Copperplate Prints

When hung together, they create an elegant and historically engaging presentation. Technique: Copperplate engravings Maker: Published in Paris, France, 1836 This is an original se...

Executed in delicate copperplate engraving, the print displays exceptional control of line and tonal variation.

This is an original eighteenth-century copperplate engraving printed in London in 1721, not a modern reproduction.

This is an original eighteenth-century copperplate engraving printed in London in 1721, not a modern reproduction.

The related subject matter creates a striking wall display for coastal, tropical, colonial, or travel-inspired interiors. Technique: Copperplate engravings Maker: Published in Pari...

Technique: Hand-colored copperplate engraving Maker: Giulio Ferrario (publisher/author), Italy, circa 1815 Keywords: Chinese architecture print, Canton house engraving, Guangzhou ar...

This is an original eighteenth-century copperplate engraving printed in London in 1721, not a modern reproduction.

Technique: Hand-colored copperplate engravings Maker: Luigi Giarre after Giulio Ferrario, Italy, 1815 Keyword block: Ferrario Le Costume Ancien et Moderne set, Chinese costume engra...

Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, antique classical engraving, mythological engravin...

Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Diana of Ephesus, Artemis of Ephesus engraving, Montfaucon Antiquité expliquée, antique class...

Technique: Hand-colored copperplate engraving Maker: J. Kuyper (del.), L. Portman (sc.), Netherlands, c.1810 Keywords Monoemugi, Central Africa, antique ethnographic print, African ...

Technique: Hand-coloured copperplate engraving Maker: Giulio Ferrario (publisher), Andrea Bernieri (engraver), Milan, circa 1815 Keywords: Chinese musical instruments, pipa, ruan, y...

Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, Three Graces engraving, classical putti print, ant...

Executed with refined precision typical of Parisian copperplate engraving, the print displays delicate cross-hatching, balanced composition, and sculptural clarity.

Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, Sepulchrum des Nasonii, Roman antiquities print, c...

Keywords: Pieter Mortier, antique engraving, apocalypse prints, Book of Revelation, New Jerusalem, Lamb of God, angel engraving, biblical visions, Dutch Baroque print, Amsterdam circ...

Keywords: Pieter Mortier, antique engraving, Genesis prints, Jacob ladder, Jacob and Esau, biblical engraving, apocalypse print, Book of Revelation, Dutch Baroque print, Amsterdam ci...

Keywords: Pieter Mortier, antique engraving, Joseph story, Genesis prints, Joseph and his brothers, Potiphar’s wife, Simeon and Levi, Shechem, biblical engraving, Dutch Baroque print...

Printed on Hahnemuhle Copperplate paper, the piece measures 3.25 x 7.75 inches within an 8.25 x 11.75-inch sheet, making it a compact yet impactful work.

Keywords: rhinoceros horn anatomy Buffon natural history 18th century scientific engraving Amsterdam 1769 Jacques de Sève Daubenton copperplate engraving antique zoology plates Enlig...

Keywords: elephant anatomy Buffon engravings 18th century natural history scientific illustrations Amsterdam 1769 Daubenton Jacques de Sève antique prints set copperplate engraving m...

Keywords: Buffon anatomy engravings Amsterdam 1769 natural history Jacques de Sève copperplate scientific prints quadruped skeleton plate 18th century zoology art veterinary anatomy ...

The Meisjes Weeshuis was founded in 1578 and occupied this complex until the early 19th century, making images like this valuable records of its historic architecture. Printed from ...

Executed with fine copperplate engraving technique, the print showcases meticulous linear detailing, cross-hatching, and tonal contrasts that define the drapery folds, angelic form, ...

Technique: Copper engraving Maker: Pieter Mortier, Amsterdam, circa 1700 Keywords: biblical engravings, religious prints, Pieter Mortier, Dutch engravings, Amsterdam publisher, Old ...

A classic composition in a rainbow of colors from the master of Pop Art. Printed on German Copperplate paper measuring 28 x 38 in. / 71.1 x 96.5 cm, with an image size of 19 x 29.2 ...

A classic composition in a rainbow of colors from the master of Pop Art. Printed on German Copperplate paper measuring 28 x 38 in. / 71.1 x 96.5 cm, with an image size of 19 x 29.2 ...

The technique used for this print is copperplate engraving, a method popular in the 18th and early 19th centuries for its ability to produce fine lines and intricate details.

A black, gilt, or dark wood moulding will complement the historical style of the prints. Technique: Copperplate engraving on laid paper Maker: Various Dutch engravers, c.1700s

Ideal for display in a study, library, or gallery wall featuring architectural or historical prints. Technique: Copperplate engraving Maker: After Cornelis de Bruijn, The Netherland...

The work was published in Paris between 1770 and 1786, and it contains 1008 fine, originally hand-colored copperplate engravings. These prints represent the Ortolans or Buntings, spe...

While the original 1705 plate was a large-format copperplate engraving printed on laid paper, this later lithographic version was produced in the 19th century for a growing audience ...

While the original 1705 plate was a large-format copperplate engraving printed on laid paper, this later lithographic version was produced in the 19th century for a growing audience ...

In 1718 he acquired the stock of copperplates and prints of his tutor Gerard Audran. He was a very talented engraver.

His style often combines historical information with elaborate artistic elements, as seen in this representation of the papacy. Created with copperplate engraving, this print exhib...

Printmaking Technique: As with the first print, the copperplate engraving technique was used here.

Artistic Techniques Engraving - **Medium**: The print is a copperplate engraving, a common technique during the Renaissance for producing detailed and precise images.

D'Oench/Feinberg 3 Color etching, soft-ground etching, aquatint, drypoint and electric tools, 1977. Edition of 50. Printed on Copperplate Deluxe paper, signed, dated and numbered 17/...

The finely engraved copperplates were printed and then meticulously hand-colored, producing impressions of remarkable richness while preserving the documentary precision intended by ...

White Ball is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi.

Edition of 100, signed, titled and numbered 59/100 all in pencil. Printed on Copperplate Paper at Orlando Condeso Workshop, New York, and published by Alan Frumkin Gallery, New York....

This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked paper, which measures 12.63" x 9.38".

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked paper with large margins.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked paper with large margins.

The boards were engraved, copperplate, by Marie Laurencin and printed on the presses of the Ateliers d'art Paul Haasen, in Paris.

The boards were engraved, copperplate, by Marie Laurencin and printed on the presses of the Ateliers d'art Paul Haasen, in Paris.

The boards were engraved, copperplate, by Marie Laurencin and printed on the presses of the Ateliers d'art Paul Haasen, in Paris.

The boards were engraved, copperplate, by Marie Laurencin and printed on the presses of the Ateliers d'art Paul Haasen, in Paris.

The boards were engraved, copperplate, by Marie Laurencin and printed on the presses of the Ateliers d'art Paul Haasen, in Paris.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked and watermarked paper with very large margins.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked and watermarked paper with very large margins.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked and watermarked paper with large margins.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked paper with large margins.

This detailed and strikingly beautiful hand-colored copperplate engraving is printed on high quality laid chain-linked and watermarked paper with large margins.

This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked watermarked paper, with very large margins.

This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked watermarked paper, with very large margins.

This colorful and detailed hand-colored copperplate engraving is printed on high quality laid chain-linked watermarked paper, with very large margins.

Original 1762 hand-colored copperplate engraving printed by Homann Heirs in 1762.

When the ground work is done, I use a steel burnisher quite extensively to shape my images as one would do in a fine barr relief but working in reverse. After I pull a proof print fr...

Such engravings were often based on field sketches or preserved specimens brought back by explorers, then translated into copperplate prints by skilled engravers. The page reference ...