Skip to main content

Winslow Homer Prints and Multiples

American, 1836-1910
Winslow Homer (1836-1910) was an American landscape painter, printmaker and publication illustrator. He is considered one of the most important American artists of the 19th-century. Largely self-taught Homer initially worked as an illustrator for various publications, including: Harper's Weekly, Frank Leslie's Illustrated Newspaper and Ballou's Pictorial Magazine. He worked for Harper's during the Civil War, producing woodcut engravings depicting the personal experiences of soldiers. He later became a master of oil and watercolor painting, often focussing on maritime themes. Harper’s Weekly, published in New York, was an extremely popular publication in the nineteenth and early twentieth centuries. In weekly issues Harper’s reported the news, entertained with literature, poetry and art, as well as educating its readers about world affairs and new inventions. It's woodcut engraved illustrations and literature added to its popularity, employing major artists and authors of the time, including Winslow Homer, Charles Dickens, William Makepeace Thackeray and Thomas Nast.
(Biography provided by Timeless Intaglio)
to
5
2
4
1
1
2
2
Overall Height
to
Overall Width
to
1
1
5
4
2
2
1
1
1
1
1
5
7
981
775
654
625
2
2
2
Artist: Winslow Homer
Fly Fishing, Saranac Lake
By Winslow Homer
Located in Storrs, CT
Fly Fishing, Saranac Lake. 1889. Etching, aquatint and burnishing. Goodrich 104. 14 1/4 x 20 5/8; sheet 18 1/2 x 24 1/2. Edition unknown but quite possibly intended 100; highest numb...
Category

Late 19th Century American Modern Winslow Homer Prints and Multiples

Materials

Etching

The Bathers
By Winslow Homer
Located in Fairlawn, OH
The Bathers Woodengraving, 1873 As published in Harper's Weekly, August 2, 1873 (p. 668) Provenance: Wunderlich & Co., Inc., New York, NY (Their stock no. ...
Category

1870s American Realist Winslow Homer Prints and Multiples

Materials

Woodcut

'May Day in the Country, ' original woodcut engraving by Winslow Homer
By Winslow Homer
Located in Milwaukee, WI
The present woodcut engraving is an original print designed by Winslow Homer, originally published in Harper's Weekly on April 30, 1859. It is an excellent example of the many prints Homer produced of fashionable people engaged in leisurely activities, in this case along a picturesque countryside lane. The sign reading 'Belmont' on the left indicates this is probably near his home in Belmont Massachusetts. The image presents multiple figures, both men and women, riding horseback: Some in the distance gallop away, toward a town marked by a church steeple beyond. Three others in the foreground, including two equestrian women, gather around a group of children who have been gathering flowers and trapping birds...
Category

1850s Victorian Winslow Homer Prints and Multiples

Materials

Engraving, Woodcut

The Beach at Long Branch
By Winslow Homer
Located in Fairlawn, OH
The Beach at Long Branch Woodengraving, 1869 Signed in the block lower right "WH" ( see photo ) Published in Appleton’s Journal of Literature, Science and Art, August 21, 1869 Condition: Double page illustration, with centerfold. Tipped in binding. Very good condition. Displayed in a bird’s eye maple frame with French matting. Image size: 15 1/2 x 21 7/16 inches Frame size: 25 x 31 Reference: Goodrich 43 Beam 158 Kushner, Gallati & Ferber 65 Provenance: Donaldson, Lufkin & Jenerette Americana Collection Credit Suisse...
Category

1860s American Realist Winslow Homer Prints and Multiples

Materials

Engraving

Mending the Tears
By Winslow Homer
Located in New York, NY
Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie...
Category

1880s American Impressionist Winslow Homer Prints and Multiples

Materials

Etching

Related Items
PHOEBE PASSES MY GATE
Located in Portland, ME
Hutty, Alfred. PHOEBE PASSES MY GATE. Drypoint, c. 1931. Edition size c.75. 8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet). Printed on laid paper. In excellent condit...
Category

1930s American Realist Winslow Homer Prints and Multiples

Materials

Drypoint

Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category

1960s American Modern Winslow Homer Prints and Multiples

Materials

Paper, Woodcut

To Childhood Illnesses from the Rilke Portfolio
By Ben Shahn
Located in Mount Vernon, NY
The Rilke Portfolio by Ben Shahn contained 24 prints from the Atelier Mourlot in New York. The Munn Collection offers 7 unframed lithographs from the o...
Category

1960s American Realist Winslow Homer Prints and Multiples

Materials

Lithograph

Four Walking Figures
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed "Artist Proof" in pencil Paper: Arches ...
Category

Late 20th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Lithograph

Four Walking Figures
Four Walking Figures
H 20.15 in W 25 in D 1.25 in
Partings Long Seen Coming from the Rilke Portfolio
By Ben Shahn
Located in Mount Vernon, NY
The Rilke Portfolio by Ben Shahn contained 24 prints from the Atelier Mourlot in New York. The Munn Collection offers 7 unframed lithographs from the o...
Category

1960s American Realist Winslow Homer Prints and Multiples

Materials

Lithograph

Five Pigeons (Jardin du Luxembourg, Paris)
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Five Pigeons (Jardin du Luxembourg, Paris) Year: 1981 Medium: Original color etching with aquatint Edition: Numbered 75/200 in pencil Paper: Arches Image (plate mark) size: 11.75 x 8.25 inches Framed size: 24.5 x 17.65 inches Signature: Hand signed and titled in pencil by the artist Condition: It is in very good condition, the matting have some marks, see picture #1 Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet. About the artist. Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris. OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING) Galerie Huit - Paris (1951) The Art Institute of Chicago - (1960) The Escuela Nacional de Artes Plasticas - Mexico City (1961) The San Francisco Museum of Art - (1961) The Santa Barbara Museum of Art - (1961) Oklahoma Art Center - (1966, 1976) The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976) Milwaukee Art Center - (1969) The Print Cabinet...
Category

Late 20th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Etching, Aquatint

Leaves, Monceau
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Four Walking Figures Year: c.1980 Medium: Original color lithograph Edition: Inscribed Artist Proof in pencil Paper: Arches Im...
Category

Late 20th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Lithograph

Leaves, Monceau
Leaves, Monceau
H 18.25 in W 14.85 in D 1.25 in
Afternoon
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Afternoon Year: c.1980 Medium: Original color lithograph Edition: Numbered 62/225 in pencil Paper: Arches Image size: 10.75 x...
Category

Late 20th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Lithograph

Afternoon
Afternoon
H 18.25 in W 14.85 in D 1.25 in
Rockwell, Four Ages of Love: Summer
By After Norman Rockwell
Located in Fairfield, CT
Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Summer Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...
Category

1980s American Realist Winslow Homer Prints and Multiples

Materials

Offset

"Under the Apple Tree", Figurative Chromolithograph after George Niles, 188/250
By Louis Prang
Located in Soquel, CA
Original chromolithograph by Louis Prang (German/American, 1823-1909) of L. Prang & Co. (American, founded 1860), after "Under the Apple Tree" by George E. Niles (American, 1837-1898). This late 19th century figurative chromolithograph depicts a small boy in a country setting and period dress under an apple tree, reaching into a barrel with a basket of apples spilling into the grass. A German style chromolithograph, this limited edition 188/250 print was created with heavy, oil-based inks which were applied in several layers to impart a texture similar to an original oil painting. Signed and dated in the plate "G.E. Niles 1867". Tag on verso with "Prang's American Chromos - Under the Apple Tree, after Niles - Chromolithographed and published by L. Prang & Co. ...Boston". Displayed in a rustic giltwood beveled frame. Image size: 9"H x 7.25"W. Louis Prang was a foremost lithographer and publisher in New York City from the mid to the end of the 19th Century. Born in Breslau, Germany to a father who was a calico printer, he was an apprentice to his father during his teen-age years and then spent five years as a journeyman, learning printing and dyeing and living in Austria, France and England. However, Prang's liberal political vliews caused him to be deported by the Prussian government during the Revolution of 1848, and fled via Bohemia and Switzerland to get to America. In 1850, Prang went to Boston, having stopped briefly in New York City, and became a publisher and taught himself wood engraving. In 1856, he turned to lithography in partnership with Julius Mayer. In 1860, he founded Louis Prang and Co., which was his own company and the first stiff competition to Currier and Ives. A primary reason for this competition was Prang's active imagination and energetic pursuit of his business. During the Civil War, he published maps and battle plans so that people at home could follow military movements. He also created printed card portraits of Union soldiers...
Category

Late 19th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Lithograph, Cardboard

"Home from the Fair" Wagon and Horses Print on Canvas
Located in Soquel, CA
"Home from the Fair" Wagon and Horses Print on Canvas Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints. Hand signed in gold pen lower right "Jack Terry 108/250" Also signed in print "Jack Terry 1988" Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print" Brass plaque center on linen "Home From the Fair" Image, 16"H x 20"W Frame, 24"H x 28"W x 2.5"D Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time. Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”. A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity. In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year. In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies. In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas. In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”. Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...
Category

1980s American Impressionist Winslow Homer Prints and Multiples

Materials

Canvas, Printer's Ink, Oil

Duck Pond
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003) Title: Duck Pond Year: circa 1980 Medium: Original color lithograph Edition: 285. This one: 29/285 in pencil Paper: Arches Image size...
Category

Late 20th Century American Impressionist Winslow Homer Prints and Multiples

Materials

Lithograph

Duck Pond
Duck Pond
H 22.25 in W 25 in D 1.25 in
Previously Available Items
A SHARP-SHOOTER - The Army of the Potomoc - On Picket Duty
By Winslow Homer
Located in Santa Monica, CA
(after) WINSLOW HOMER (1836 -1910) The Army of the Potomoc - A SHARP-SHOOTER – On Picket Duty, 1862 (Beam 99) Wood engraving as published in Harper’s Weekly November 15, 1862. Ima...
Category

1860s American Realist Winslow Homer Prints and Multiples

Materials

Woodcut

August in the Country-The Seashore
By Winslow Homer
Located in Fairlawn, OH
August in the Country-The Seashore Wood engraving, 1859 Signed in the block (see photo) Published in Harper's Weekly, August 27, 1859 Condition: Usual vintage condition with folds, c...
Category

1850s Hudson River School Winslow Homer Prints and Multiples

Materials

Woodcut

Deer Stalking in the Adirondacks in Winter
By Winslow Homer
Located in Fairlawn, OH
Deer Stalking in the Adirondacks in Winter Wood engraving, 1871 Signed in the block (see photo) Published in: Every Saturday, Jan. 21, 1871 Engraved by G. A. Avery Exhibited: Indianapolis Museum of Art, Nov. 25 to Jan. 26, 1981 and later throughout Indiana on the S.T.E.P. traveling exhibition. (This impression) Reference: Beam 188 Goodrich 54 Provenance: Roman Radecki, Sr., South Bend...
Category

1870s Hudson River School Winslow Homer Prints and Multiples

Materials

Woodcut

The Life Line
By Winslow Homer
Located in New York, NY
Winslow Homer created the etching entitled “THE LIFE LINE” in 1884. This is an unsigned impression published in 1887 by “C. Klackner, 17 East 17th St., New York.” There is an etched Remarque in the lower right of an anchor between two dials. Signed in the plate, lower left “Homer 1884.” The image size (platemark) is 12.88 x 17.75 inches (32.7 x 45 cm). It is unknown why the majority of “The Life Line” edition is unsigned. This piece is framed in a 1 3/8 molding finished in gold leaf, silk-wrapped rag stock mat, rag stock backing, and finished with TruVue Museum Glass. “During the 1870s, after many disastrous shipwrecks, the public demand for higher safety standards on immigrant steamers was heard. A bolstering of the American Lifesaving Service, with brigade houses along the shore from Maine to Florida, and new lifesaving devices were introduced. One of these was the breeches buoy - a seat that carried people from the ship to shore rapidly. A trained brigade using a small cannon...
Category

1880s American Impressionist Winslow Homer Prints and Multiples

Materials

Etching

The Life Line
The Life Line
H 23.5 in W 26.5 in D 1.5 in
Winslow Homer-Flower Garden and Bungalow, Bermuda-15" x 18.5"-Poster-1947
By Winslow Homer
Located in Brooklyn, NY
Winslow Homer-Flower Garden and Bungalow, Bermuda-15" x 18.5"-Poster-1947-Realism-Blue, Green-nature, plants, water, clouds
Category

20th Century Winslow Homer Prints and Multiples

Materials

Offset

"The Beach at Long Branch, " Woodcut Seascape by Winslow Homer
By Winslow Homer
Located in Milwaukee, WI
"The Beach at Long Branch" is an original woodcut print by Winslow Homer. His initials are in the sand, drawn by the woman on the right. This woodcut depicts modern people spending a...
Category

1860s Realist Winslow Homer Prints and Multiples

Materials

Woodcut

Waiting for A Bite Winslow Homer Harpers Weekly wood engraving 1874
By Winslow Homer
Located in Paonia, CO
Waiting for a Bite is a black and white wood engraving showing three boys on a dead uprooted tree in a swamp fishing in the Adirondecks. It is a very tranquil scene from Harper's Wee...
Category

1870s Winslow Homer Prints and Multiples

Materials

Woodcut

A Winter Morning, Shovelling Out
By Winslow Homer
Located in Fairlawn, OH
Signed in the block Provenance: Roman Radecki, South Bend, Indiana Published in: Every Saturday, Jan. 14, 1871 Engraved by G. A. Avery References: Beam 188; Goodrich 5...
Category

1870s Winslow Homer Prints and Multiples

Materials

Engraving

Sea-Side Sketches - A Clam Bake
By Winslow Homer
Located in Fairlawn, OH
Published in Harper's Weekly, August 23, 1873 References: Beam 200 Goodrich 71 Kushner, Gallati & Ferber 33
Category

Mid-19th Century Winslow Homer Prints and Multiples

Materials

Engraving

Winslow Homer prints and multiples for sale on 1stDibs.

Find a wide variety of authentic Winslow Homer prints and multiples available for sale on 1stDibs. You can also browse by medium to find art by Winslow Homer in engraving, woodcut print, etching and more. Much of the original work by this artist or collective was created during the 19th century and is mostly associated with the Impressionist style. Not every interior allows for large Winslow Homer prints and multiples, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Stephen Parrish, Peter Moran, and Alan Feltus. Winslow Homer prints and multiples prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $75,000, while the average work can sell for $2,325.
Questions About Winslow Homer Prints and Multiples

Recently Viewed

View All