Johann Jungblut Paintings

This fine mid-19th-century Dutch oil painting depicts a gentle view with a windmill, inn, horseback rider and figures. As the sun sets, illuminating the sky with a golden glow, a we...

Attributed to Dutch artist, youngest Jan Van der Meer (1656-1705) or his circle. Pastoral scene with little livestock and figures of reclining shepherds by town walls, castle or cath...

Henry Thomas ALKEN 1785 – 1851 A very typical example of Alken's work in a beautifully presented original antique frame. Alken's work is highly collectable and this is worthy of any...

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...

Painting signed lower right "M Kruseman". What sets this painting apart is the large number and complexity of details that the artist managed to include in the scene without visually overwhelming the viewer. The color palette of the landscape is very realistic and harmonious. The foreground of the picture there are people standing by a sleigh drawn by one horse, in front of a charming small castle with turrets, nearby boats frozen in the ice at the pier are visible. The background, on the left side of the scene, we see houses and three windmills standing tall against the winter sky, adding a touch of Dutch countryside charm to the composition. From the frozen surface of the water, the whimsical silhouettes of trees to the intricate details on the façade of the castle and windmills - every element of the painting is a testament to the skill and talent of the artist. Antique oil painting on canvas, signed, framed. Size app.: 40,5 x 57.5 cm cm (roughly 15.9 x 22.6 in), frame is 60 x 75.5 cm (roughly 23.6 x 29.7 in). Very good ready to hang condition with age wear and retouches to frame (notable at close examination). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.7 kg is going to measure 8 kg packed for shipment. Signature leads to the artist Fredrik Marinus Kruseman (1816 - 1882), Dutch painter who specialized in Romantic style landscapes (sold as is). Received his first drawing lessons from Jan Reekers (1790 - 1858) and attended the Vocational School in Haarlem from 1832 to 1833. That year, he began to study painting with Nicolaas Johannes Roosenboom and, in 1835, moved to the Gooi, where he took advanced studies with Jan van Ravenswaay. He also studied briefly with the landscape painter, Barend Cornelis Koekkoek.

Antique Dutch impressionist riverscape/landscape oil painting on wood board in a gilt frame, by Dutch artist, Elias Voet (1868-1940) signed in the lower right corner. This is a char...

William Mellor British, (1851-1931) A River Glen Oil on canvas, signed Image size: 19 inches x 29 inches Size including frame: 27.5 inches x 37.5 inches A lovely landscape painting of a river glen by William Mellor. In the foreground, the river flows over large boulders whilst sheep graze on the banks and beyond the trees in the distance. William Mellor was a landscape painter who was born in Barnsley, Yorkshire in 1851, the son of Joseph Mellor, an artist and Mary Mellor. Initially, he was employed as a loom turner in the weaving industry before becoming a professional artist. He would have received tuition from his father who clearly influenced his style and subject matter. In 1876, he married Mary Elizabeth Watson...

Artist: Inoel (French, Active: Late 19th Century) Title: “Vue de Venise (View of Venice)” *Signed by Inoel lower right Circa: 1875 Medium: Original Oil ...

Dutch School, 17th century oil painting on board, this work features a golden ship on blue seas with white crests against a stormy clouded sky. In the distance more ships can be seen, and a spot of blue sky gives the stormy clouds relief. Light shines through the white clouds casting shadows of color on the gray storm and choppy sea waters. Dramatic and masterful. Presented in overall very good condition in what may be the original mahogany wood frame. Excellent for an office, library, den or study, but can also be effective in a living room, dining room or bedroom. The frame has a rich wood tone. Easy to ship and ready to hang. Check out our Saltire Gallerie...

DESCRIPTION OLD MASTER OIL PAINTING 18th CENTURY Scottish School FINE DETAIL GOLD GILT FRAME NEW COLLECTION Of RARE PIECES OF Scottish HISTORY Description ( Late 18th centur...

OIL PAINTING SMALL SALVATORE COLACICCO (NAVY ADMIRALTY 20th CENTURY Very good condition for age , (see pictures) FINE RARE MARTINE PAINTING ORIGINAL 20th Century OLD MASTER STYLE OIL PAINTING GOLD GILT FRAME By Similar $3,000 Premier Collection NEW COLLECTION Of RARE PIECES OF OLD HISTORY Description ( 19th century Style ) Salvatore Colacicco is a world-renowned marine artist who was born in 1935 in Bellagio, near Lake Como and studied at Brera Academy, Milan. He has been living in England for over thirty years. Nearly all Salvatore Colacicco's paintings during that time have been exported to the United States and sold through Tonkins of Nantucket Island. These now adorn the walls of many a Board Room and Directors Office throughout the States. Colacicco's style of painting very much reminds one of marine artists throughout the 19th century with an obvious Italian feel. Among Colacicco's achievements were 26 panels illustrating the history and development of the paddle steamer (of which he had made a special study of those used on the Italian Lakes), painted for the Russell Cotes Museum in Bournemouth and most works by Salvatore Colacicco fetch good figures even at auction Nice back story to these pieces , We acquired them from a gentleman that went to school with the artist son in Bournemouth , His Father purchased these ones from the artist roundabout 1960 . Title: Racing...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...