Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Baby" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #25, Baby; black & white collotype after the 1917 painting in oil on canvas.
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Max Eisler Eine Nachlese folio “Expectation” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
Klimt’s Expectation (Eisler #12) and Fulfillment (Eisler #17) cartoons are intimately related Modernist treasures.
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Max Eisler Eine Nachlese folio “Hygieia” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #10, Ausschnitt aus dem Bilde “Medizin”; multi-color collotype detail from Medicine, one of the faculty paintings for the University of Vienna in oil o...
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Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient.
Paper
Max Eisler Eine Nachlese folio “Adam & Eve” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #20, Adam und Eva; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas.
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Max Eisler Eine Nachlese folio “The Bride” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas.
Paper
$1,000
Max Eisler Eine Nachlese folio "Portrait of Serena Lederer" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #6, Bildnis Frau Serena Lederer; grey monochrome collotype after the 1905 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Litzlberg on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #8, Litzlberg on Lake Attersee; blue monochrome collotype after the 1915 painting in oil on canvas.
Paper
$12,000
Max Eisler Eine Nachlese folio “The Embrace (Fulfillment)” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
The grande finale of Klimt’s Golden Period, Klimt’s Expectation (Eisler #12) and Fulfillment (Eisler #17) cartoons are intimately related Modernist treasures.
Paper
Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas.
Archival Paper
Max Eisler Eine Nachlese folio "Lady in a Feathered Hat" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #2, Dame mit Blumenhut (aka The Violet Hat); sepia monochrome collotype after the 1909 painting in oil on canvas.
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Max Eisler Eine Nachlese folio “House in a Garden” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #9, Haus Im Garten; aka Forester’s House in Weissenbach II; multi-color collotype after 1914 painting in oil on canvas.
Paper
$6,500
Max Eisler Eine Nachlese folio “Malcesine on Lake Garda" collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #7, Malcesine am Gardasee; multi-color collotype after 1913 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Portrait of Friederike Marie Beer" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #24, Bildnis Friederike Maria Beer; multi-color collotype after the 1916 painting in oil on canvas.
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Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.
Archival Paper
Max Eisler Eine Nachlese folio "Gastein" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #21, Gastein; grey-green monochrome collotype after the 1917 painting in oil on canvas.
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas.
Archival Paper
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas.
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Charlotte Pulitzer" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #19, Bildnis einer alten Dame; sepia-toned monochrome collotype after the 1917 painting in oil on canvas.
Archival Paper
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype after the 1913 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype after the 1913 painting in oil on canvas.
Paper
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas.
Paper
Sold
H 18 in W 19 in
Max Eisler Eine Nachlese folio "Girlfriends II" collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient.
Paper
Sold
H 18 in W 19 in
Max Eisler Eine Nachlese folio "Wally" (Girl in Profile) collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas.
Paper
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on canvas.
Archival Paper
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #28, Kirche am Wolfgangsee; multi-color collotype after 1915/16 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Poppy Field (Poppies in Bloom)" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #5, Mohnwiese; multi-color collotype after 1907 painting in oil on canvas.
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Portrait of Baroness Bachofen-Echt” collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #22, Bildnis Baronin Bachofen-Echt; multi-color collotype after 1914-1916 painting in oil on canvas.
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Church on Lake Wolfgang” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #28, Kirche am Wolfgangsee; multi-color collotype after 1915/16 painting in oil on canvas.
Paper
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Garden Path with Chickens” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #26, Bauerngarten mit Hühnern; multi-color collotype after 1916 painting in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.
Archival Paper
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.
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H 19 in W 18 in
Max Eisler Eine Nachlese folio “Allegory of Life and Death” collotype print
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler #18, Der Tod und das Leben; multi-color collotype after original painting (1910-1916) in oil on canvas.
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Houses in Unterach on Lake Attersee" collotype
By (after) Gustav Klimt
Located in Palm Beach, FL
After Gustav Klimt, Max Eisler Plate #29, Am Attersee; brown-toned monochrome collotype after the 1915-16 painting in oil on canvas.
Archival Paper
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H 18 in W 19 in
Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Palm Beach, FL
Reverberations of this call by Klimt still can be heard today. After Klimt’s death, contemporaries like Max Eisler, who was a fellow founding member with Klimt of the Austrian Werkbu...
Archival Paper
Sold
H 18 in W 19 in
Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Palm Beach, FL
Reverberations of this call by Klimt still can be heard today. After Klimt’s death, contemporaries like Max Eisler, who was a fellow founding member with Klimt of the Austrian Werkbu...
Sold
H 18 in W 19 in
Max Eisler Eine Nachlese folio "Studies for the Frieze at Palais" 4 collotypes
By (after) Gustav Klimt
Located in Palm Beach, FL
Reverberations of this call by Klimt still can be heard today. After Klimt’s death, contemporaries like Max Eisler, who was a fellow founding member with Klimt of the Austrian Werkbu...
Archival Paper
Girlfriends from the portfolio Aftermath by Gustav Klimt
By Gustav Klimt
Located in New York, NY
From Gustav Klimt An Aftermath, Max Eisler, Editor, Vienna, 1931, Austrian State Printing Office. 30 color collotypes, 150 copies in English.
While “expressionist” is used to describe any art that avoids naturalism and instead employs a bold use of flattened forms and intense brushwork, Expressionist art formally describes early-20th-century work from Europe that drew on Symbolism and confronted issues such as urbanization and capitalism. Expressionist artists experimented in paintings and prints with skewed perspectives, abstraction and unconventional, bright colors to portray how isolating and anxious the world felt rather than how it appeared.
Between 1905 and 1920, Austrian and German artists, in particular, were inspired by Postimpressionists such as Paul Gauguin and Vincent van Gogh in their efforts to strive for a new authenticity in their work. In its geometric patterns and decorative details, Expressionist art was also marked by eclectic sources like German and Russian folk art as well as tribal art from Africa and Oceania, which the movement’s practitioners witnessed at museums and world’s fairs.
Groups of artists came together to share and promote the themes now associated with Expressionism, such as Die Brücke (The Bridge) in Dresden, which included Erich Heckel, Ernst Ludwig Kirchner and Karl Schmidt-Rottluff and investigated alienation and the dissolution of society in vivid color. In Munich, Der Blaue Reiter (The Blue Rider), a group led by Wassily Kandinsky and Franz Marc, instilled Expressionism with a search for spiritual truths. In his iconic painting The Scream, prolific Norwegian painter Edvard Munch conveyed emotional turmoil through his depiction of environmental elements, such as the threatening sky.
Expressionism shifted around the outbreak of World War I, with artists using more elements of the grotesque in reaction to the escalation of unrest and violence. Printmaking was especially popular, as it allowed artists to widely disseminate works that grappled with social and political issues amid this time of upheaval. Although the art movement ended with the rise of Nazi Germany, where Expressionist creators were labeled “degenerate,” the radical ideas of these artists would influence Neo-Expressionism that emerged in the late 1970s with painters like Jean-Michel Basquiat and Francesco Clemente.
Find a collection of authentic Expressionist paintings, sculptures, prints and more art on 1stDibs.