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 10, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 11, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Orphist Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 9, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 9, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 9, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 8, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 7, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 5, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 6, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)
Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)

Sonia Delaunay, Plate No. 4, from Compositions, Colors, Ideas, 1930 (after)

By Sonia Delaunay

Located in Southampton, NY

Her theory of "Simultaneity" (Simultane) celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Rus...

Category

1930s Modern Abstract Prints

Materials

Lithograph, Stencil

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Ballet Russe For Sale on 1stDibs

On 1stDibs, you can find the most appropriate ballet russe for your needs in our varied inventory. You can easily find an example made in the Surrealist style, while we also have 59 Surrealist versions to choose from as well. Finding the perfect ballet russe may mean sifting through those created during different time periods — you can find an early version that dates to the 19th Century and a newer variation that were made as recently as the 21st Century. If you’re looking to add a ballet russe to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of gray, beige, black, white and more. There have been many interesting ballet russe examples over the years, but those made by Jean Cocteau, Marc Chagall, André Derain, (after) Sonia Delaunay and Sonia Delaunay are often thought to be among the most thought-provoking. Artworks like these — often created in lithograph, paper and paint — can elevate any room of your home.

How Much is a Ballet Russe?

The price for a ballet russe in our collection starts at $59 and tops out at $180,000 with the average selling for $1,423.