Le Rire

He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire.

He entered the art world as a caricaturist, creating art for Parisian journals such as Le Monde Parisien and Le Rire Satirique. He later enrolled at the Ecole des Beaux Arts, with th...

Boucher got his start as a cartoonist for the French humor magazine, Le Rire before moving into product and cinema poster design.

He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire.

He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire.

He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire.

He collaborated with the newspapers: Le Chat noir, La Charge, La Cravache, La Chronique parisienne, High Life, Frou-Frou, Le Rire.

He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert). From 1898 to 1900, he lived in Marseille.

He submitted darkly humorous illustrations to journals such as the anarchist satirical magazine L'Assiette au Beurre, and also Le Rire, Le Charivari, and Le Cri de Paris. In Paris, G...

He collaborated with many Parisian newspapers and magazines, including La Baïonnette, Le Charivari, Le Frou-frou, L'Assiette au Beurre, Le Rire, Gil Blas illustré, La Libre Parole il...

Based in France since 1997, she works on short pieces of contemporary music, often performed by the Aleph ensemble. Le Rire du Coq by Dominique Clément and Gymel with the soundtrack ...

His first success came when his drawings were accepted for publication by Le Rire in 1895. Although he did execute some pastels (mainly of fashionable women), the bulk of his work co...

Léandre was widely known for his caricatures and illustrations published in major French journals such as Le Rire. Yet beyond satire, he also produced sensitive portrait lithographs ...

This is an original French cinema poster for “Les Pionniers du Rire” (The Pioneers of Laughter), featuring caricatures of the greatest legends of silent and early sound comedy: Charl...

Mainly self-taught, he quickly established himself as a leading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographsto the ...

Mainly self-taught, he quickly established himself as a leading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the...

A student at the Beaux-Arts in Paris from 1890, he began to produce drawings for the press, titles such as Paris-Joyeux (1894), Le Journal pour tous , La Caricature (1895-1902), Gil ...

He became a frequent contributor to satirical publications such as 'Le Rire' …"(Rennert, PAI-XXXII, 562) Please also consider Avantique’s eclectic collection of wonderful fine art p...

Henry MIRANDE (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Anotated "L'Indien du haut Orénoque qui me réclame 4 femmes blanches pour lui seul" upper ri...

He wrote and illustrated Auguste has a Bad Character ( Auguste a mauvais caractère) and illustrated many other books, including Zola's The Coqueville Fête ( La fête à Coqueville), Cl...

He collaborated with various humorous illustrated newspapers such as "Gil Blas", "L'Assiette au Beurre", "Le Rire" and "Les Humoristes", which he founded in 1911 with Jean-Louis Fora...

Illustratore, collabora a Marsiglia alle pagine femminili di Le Soleil de Marsiglia e a Parigi alle riviste Le Rire e Fantasio.

Sancha took work with journals such as Le cri de Paris, Le rire, Frou-Frou and L’Assiette au beurre.

As the artist's stature grew, several magazines wanted to publish his work, including Le Rire. His subjects, as well as street life, included some of the most famous music-hall perfo...

Henry Mirande (1877-1955) Self-portrait, circa 1940 Graphite pencil and charcoal on paper Signed "HM" lower right and signed with the stamp on the reverse Annotation faintly legible ...

He immediately started painting caricatures for the French publication Le Rire. This precipitated a string of assignments with the French newspapers.

Mouclier began to provide illustrations for periodicals such as Le Rire, worked for a while on promoting Félix Marot, a local politician and owner of Journal de Ruffec (1897), and ab...

Mainly self-taught, he quickly established himself as aleading illustrator of popular journals such as Le Rire. He also contributed a large amount of drawings and lithographs to the ...

He wrote and illustrated Auguste has a Bad Character (Auguste a mauvais caractère) and illustrated many other books, including Zola's The Coqueville Fête (La fête à Coqueville), Clau...

During the 1890s Vallotton also became more politically engaged and communicated his sentiments through his prints, which were printed in Paris’s literary and political publications ...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

He was born in Montemurlo, Italy, studied at the Accademia delle Belle Arti in Florence and moved to Paris in 1900 with Ardengo Soffici where he soon established himself as a printer...

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he...

It was during this period that he began a career as a poster artist and illustrator, publishing graphic satires in Le Charivari, Le Cri de Paris, Le Rire, and La Chronique Amusante.

Steinlen became a regular contributor to Le Rire and Gil Blas magazines plus numerous other publications including L'Assiette au Beurre and Les Humouristes, a short-lived magazine he...

As did many artists during the period, he also provided illustrations and cartoons for periodicals; notably the satirical journals, Le Frou-frou, L'Assiette au Beurre and Le Rire.

He published his first caricatures of artists in L'Illustration (Albert Brasseur [fr]) and Le Rire (Paulus, Polin and Yvette Guilbert. From 1898 to 1900, he lived in Marseille.

He published his first caricatures of artists in L'Illustration (Albert Brasseur) and Le Rire (Paulus, Polin and Yvette Guilbert). From 1898 to 1900, he lived in Marseille.