Blaue Reiter

The Blue Rider (in German: Der blaue Reiter) is a group of artists of expressionist inspiration, which was formed in Munich.

Printed in Paris in 1962 for Derrière le Miroir for "Der Blaue Reiter" issue (No. 133-134) and published by the atelier Maeght.

Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting.

He was a member of Der Blaue Reiter—among one of the earliest modernist movements in Europe.

Yet Feininger who was associated with the German expressionist groups: Die Brücke, the Blaue Reiter, the Bauhaus still roots this work in observable reality.

Kádár was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysical painting.

Size of actual Peice is 2.8" X 3.5" Béla Kádár (1877–1956) was a Hungarian painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and Metaphysic...

Famous Expressionist paintings are Edvard Munch’s The Scream, Wassily Kandinsky’s Der Blaue Reiter, and Egon Schiele’s Sitting Woman with Legs Drawn Up.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s. Largely self-taught in the craft, she has c...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s. Largely self-taught in the craft, she has c...

He was a member of Der Blaue Reiter in 1918-1919. He was friendly with Mondrian, Adolf Loos, and exhibited in Stuttgart with Kandinsky and George Grosz.

After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter and began completely abstract painting.

After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter and began completely abstract painting.

Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of pen and ink drawing and lithograph, In 1911, he became assoc...

Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by Erwin von Busse titled "Robert Delaunay's Methods of Co...

Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by Erwin von Busse titled "Robert Delaunay's Methods of Co...

Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by Erwin von Busse titled "Robert Delaunay's Methods of Co...

Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by Erwin von Busse titled "Robert Delaunay's Methods of Co...

Delaunay's paintings encouraged an enthusiastic response with Blaue Reiter. The Blaue Reiter connections led to the article by Erwin von Busse titled "Robert Delaunay's Methods of Co...

He took part in the creation of the Almanach of the Blaue Reiter group initiated by the Russian Kandinsky, a mythical work that brought together for the first time works of Oceanic a...

He was born in Wurtzburg, Germany, and was early influenced by the Munich expressionists called der "Blaue Reiter," translated "Blue Rider." The group was founded by Wassily Kandinsk...

Arp gave Rebay a copy of Vasily Kandinsky’s seminal treatise On the Spiritual in Art (1911) and the almanac Der Blaue Reiter. He introduced her to the Dada movement in Zurich and to ...

But by 1911 he had (with Franz Marc) founded the Blaue Reiter group, and had written (although not published) his famed On the Spiritual in Art, a treatise which helps explain the me...

Arp gave Rebay a copy of Vasily Kandinsky’s seminal treatise On the Spiritual in Art (1911) and the almanac Der Blaue Reiter. He introduced her to the Dada movement in Zurich and to ...

She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.

Palmié Charles Johann Palmié was a famed German Pointillist, or Neo-Impressionist, especially noted for being a founding member, with Wassily Kandinsky, in 1909, of the Neue Künstl...

Together with Kandinsky he was one of the founders of Der Blaue Reiter group. During 1904-1907, at the time he worked on the illustrations for Stella Peregrina, he is known to have...

He was a founding member of the Hylaea group of poets and painters and exhibited with Wassily Kandinsky’s Der Blaue Reiter (The Blue Rider) in Munich. A towering, boisterous personal...

Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of pen and ink drawing and lithograph, In 1911, he became assoc...

Critical interest focused on this young painter, who had emerged unscathed from a Germany that had been disqualified in every respect and had repudiated all forms of living art, and ...

Critical interest focused on this young painter, who had emerged unscathed from a Germany that had been disqualified in every respect and had repudiated all forms of living art, and ...

Critical interest focused on this young painter, who had emerged unscathed from a Germany that had been disqualified in every respect and had repudiated all forms of living art, and ...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie's, and she is largely self-taught in the craft...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie's, and she is largely self-taught in the craft...

"I paint in the German Expressionism style of Gabriele Muenter, school of the Blue Riders or Blaue Reiter, a group of painters relatively unknown in United States.

Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Bl...

Klänge is one of three major publications by Kandinsky that appeared shortly before World War I, alongside Über die Geistige in der Kunst (Concerning the Spiritual in Art) and the Bl...

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

From 1911 to 1913, he studied at the Moscow School of Painting, Sculpture and Architecture (MUZHVZ), and that year participated in the group exhibition of the Blaue Reiter in Munich,...

"I paint in the German Expressionism style of Gabriele Muenter, school of the Blue Riders or Blaue Reiter, a group of painters relatively unknown in United States.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

She began to develop an interest in printmaking while studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely self-taught in the craft.

“The intensity of its presence, its luck and the range of its coverage, its polemical tone as well as the richness and scattershot breadth of its subject matter, its language and the...

He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and ...

Born in Wurtzburg, Germany, Cramer was initially influenced by the Munich expressionist ‘Blaue Reiter’ (Blue Rider) movement founded by Wassily Kandinsky.

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

At all events, naive art can be regarded as having occupied an "official" position in the annals of twentieth-century art since - at the very latest - the publication of the Der Blau...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant-garde circles—including co-founding the Munich-ba...

Emerging from a background of law and economics, he embraced painting in his late thirties and soon became a central figure in avant garde circles, including cofounding the Munich ba...