Altered Portrait

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

Artist: Miss Bugs Title: The Super Arts Alter Ego Size: 31 (78.7 cm) Inches Diamter Medium: Mixed Media on Wood Edition: Original Year: 2009 Notes: Hand Signed & Dated by the ...

22-color screenprint on 300 gsm paper. Hand signed, dated and numbered by the artist. Custom framed as pictured. Frame size approx 41 x 31.5 inches. From the edition of 150. Art...

Rembrandt's anatomical portrait radically altered the conventions of the genre, by including a full length corpse in the center of the image (using Christ-like iconography) and creat...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

All are diptychs that combine images from Makos "Altered Image" portraits of Andy Warhol with flower images from Solberg's "Bloom" series.

All are diptychs that combine images from Makos "Altered Image" portraits of Andy Warhol with flower images from Solberg's "Bloom" series.

Currently wired to hang in a landscape position, but could be altered to portrait. Expected minor losses and restoration to gesso and gilt work.

Currently wired to hang in a landscape position, but could be altered to portrait. Expected minor losses and restoration to gesso and gilt work.

Currently wired to hang in a landscape position, but could be altered to portrait. Expected minor losses and restoration to gesso and gilt work.

Not alive but not quite dead, each person’s newly imagined and altered portrait straddles the lines between memory, identity, and death.

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Pino (born Giuseppe Dangelico in Italy) is noted for his exceptional ability to capture the movements and expressions of his subjects, a talent which has brought him private commissi...

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

Glaser was inspired by Marcel Duchamp’s self-portrait in 1957, altering it by adding rainbow-colored, kaleidoscopic curls on top of the dark and elusive silhouette.

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