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James Bullough

DUST
Located in Aventura, FL
Giclee print on paper with screen printed varnish. Hand signed and numbered by James Bullough
Category

2010s Street Art Figurative Prints

Materials

Paper, Varnish, Acrylic, Giclée

  • DUST
  • DUST
  • DUST
  • DUST
H 26.77 in. W 22.84 in.
MOVING TARGET (PINK)
Located in Aventura, FL
Hand painted, 1 layer varnished giclee print. Hand signed and numbered 1/1 by James Bullough. A
Category

2010s Street Art Figurative Prints

Materials

Paper, Varnish, Acrylic, Giclée

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DUST
Located in Aventura, FL
Giclee print on paper with screen printed varnish. Hand signed and numbered by James Bullough
Category

2010s Street Art Figurative Prints

Materials

Paper, Varnish, Acrylic, Giclée

  • DUST
  • DUST
  • DUST
  • DUST
H 26.77 in. W 22.84 in.
Orbit
Located in Dallas, TX
Archival Pigment Print On 300 gsm Somerset Paper With 2 Layer Screen Print Artist Proof (AP) Edition of 75, last two available no.75 & 8. AP/75 Signed And Numbered By The Artist 7...
Category

21st Century and Contemporary Abstract Prints

Materials

Archival Pigment, Screen

  • Orbit
  • Orbit
H 28.15 in. W 22.05 in.
Breaking Point
Located in Dallas, TX
24 Colour Screen Print On 330 Somerset Paper. Artist Proof (AP)Main Edition of 75 AP/75 Size – 94 x 74cm Signed by the artist. 2016
Category

21st Century and Contemporary Abstract Prints

Materials

Screen

  • Breaking Point
  • Breaking Point
H 37.01 in. W 29.14 in.
Thin Air - Contemporary Urban Art Print by James Bullough
Located in Atlanta, GA
Thin Air, Contemporary Urban Art by James Bullough. Limited Edition of 75. Hand signed by artist
Category

2010s Street Art Prints and Multiples

Materials

Screen

Finding the Right Prints and Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find the fine art prints you’re looking for on 1stDibs today.

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