Jacob Gildor Art

MAX LIEBERMANN (1847 1935) SELF PORTRAIT DRAWING (Selbstportrat) c. 1922 (Schiefler, 341, III b) Etching, signed in pencil, Scarce signed example found in Max Liebermann “Sein Leb...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Artist: John Baldessari Title: Kiss, Hair, Hands Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 29 x 19 3/4 inches (73.7 x 50.2 cm) Edition: 35; signed, numbere...

Artist: Peter Doig Title: House of Music (Soca Boat) Year: 2023 Medium: Giclée Print on Cotton Smooth Rag, Oak frame with Optium Tru Vue Acrylic Glass Edition: 250; signed and number...

India ink/Wash on paper Signed and dated on lower left The work is housed in super elegant Four Thousand Five Hundred Dollar Frame with Master Museum matting

Man Ray 'Le Mannequin' Aquatint/Engraving 1975 Edition: From the rare limited edition of 150 Size: 50x35 CM. Signed and numbered in pencil by the artist Published by Cleto Polcina E...

Artist: Doig, Peter Title: D1-6 Holy Mountain Series: D1 Zermatt Date: 2022 Medium: Giclee Print on Cotton Smooth Rag Unframed Dimensions: 44.75" x 35.4" Framed Dimensions: 48...

Signed, titled and Artist Proof by the artist from an edition of 100. Male nude etching by Trevor Southey. Trevor Southey was born in Rhodesia, Africa (now Zimbabwe) in 1940. His A...

Artist: Man Ray, American (1890 - 1976) Title: Sonia from La Ballade des Dames Hors du Temps Year: 1970 Medium: Aquatint Etching, Si...

This elegant lithograph on two sheets of wove paper, as issued, by Alphonse Mucha (1860–1939) and published by The Strobridge Lith, Co., Cincinnati, and New York was created to promo...

Artist: John Baldessari Title: Two Figures (One with Shadow) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 20 1/2 x 20 inches (52.07 x 50.8 cm) Edition: 35; si...

John Baldessari Love and Work 1991: Baldessari’s Love & Work 1991, photogravure and color aquatint, features clasped hands clutching surrealistically amidst a black background. Classic, timeless Baldessari imagery that is sure to work well in any setting. Medium: Color photogravure and aquatint on wove paper. 1991. Dimensions: 26 x 11.5 inches. Well-preserved and in very good overall condition. Framed in acrylic plexiglass. One of the 15 numbered artist's proofs, aside from the general edition of 60. Signed, inscribed "A.P." and numbered 12/15 in pencil, lower margin. Published by Brooke Alexander, Inc., New York. Collections: MoMa New York John Baldessari: It is hard to characterize John Baldessari's varied practice—which includes photomontage, artist’s books, prints, paintings, film, performance, and installation—except through his approach of good-humored irreverence. Baldessari is commonly associated with Conceptual or Minimalist art, though he has called this characterization “a little bit boring.” His two-dimensional works often incorporate found images, composed in layers or presented as distinct pieces with an element of surprise, like a brightly colored geometric shape in the place of a face or a starkly printed sardonic caption. Baldessari has demonstrated a lasting interest in language and semantics, articulating these concerns through the use of puns or the juxtaposition of seemingly unrelated images and words, as in his 1978 work Blasted Allegories. His self-referencing photomontages and use of text have been sources of inspiration for countless artists, including Cindy Sherman, David Salle, and Barbara Kruger. Baldessari identifies his own artistic lineage, saying, "I would prefer to go to the source with Duchamp rather than credit Warhol as an influence." Related Categories: Surrealist. Ed Ruscha. Los Angeles. Conceptual art. Photography. Minimalist. John Baldessari prints.