Klimt Gustav

This is a rare piece and size for one of the most important Czechoslovakian artists comparing with the counterpart Austrian and German secessionist movement, Michael Powolny, Gustav ...

This reproduction of Gustav Klimt's The Dancer captures the essence of the original masterpiece, a work completed shortly before the artist's death in 1918.

The Kiss by GUSTAV KLIMT Throw Pillow Cushion Made in Belgium by Flemish Tapestries.

After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.

After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas.

After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower...

After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #25, Baby; black & white collotype after the 1917 painting in oil on canvas.

After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas.

After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas.

After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas.

After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas.

Edition 1401A Reihe "Gustav Klimt – Phantastische Meisterwerke" mit einem diagonalen Durchmesser von 22 cm und einer Goldumrandung an.

After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas.

After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the University of Vienna in oil o...

GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-w...

Sketch for a Frieze is a vintage, beautiful, and rare collotype from “Gustav Klimt: Fünfundzwanzig Handzeichnungen”, a limited-edition collection of 25 monochrome and two-color collo...

GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-w...

Its rich surface texture and interlocking patterns evoke a painterly sensibility rooted in midcentury modernist abstraction. Klimt Influence: The work recalls the mosaic-like compos...

There is a clear homage to his compatriot, Gustav Klimt, and his highly spectacular and detailed backgrounds.

Gustav Klimt, the renowned Austrian painter and a prominent figure in the Viennese Art Nouveau movement, has left an indelible mark on the world of art.

Inspired by Gustav Klimt's "Portrait of Adele Bloch-Bauer I", 1907 “Ode to Klimt’s ‘Portrait of Adele Bloch Bauer I’’ bends gender expectations by casting a man as the woman in gold...

This important print is dedicate to Gustav Klimt, made with the technique of etching and aquatint.

Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio.

Miethke. Gustav Klimt created glyphs, unique to each of these pieces, specifically for this portfolio.

This bold 3x4 vintage rug is one of few works of its kind, recapturing the art of Gustav Klimt—particularly his 1913 masterpiece, "Farm Garden with Sunflowers."

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Wittgenstein, Sr. also owned Klimt’s The Sunflower and Freundinnen (Water Snakes I), all of which are part of the 10 multicolor collotypes in Das Werk Gustav Klimts.

Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts The last painting Klimt exhibited with the Secession before resigning, Water Snakes II relates to Freund...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development.

Sunflower, no. 10 from the third installment of Das Werk Gustav Klimts Created during his residency in Litzlberg on Attersee, where Klimt and the Floge family summered from 1900-190...

Portrait of Emilie Flöge, no. 10 from the first installment of Das Werk Gustav Klimts His confidante and life companion of more than 30 years, Klimt captures Emilie Floge in one of ...

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

In celebration of the 150th birthday of Gustav Klimt (1862-1918) the Vienna Museum is presenting the first catalogue of its complete collection of the artist s works.

Pallas Athene, no. 9 from the third installment of Das Werk Gustav Klimts The Klimt-led Vienna Secession which rebelled against the Academic State-run establishment staged its secon...

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.

Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art.