British Studio Pottery

Mid-Century Modern British Studio Pottery Bowl by Richard Batterham, 1960s

Studio Pottery vase Glazed British.

Mid-20th Century British Studio Pottery Bowl by Maria Seviers This striking mid-century studio pottery bowl is a fine example of British craftsmanship from the renowned Seviers Pott...

A wonderfully designed and glazed Japanese Mingei style Chawan tea ceremony bowl with ears by esteemed American born/ British potter Janet Leach, wife of famed master ceramicist Bern...

A scarce mid-century Studio Pottery Festival of Britain vase by renowned modernist potter Dame Lucie Rie (Austrian, 1902 – 1995) dated 1951.

Delightful British European Modern vintage contemporary vase or pot by John Wheeldon circa 1996. Really beautiful piece of Raku ceramics with stunning colours of grass green, ochre y...

A studio pottery bowl by renowned British potter Bernard Leach, accompanied by its original signed wooden storage box.

Impressed maker marks to the lower body. Wye Pottery was a British studio pottery established in 1956 in Clyro, Wales, by potter Adam Dworski.

British art Studio Pottery by artist and sculptor Tessa Fuchs (1936-2012), produced circa 1982.

Executed with Hyde's characteristic tonal restraint and emphasis on myth, spirit, and form, bridging ceramic art and fine-art sculpture within the post-war British Studio Pottery mov...

A large and exceptional vintage British studio pottery candlestand by renowned potter Jane Hamlyn and made at Millfield Pottery near Doncaster probably in the latter 20th century.

A studio ceramic bowl made by Dame Lucie Rie (1902-1995) circa 1950s. The bowl, iconic in the repertoires of the celebrated British potter has an organic form, elegantly posed with s...

It is an example of mid-century British studio pottery, restrained yet expressive, and well-suited to collectors of British studio ceramics and interiors favouring sculptural ceramic...

Working within the philosophy established at the Leach Pottery in St Ives, Cornwall, he helped preserve and develop the ideals of the British studio pottery movement while establishi...

Working within the philosophy established at the Leach Pottery in St Ives, Cornwall, he helped preserve and develop the ideals of the British studio pottery movement while establishi...

Working within the philosophy established at the Leach Pottery in St Ives, Cornwall, he helped preserve and develop the ideals of the British studio pottery movement while establishi...

Striking British studio stoneware pottery sculptural vessel by Marylyn Hyde, dating from the late 1970s to early 1980s.

Thrown, fired and glazed by hand in a tiny workshop just outside Copenhagen, Würtz's ceramics are inspired both by Scandinavian utilitarian crafts traditions and 20th century British...

The Harlanders added new breadth to early Canadian Studio Pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed funct...

The Harlanders added new breadth to early Canadian studio pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed funct...

The Harlanders added new breadth to early Canadian Studio Pottery, introducing a distinct modernist, design-centric style that contrasted with the more common yet well-executed funct...

The distinctive form, vibrant hand-painted decoration and early Lorna Bailey design make this a particularly appealing example for collectors of British studio pottery and unusual de...

His work draws inspiration from the British studio pottery tradition while maintaining a distinctly contemporary expression.

His work draws inspiration from the British studio pottery tradition while maintaining a distinctly contemporary expression.

Their aesthetics are inspired by both Nordic utilitarian crafts and 20th century British studio pottery; their practice involves traditional wheel-turning and glazing methods.

Their aesthetics are inspired by both Nordic utilitarian crafts and 20th century British studio pottery; their practice involves traditional wheel-turning and glazing methods.

The palette — clay-rich reds, warm ochres, and mineral lavenders — evokes the British landscape, while maintaining the tactile intensity that defines mid-century British studio potte...

Great studio art pottery vase/vessel by well known British artist, Robert Fournier.

Marked: "ROOKE, MADE IN ENGLAND" Dimensions of the shade: ø45 H69cm Dimensions of the lamp with the shade: ø45 H170cm Bernard Rooke (born 1938) is one of the most important figures...

Charles Vyse British Studio Art Pottery figure of cineraria boy, circa 1925.

Signed with the artist's incised linked AW monogram, this is an excellent example of Alan Wallwork's highly collectible studio ceramics. Combining exceptional craftsmanship with a di...

This bowl stands as a refined example of early modern British stoneware, capturing the transition between traditional craft and the evolving aesthetics of the studio pottery movement.

Mid Century Bernard Leach Stoneware Bowl, Leach Pottery, St Ives, England 1954 Bernard Leach CH CBE (1887–1979) To hold a bowl made by Bernard Leach is to hold the origin point of ...

Their aesthetics are inspired by both Nordic utilitarian crafts and 20th century British studio pottery; their practice involves traditional wheel-turning and glazing methods.

A wonderful free-form organic bowl vessel by acclaimed British potter Peter Simpson. Simpson's works, such as this early piece, are inspired by organic forms in nature such as po...

It would make an outstanding addition to a collection of Moorcroft, Sally Tuffin, British studio pottery or Art Nouveau-inspired ceramics, and would also make an impressive decorativ...

The teapot is signed on the bottom with Tony Wood Studio England mark and with indented Pussy Foot England.

Decorative forms such as this shell vase were produced in considerably smaller numbers than the firm's utilitarian ceramics and have become increasingly sought after by collectors of...

The form is a truncated cone rising from a stepped pedestal foot, a restrained yet confident silhouette characteristic of early twentieth-century British studio and art pottery. The ...

This sophisticated pair of hand-painted ceramic vases were realized by the esteemed British early 20th century pottery studio, Bretby.