Harpers Weekly

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With

Antique Vintage Harper's Weekly Journal of Civilization New York, 1864. Measures: 15.75 x 11

newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant

Original wood engraving as published by Harpers Weekly December 3, 1864, after a drawing by Winslow Homer

. Zogbaum/ 95' bottom right Size: 18 x 13 3/4 in. Harper's Weekly: A Journal of Civilization, New York

Harper's Weekly colour plate from sketches by A.B. Frost depicting 'The Intercollegiate Regatta

Art Sz: 15"H x 21"W Frame Sz: 25"H x 31"W Harper's Weekly colour plate from sketches by A.B

, probably Harper's Weekly magazine, 1890.

originates from 'Harper's Weekly. Journal of Civilization'. Boat print.

front as an artist correspondent for the relatively new illustrated journal Harper’s Weekly. At that

3rd, 1880 Harper’s Weekly. It is in very good condition and signed in the plate.

On the Beach at Long Branch - The Children's Hour Wood engraving, 1874 Published in "Harper

This Winslow Homer woodcut engraving entitled "Making Hay", was published in Harper's Weekly in the

published in Harper's Weekly in the August 15, 1874 edition. It depicts women and their children on the

Original wood engraving on paper. Taken from Harper’s Weekly, April 7, 1860. Signed “Homer” in the

the Avenue", was published in Harper's Weekly in the March 28, 1868 edition. The print depicts a group

of Artists, Philadelphia, Pennsylvania. February, 1883. LITERATURE: HARPER'S WEEKLY, volume XXVII

the magazine such as Harper's Weekly. Philip C. Beam, notes that Homer was the "leading designer of

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era

’s New Monthly Magazine, Harper’s Weekly, Harper’s Bazar and Harper’s Young People.

"View of the City of Milwaukee" from "Harper's Weekly" is an original hand-colored wood engraving

, the sister of Frank Lloyd Wright, for a Harper's Weekly interior story, "The Blue Hood." The

New York World and covered the Boer War for Harper's Weekly. He also worked for Puck magazine for

the Boer War for Harper's Weekly. He also worked for Puck magazine for eight years and did

, according to the accompanying text in Harper's Weekly, "a complete success. The array of beauty and fashion

. His preferred medium was watercolor, and he began his career as an illustrator working for Harpers

. The surrounding spectators are divided by their team affiliation. Published by Harper’s Weekly as a

Square, New York" by Theodore R. Davis (1840–1894) was published as a supplement of Harper's Weekly

in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of

, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number

(Signed in text in title caption, see photo) Published in Harper's Weekly July 15, 1865 A very rare early

- San Francisco", created by Henry François Farny and published in Harper's Weekly in 1889. It depicts

preferred medium was watercolor, and he began his career as an illustrator working for Harpers Weekly, the

furthur nder Howard Pyle. He was soon thereafter able to make his professional debut in Harper's Weekly

, he entered the field of illustration, working for Scribner’s, Harper’s Weekly and The Century as well

spent many of his summers on Monhegan Island. Burns was an illustrator for Harper's Weekly, Scribner's

early 20th century. His work appeared in major publications such as Harper’s Weekly, Collier’s, and The

”. He was a recognized art critic and wrote for The New York Times, New York Post and Harper’s weekly

Civil War scenes for Harper's Weekly in 1864 and also painted in Arizona. Sources: Peter Falk, Who

a correspondent and illustrator for Harper’s Weekly where he traveled to South Africa to document

Bridgman," Harper's Weekly, vol. 43, no. 2194, Jan 7, 1899, p. 8 "Exhibitions and Other Events in a Week of

and rural New England life to magazines such as Ballou's Pictorial and Harper's Weekly at a time when

The Bathers Woodengraving, 1873 As published in Harper's Weekly, August 2, 1873 (p. 668) Provenance

-colored wood engraving, published in Harper's Weekly on November 10, 1866, beautifully illustrates the

" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It

and rural New England life to magazines such as Ballou's Pictorial and Harper's Weekly at a time when

began his career as an illustrator for Harper's Weekly, but eventually decamped for Europe with Frank

making western illustrations for Harper's Weekly and many other widely-read New York magazines

, appeared in Harper's Weekly, 25 April 1863. Retail shops were opened at Broadway and 21st Street, then on

created detailed illustrations of hunting, whaling and fishing adventures for such magazines as Harper

early 20th centuries. His illustrations were found in magazines and periodicals such as Harper's Weekly

articles for Scribner's and Harper's Weekly, among other publications. Coffin held the position of art

Harper's Weekly in 1908, around the time he moves to Wilmington to receive critiques from Pyle. Everybody's

to the United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he

United States, Fischer sold his first picture to Harper's Weekly in 1908, around the time he moves to

illustrator for Harper's Weekly and Ballou's Pictorial in 1857. Homer moved to New York City in 1859 and

Harper's Weekly, Scribner's and Literary Digest. He is credited with the first illustrated article about