Jacob Van Ruisdael

Schelfhout, himself a frequent visitor of the Mauritshuis, was particularly inspired by Jacob van Ruisdael, whose coastal and dune landscapes were of particular influence during the ...

In the final exhibited work, Gainsborough filled both sides and the entire upper portion of his canvas with foliage, overpowering the wagon and other elements of the composition, and...

"Wheatfields" by Jacob Isaac Van Ruisdael. Limited Edition Print New York Graphic Society, 1945.

Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp, Meindert Hobbema, and Jacob van Ruisdael. Jungblut...

Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp, Meindert Hobbema, and Jacob van Ruisdael. Jungblut...

Consider the similarities between this painting and Jacob van Ruisdael’s ‘Entrance to a Forest’ from around 1660.

He studied the old masters Salomon van Ruysdael, Jacob van Ruisdael, Jan Wijnants and in particular, Meindert Hobbema, and sought to make use of their techniques in his nature studies.

He studied the old masters Salomon van Ruysdael, Jacob van Ruisdael, Jan Wijnants and in particular, Meindert Hobbema, and sought to make use of their techniques in his nature studies.

The interplay between romantic wilderness and human presence, combined with precise naturalistic detail, is a hallmark of artists influenced by both Jan Both and Jacob van Ruisdael, ...

They had the advantage of looking back for inspiration to the ‘Golden Age’ masters, such as Jacob van Ruisdael, Jan Both and Hobbema. After all, the Dutch had been painting with soul...

Luminaries such as Jan van Goyen (1596-1656), Jan Dirksz Both (1618-1652), Jacob van Ruisdael (1628/9-1682) and Meindert Hobbema (1638-1709) reimagined the way nature could be portra...

Aside from several works by Constable, he also acquired an array of old masters including pieces by Aelbert Cuyp (1620-1691), Meindert Hobbema (1638-1709), Sir Peter Paul Rubens (157...

European merchants sent their wares to the city for bleaching and finishing, as described in Jacob van Ruisdael’s ‘View of Haarlem with Bleaching Fields’.

His inspiration was derived from the Dutch landscape masters of the Golden Age, such as Meindert Hobbema (1638-1709), and Jacob van Ruisdael (1628/9-1682). Gnarled woods, dense fores...

Influenced by masters of the Dutch Golden Age, such as Meindert Lubbertszoon Hobbema (1638-1709) and Jacob van Ruisdael (1628/9-1682), its members were inspired by the natural enviro...

Forest Scene is an etching on paper realized by Jacob Van Ruisdael in the 18th century. Signed on plate.

Little is known about Guillam Dubois, who worked in Haarlem in the tradition of Jacob van Ruisdael. His distinctive landscapes are characterised by an air of detachment and melanchol...

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Jungblut painted in a style which merged Impressionist techniques with the tradition of Dutch landscape painters like Aelbert Cuyp, Meindert Hobbema, and Jacob van Ruisdael. Jungblut...

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Her works are largely inspired by the atmospheric style of 17th-century Dutch artists like Jacob van Ruisdael, and regularly features epic expanses of sky and sun-dappled clouds.

Hobbema was a pupil of Jacob van Ruisdael, the pre-eminent landscape painter of the Dutch Golden Age, and in his mature period produced paintings developing one aspect of his master'...

Henry Jutsum studied under the early 19th century landscape painter James Stark (1794-1859) and naturally his work inevitably reflects the influence of both the Norwich School and th...

Two years later, in 1655, Hobbema was taken on as an apprentice to the famous landscape painter Jacob van Ruisdael. In his early works Hobbema closely followed the compositions of R...

Works by the masters of landscape, such as Jacob van Ruisdael (1628-1682) and Meindert Hobbema (1638-1709), were certainly an inspiration although their style is an amalgam of philos...

These included The Dutch Merchantand The Flemish Cook after Gerrit Dou, The Broken Egg after Frans van Mieris the Elder, The Judgement of Paris after Rubens, four landscapes after Ja...

He was very much in demand for collaborations with other painters, his rural characters and his animals are thus found in works of artists such as Jan van der Heyden, Jacob van Ruisd...

Both the style and composition are inspired by the great landscape painters of the Dutch Golden Age, such as Jacob van Ruisdael, whose ‘Entrance to a Forest’ (c.1660-1665) is particu...

Two painters who were very successful in this type of landscapes were Jacob Isaacsz van Ruisdael and Allart van Everdingen.

The Norwich School artists were keen admirers of the Dutch masters, such as Meindert Hobbema (1638-1709) and Jacob van Ruisdael (1628/9-1682). His attention to detail is quite painst...

In terms of his style, he drew upon the great Dutch masters of the 17th century, such as Jacob van Ruisdael (c.1629-1682) and Meindert Hobbema (1638-1709).

He found deep inspiration in the moonlit river scenes of Dutch Golden Age painters such as Aert van der Neer and Jacob van Ruisdael. His commitment to nocturnes emerged in the 1860s,...

An important Dutch Old Master Landscape Oil Painting on Panel attributed to Jan Josefsz Van Goyen (1596-1656), the painting circa 1650. This very attractive painting is from the Dut...

Charles Donker Behind the Frog 20 x 38,5 (Framed included in price, 42 x 59 cm) Etching on paper The etchings of Charles Donker are admired and collected both in the Netherlands and...

Travellers in a Country Landscape circle of Jacques d'Arthois (Flemish 1613-1686) oil on canvas, framed frame: 13.5 x 18.5 inches canvas: 11 x 16 inches provenance: private collectio...

Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 3/25 prints. on the lower left in pencil. The ...

Medium: original etching. Catalogue reference Beraldi 218. Published in Paris in 1884 by Gazette des Beaux-Arts. A lovely impression in brown ink on laid paper. Plate size: 4 x 5 7/8...

A magnificent Flemish painting from the first half of the 17th century. This painting oil on canvas depicts a splendid landscape with figures, a lively genre scene of a Dutch village...

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

With the subject covering his face, we, the viewer, are perplexed by the mystery of the moment. The warm light from the background in this painting titled, "Seer" suggest a fire. I...

Work on canvas laid down on panel Wooden frame and gilded plaster 100 x 70.5 x 4 cm

This painted coat of arms is a compact and decorative heraldic panel, very much in keeping with the Victorian-era revival of heraldry, when families took renewed interest in lineage,...

German School, oil on canvas. A busy tavern interior with gentlemen enjoying a tankard of ale and a story between friends. Well presented in an elaborate gilt-effect frame with elega...

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

The Groom, Horse and Dog English School, 19th century oil on board, unframed board: 8 x 9.75 inches Provenance: private collection, UK Condition: very good condition For more any m...

Baroque Landscape with Figures French School, 17th century oil on canvas, framed Framed: 29.5 x 23.5 inches Canvas : 25.5 x 19 inches Provenance: private collection, France Condition...

Victorian Stable Interior With Family Pony Pig & Child English School (early 19th Century) Oil on canvas, unframed Canvas: 22 x 30 inches Provenance: Private Collection, UK. Conditio...

This evocative antique oil painting on canvas depicts a dramatic European genre scene centered on an encounter between a well-dressed young gentleman and two impoverished figures. Pr...

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...