Malcolm Pasley

A direct challenge to Abstract Expressionism’s subjectivity and gestural vigor, Photorealism was informed by the Pop predilection for representational imagery, popular iconography and tools, like projectors and airbrushes, borrowed from the worlds of commercial art and design.

Whether gritty or gleaming, the subject matter favored by Photorealists is instantly, if vaguely, familiar. It’s the stuff of yellowing snapshots and fugitive memories. The bland and the garish alike flicker between crystal-clear reality and dreamy illusion, inviting the viewer to contemplate a single moment rather than igniting a story.

The virtues of the “photo” in Photorealist art — infused as they are with dazzling qualities that are easily blurred in reproduction — are as elusive as they are allusive. “Much Photorealist painting has the vacuity of proportion and intent of an idiot-savant, long on look and short on personal timbre,” John Arthur wrote (rather admiringly) in the catalogue essay for Realism/Photorealism, a 1980 exhibition at the Philbrook Museum of Art, in Tulsa, Oklahoma. At its best, Photorealism is a perpetually paused tug-of-war between the sacred and the profane, the general and the specific, the record and the object.

“Robert Bechtle invented Photorealism, in 1963,” says veteran art dealer Louis Meisel. “He took a picture of himself in the mirror with the car outside and then painted it. That was the first one.”

The meaning of the term, which began for Meisel as “a superficial way of defining and promoting a group of painters,” evolved with time, and the core group of Photorealists slowly expanded to include younger artists who traded Rolleiflexes for 60-megapixel cameras, using advanced digital technology to create paintings that transcend the detail of conventional photographs.

On 1stDibs, the collection of Photorealist art includes work by Richard Estes, Ralph Goings, Chuck Close, Audrey Flack, Charles Bell and others.

The human body has long been a favorite subject for artists throughout history. Nude drawings and watercolor paintings reveal the human figure but also the social ideals, traditions and cultural beliefs around people and bodies at the time they were created.

Nude drawings and watercolors offer a unique way to illustrate the human body. Drawings in pencil or ink can quickly capture movement or poses while watercolor is more expressive of a moment. Different cultures utilize the same materials differently, and each piece provides a singular glimpse into the perspectives and expectations around people’s bodies.

Artists like Francisco Goya, Gustav Klimt and Lucian Freud — who painted his friends, his lovers and his children — found acclaim and success by creatively depicting the human body. More recently, as contemporary artists have followed the figurative muse, many painters are exploring the nude as a subject for their drawings and works in watercolors.

If you’re thinking about bringing this kind of work into your space, there are many ways to consider how to arrange wall art in your living room or elsewhere in your home. Creating a wall of art is a wonderful way to enhance your space, showcase beautiful pieces and tie an interior design vision together. It allows you to evoke emotions in a room while also showing off your tastes and interests.

On 1stDibs, find a collection of nude drawings and watercolor paintings for diverse views and attitudes toward the human form through a range of cultures and times.