Franz Edmund Weirotter

Paysages (Landscapes)

1759

James McBey (1883-1959), Haarlem, etching, 1910, signed in ink bottom right margin and numbered XXXV bottom left [also signed, titled and dated July 1910 in the plate]. Reference: Hardie and Carter 61, only state, edition of 40, 4 3/4 x 6 7/16, the sheet 6 1/4 x 8 inches. Printed on old laid paper, with a partial crest watermark, with margins. In good condition, a paper loss upper right corner (away from image), slight soiling in margins, archival mounting. A fine impression, with a light veil of plate tone. At the age of 26 McBey left his bank job (which he had had for 15 years!) and traveled to Holland, where from July to September of 1910 he created a number of etchings depicting the Dutch landscape. McBey had studied Rembrandt’s prints, and the influence of the Master is evident in etchings such as Haarlem; Haarlem also is reminiscent of Whistler’s Thames etchings...

Jean-Emile Laboureur (1877-1943), Dimanche en Bretagne, etching, 1939, signed in pencil lower left and inscribed “ep d’artite” lower right. Reference: Laboureur 543, second state (of...

Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...

Jean-Emile Laboureur (1877-1943), Le Ferveur, etching, engraving, roulette, drypoint, 1928, signed in pencil lower left, numbered lower right, and annotated “imp.” Reference: Laboure...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

Jean-Emile Laboureur (1877-1943), Printemps Breton, 1926, drypoint, roulette, aquatint, etching; signed in pencil lower left and numbered lower right (37/50) with the imp inscription...

JOSEPH PENNELL (1857-1926) The Thames, 1894 Signed Aquatint Plate size 20.5 by 26.5 cm., 8 by 10 ½ in. (frame size 42 by 46 cm., 16 ½ by 18 in.) Pennell was born in Philadelphia where he studied at School of Industrial Art and the Academy of Fine Arts. In 1884 he was commissioned by the Century Magazine to supply a series of drawings of London...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

This is a 19th century architectural etching of the Pantheon in Rome entitled "Panteon di Agrippa detta La Rotonda", plate 9 from "Raccolta delle principali vedute di Roma e...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

This is an original etching representing an important monument in Geneva during the 19th century. The work is sold framed. Total size with the frame 34x31 cm. Signed C. Bernier

Richard Haas Puck Corner, SOHO, New York, 1971 Etching and Aquatint (affixed to white matting) Hand signed and numbered 10/100 by the artist on the lower front 19 3/5 × 16 1/2 inches Unframed in white matting; ready to be re-framed and hung. Puck Corner refers to the famous Puck building located on the corner of Broome and Broadway in SoHo, Manhattan: "The Puck Building is a historic building located in the Nolita neighborhood of Manhattan, New York City. This New York City Landmark is located at the northwestern corner of Manhattan's NoLIta neighborhood, bordered by SoHo and the NoHo section of Greenwich Village. The building was the longtime home of Puck magazine, which gave the building its name; Founded in St. Louis in 1871, the magazine moved into the building in 1887 and remained there until it ceased publication in 1918. Other famous tenants include Spy Magazine and the Manhattan Center of Pratt Institute. Since 2004, the building has been used by New York University for the Wagner Graduate School of Public Service and the department of sociology. In 2011, REI opened a 35,000-square-foot store...