Etching London

This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique si...

This Artist Proof print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique si...

Literature includes Sir Reginald Blomfield, Architectural Water-Colours and Etchings of W Walcot, London: H C Dickins & Technical Journals, 1919, Page 15; Elizabeth Harvey-Lee 5.

Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4 x 4 1/8 inches (120 x 105 mm), thin margins.

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774.

London: c1820. Etching with aquatint and engraving with hand coloring in watercolor, full margins. 12 1/2 x 16 inches (317 x 407 mm), the full sheet.

Thorold, A Catalogue of the Oil Paintings of Lucien Pissarro, London, 1983, pp. 186-187, no. 420, illustrated in black and white (incorrectly listed as belonging to the Museum of Fin...

For example his colour-etching Hammersmith, London (c. 1941) shows his use of multiple plate colours—brown, red, yellow, blue and black.

Charles John Watson himself initially worked an artists’ colourman, but obviously had ambitions to become an artist and, by his mid twenties, was beginning to exhibit paintings and e...

He painted mainly in oil and watercolour but also produced etchings. Member of The London Society of 25. Elected Associate Royal Scottish academy 1900.

He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne.

He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne.

He then enrolled at the Royal College of Art, London, to study etching techniques under Malcolm Osborne.

They first gained recognition with their first solo installation, We Are Artists (1992), in which they stencilled an anti-aesthetic manifesto onto a mud-splattered wall at the Instit...

Small Print Open Exhibition 2016 Work selected for “The Masters” etching exhibition at Bankside Gallery, London

They first gained recognition with their first solo installation, We Are Artists (1992), in which they stencilled an anti-aesthetic manifesto onto a mud-splattered wall at the Instit...

They first gained recognition with their first solo installation, We Are Artists (1992), in which they stencilled an anti-aesthetic manifesto onto a mud-splattered wall at the Instit...

Graphic Work: Fourteen Hand-coloured Lithographs and Etchings 1977-1987', Lumley Cazalet, London, 1990 (n.p.); Lenore Miller, 'Howard Hodgkin Prints: Vision and Collaboration', Dimoc...

Belas gravuras do ingles Howard Hodgkin', Veja, 22 July 1987, p. 117 (ill.); John Russell (intro), 'Howard Hodgkin, Graphic Work: Fourteen Hand-coloured Lithographs and Etchings 1977...

This wonderfully expressive photogravure was published in 1891 in London. The etching was made after W.H. Overend’s original work, still showcasing his signature at the bottom left o...

Charles Fox is best known for his rural landscapes in watercolor, but he also painted in oils and had a series of large etchings published by Gladwell Brothers, London, in the 1880s.