Miami - Art

Constantly moving between the two- and three-dimensional worlds, Canova's painting reveals a profound preoccupation with space and time, themes that remain central to his work despit...

ARTIST: Salvador Dali TITLE: Hommage a Homere Helen of Troy MEDIUM: Etching SIGNED: Hand Signed by Salvador Dali PUBLISHER: Levine & Levine for Peterson Fine Art/Diversified Edi...

horse. 19th century bronze sculpture measurements with the base are 37.5 x 17.5 x 31 cm

Happy world. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expa...

Screen print on Lenox Museum Board. From the Space Fruit portfolio. Unsigned and outside the published edition. Stamped with hand written identification number on verso by the Andy ...

ROBERT KENNETH WHITE (b. 1950) – "FRAME AND PAUSE" Oil on Canvas ⚜ Signed on Verso ⚜ Frameless Display A CONTEMPLATIVE FIGURATIVE INTERIOR STUDY "Frame and Pause" is a quietly power...

El brote- original abstract canvas diptic acrylic painting. virtual frame , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psyc...

Joan Miro (Spain, 1893-1983) 'Joan Miró. Fotoscop', 1974 lithograph on paper 12.9 x 20.5 in. (32.7 x 52 cm.). The size of the stamp paper has been slightly modified. Its original dim...

A Landmark Work of Conceptual Art: Terra Incognita (1995) by Miguel Ángel Ríos. a visually striking and intellectually potent work from the highly acclaimed MAPAS series by the Argen...

ARTIST: Salvador Dali TITLE: Flora Dalinae Lilium Musicum MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 26/200 MEASUREMENTS: 30.25" x 22" YEAR: 1968 FRAMED: No CONDITI...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...

Eduardo Chillida (Spain, 1924-2002) '5 Livres Gravés', 1974 Original poster from show lithograph on paper 25.2 x 17 in. (64 x 43 cm.) Unframed Ref: CHI100-202 Eduardo Chillida He be...

Keith Haring. 1958-1990. The iconography of his drawings includes dancing animals and figures, dogs, crawling babies, pyramids, televisions, telephones, and flying saucers. The idea ...

Pablo Picasso (after) "Femme Couchee" limited edition print on Arches paper, Hand signed by Marina Picasso lower right and numbered 296/500 lower left From the estate of Pablo Pica...

blues soft upright acrylic canvas painting Original artwork by Spanish artist Rafael Ruz. Acrylic on canvas in perfect condition. While contemplating the painting of Ruz, we are in...

Rafael Canogar (Spain, 1935) 'Estanque, 2019 lithograph on dibond 13 x 39.4 in. (33 x 100 cm.) Edition of 50. B.A.T.: 1 Unframed ID: CAN1030-113 Hand-signed by author ______________...

"PANDASAN FLOWERPOWER" StainlessSteel 50cm, 2015 Stainless Steel Carved Painted & Varnished 19 7/10 × 15 7/10 × 15 7/10 in 50 × 40 × 40 cm Edition of 8. ejem 3/8 Drawing on idea...

Günther Förg (Germany, 1952-2013) 'Erker-Gallery', 1995 Original poster from exhibition of 1995 lithograph on paper 36.5 x 22.6 in. (92.7 x 57.4 cm.) Unframed Ref: FOR100-201 Günthe...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same...

Red original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect state RUZ, Rafael (Barcelona 1956) While contemplating the ...

Luis Miguel Valdes (Cuba, 1949) 'Vecindario II', 2022 silkscreen on paper Canson 320 g. 14.6 x 24.9 in. (37 x 63 cm.) Edition of 50 ID: VAL-600 Unframed

" ALMOND original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree in Fren...

" La lluita. original neo-expressionist acrylic painting contemporary work by the mallorquin artist Toni CALDENTEY virtual framed Perfect state CALDENTEY, Toni - (Portocolom, Mallorc...

Manuel Velasco (Spain, 1966) 'S/T 1', 1991 silkscreen, collage on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 50 Unframed ID: VEL1400-001-050 Hand-signed by author

BERT STERN – "MARILYN MONROE (NAVY/LIGHT BLUE)" Photo Silkscreen ⚜ Hand Signed ⚜ Numbered ⚜ Framed A HIGHLY COLLECTIBLE WORK FROM THE MARILYN MONROE SERIES This original 1973 photo ...

Sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish sculpture Amancio González is a sculptor from Leon and an internationally celebr...

sea- original abstract paper acrylic painting Mixed technique on paper. Perfect state . The personality of the artist is reflected in different fields of art. His concern for the s...

52 gran favela 200 x 150 cm acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Co...

Robert Rauschenberg (1925 - 2008) Artwork title: Goat Chow (Chow Bags) Date: 1977 Medium: Color screenprint, stitching with collage and hand sewing on paper. Hand signed lower right ...

Original artwork by Spanish artist Rafael Ruz. Acrylic in perfect condition. While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the sam...

Fernando Almela (Spain, 1943-2009) 'Jarra I (jarrones b/n)', ca.1990-1999 lithograph on paper 20.1 x 23.7 in. (51 x 60 cm.) Edition of 30 ID: ALM1442-001-030 Hand-signed by author Un...

Jose Luis Cuevas (Mexico, 1934-2017) Artist Proof 'Fantasmas del Centro Histórico V', 2004 woodcut on paper Guarro Biblos 250g. 20.9 x 16 in. (53 x 40.5 cm.) Edition of 60 Unframed I...

Carlos Quintana (Cuban, 1966) 'Sin título I', 2001 silkscreen on canvas 39.4 x 28.8 in. (100 x 73 cm.) Edition of 75 ID: QUI1316-001-075 Unframed

Mira Tager Lehr (American, 1936-2023), Acrylic on canvas painting Interrupted Cell Formation series Circa 2008-2009. Mixed media technique incorporating organic forms, floral motifs...

Hajime Sorayama (Japan, b. 1947) Medium: PVC (vinyl), silvered chrome resin Dimensions: 60 × 23 × 15 cm Approximately 23.5 x 9 x 6 inches. Produced by APPortfolio and Nanzuka A Tyra...

Original plaka painting on paper. Hand signed on front by Tomas Sanchez; also hand signed, titled and dated on verso by Tomas Sanchez. Artwork size: 13 x 19.6 inches (visible artwo...

JANE PETERSON – [VIOLET HARMONY] ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Framed, ready to hang VIBRANT FLORAL COMPOSITION BY AN AMERICAN IMPRESSIONIST [Violet Harmony] showcases ...

" ALMOND BLOSSOM original acrylic painting. framed Julien was born in 1948 in Vichy, France. He studied art and theater in Clermont-Ferrand at the same time as finishing his degree ...

HARTUNG - original abstract lithograph- Limited editionsigned painting Hans Hartung is commonly presented as a standard-bearer for the "Ecole de Paris" and the "lyrical abstraction"...

Hazel Guggenheim King-Farlow McKinley (American, London, New Orleans, 1903-1995), "Paris Rooftops" c. 1930 Oil paint on wood panel Attributed, dated and titled verso (I am not sure in whose hand not signed by the artist herself). Dimensions H.- 18 in., W.- 15 in., Framed- H.- 26 1/2 in., W.- 23 in. Provenance: From an estate New Orleans, Louisiana. Hazel Guggenheim King-Farlow McKinley (born Barbara Hazel Guggenheim; April 30, 1903 – June 10, 1995) was an American painter, art collector, and art benefactor. Hazel Guggenheim was born in New York City to Benjamin Guggenheim and Fleurette (Seligman) Guggenheim. The marriage united two wealthy German-Jewish families. Born into the well-known Guggenheim family, a niece of Solomon Guggenheim who founded the Guggenheim Museum, she grew up in New York, alongside her sisters Benita Guggenheim and Marguerite Peggy Guggenheim who would become the influential gallery proprietor, art collector, museum founder, and midwife to the Abstract Expressionism art movement. Her father Benjamin gave up much of his financial interest in the family's mining business to start his own business in Paris. With his business failing, in 1912 he set out to return to the United States in time for McKinley's ninth birthday on the Titanic. Following the shipwreck, he drowned aged 46; his body was not recovered. McKinley inherited $450,000. She later inherited money on the deaths of her mother, and of her older sister, Benita, who died in childbirth. The loss of her father haunted McKinley for the rest of her life, and in 1969 she recorded "In Memoriam, Titanic Lifeboat Blues." McKinley began painting as a teenager and was a prolific artist throughout her life. When she fled New York for Paris at age 19 she studied at the Sorbonne and became part of 1920's bohemian Paris, France, where she was taught by key modernism artists of the time. Her primary mediums were ink, water color, tempera, and crayon. Some of her work is hand signed and some is not. In 1928 her sister Peggy moved to London and mar­ried the British writer John Holmes. In 1931, McKinley married the Englishman Denys King-Farlow. They settled in Sussex, UK, and had two children, John King-Farlow, who became a philosopher and poet, and Barbara Benita King-Farlow, who became an artist in her own right. In 1938 Peggy opened Guggenheim Jeune, a London gallery of mod­ern art, starring Wassily Kandinsky, Henry Moore, Salvador dali, Constantin Brancusi, Max Ernst, Pablo Pic­asso and Jean Miro with whom they socialized. Whilst living in the south of England with Denys King-Farlow in the 1930s, McKinley was influenced by a group of avant-garde artists, and had her first solo exhibition in London in April 1937 at the Coolings Gallery. She received instruction from British artists Rowland Suddaby, Raymond Coxon, and Edna Ginesi, becoming associated with the London Group and the Euston Road School. She painted primarily in watercolor. Her work included still-life, portraits, townscapes and landscapes. Although her first work was done in a "slightly plain palette," her later work in the 1930s brightened, sometimes falling within the realm of fauvism. "Under the influence of the Surrealist artists, Hazel's paintings after the 1930's became freer, though her work was far more whimsical and humorous than many artists more closely associated with the surrealism movement." In 1939 McKinley fled Europe due to the impending war and returned to the US, living mostly in California. She took brief art lessons from her sister Peggy's one-time husband Max Ernst and much later attended several summer schools taught by muralist and renowned teacher Xavier Gonzalez. In her life in the United States and abroad, McKinley met many prominent artists of the Paris, London, and New York art scenes including Jackson Pollock. McKinley continued to paint, and ran a small gallery of her own in the late 1950s and early 1960s in West Cornwall, Connecticut. One show at her gallery featured the works of British and Irish painters including Rowland Suddaby, Frank Beteson, Tom Nisbett, and Patrick Swift. McKinley showed two of her own works in the same exhibit, a watercolor painted at Positano, Italy and one painted at the Tuileries, Paris. Another featured work was a surrealistic water color portrait of McKinley by London artist Mervyn Peake. McKinley exhibited her work both in Europe and the United States throughout her long career, mostly at smaller venues. An incomplete listing of her exhibits and museum acquisitions of her work include: Berkshire Museum, the Galerie Raymond Duncan in Paris, Stendahl Galleries, the Jake Zeitlin Gallery, the Montgomery Museum of Fine Art, the Artists' Own Gallery in London, the Manchester City Art Gallery, and Santa Fe Art Museum. McKinley's work was only once included in a show by her sister Peggy. In 1943 McKinley was selected to exhibit a painting in Peggy's infamous show Exhibition by 31 Women in her New York gallery Art of This Century. The exhibition was radical at the time for being one of the first all-woman exhibitions, as well as showing only abstract or Surrealist works. The Exhibition by 31 Women was conceived by Peggy Guggenheim in collaboration with Marcel Duchamp, who is usually credited with suggesting the idea. The participating artists were selected by a jury that included André Breton, Max Ernst Duchamp, and Guggenheim. Advice was sought from Alfred H. Barr Jr., first director of the Museum of Modern Art in New York, who provided Guggenheim with five names, of which three were included in the exhibition, Suzy Frelinghuysen, Irene Rice Pereira, and Esphyr Slobodkina. Those already known to Guggenheim through their partners included Xenia Cage, wife of the composer John Cage, Frida Kahlo, wife of Diego Rivera, who was noted for his frescoes, Sophie Taeuber-Arp, wife of the sculptor, Hans Jean Arp, and Jacqueline Lamba, ex-wife of the surrealist André Breton. Guggenheim’s sister, Hazel Guggenheim McKinley and her daughter, Pegeen Vail Guggenheim exhibited. Also in the exhibition was the burlesque dancer, Gypsy Rose Lee, another friend of Guggenheim, who was possibly included more to help publicise the event than for her artistic skills. Other artists were friends of Guggenheim or of Max Ernst. One, Dorothea Tanning, was Ernst's lover, leading Guggenheim to say: "I realized that I should have only had thirty women in the show". Only one artist is known to have refused the invitation to submit works, Georgia O'Keeffe, who reportedly responded that she wished to be identified as a painter, and not singled out because of her gender. In the late 1950s, McKinley moved back to Europe for a while, before returning to the United States in 1969. She lived in New Orleans until her death in 1995. On her death, her only living son, John King-Farlow, wrote a poem in his mother's honor, entitled "Eulogy For My Mother (Hazel Guggenheim McKinley, Artist)." A short obituary distributed by the Associated Press noted she was a member of the illustrious New York Guggenheim family, that she was determined to make a name for herself as an artist, that her art works were shown in museums in the United States and Europe, and were in the collections of such celebrities as Greer Garson, Benny Goodman, and Jason Robards. In 1998 after her death, one of her paintings was exhibited in Peggy Guggenheim's Venice home museum the Palazzo Venier dei Leoni. Guggenheim’s work in various media and her connections to influential artists and collectors provide glimpses into the complex tapestry of the art world in the first half of the 20th century. In her later life she settled in New Orleans, where she continued painting, exhibiting, and studying art into her eighties at Newcomb College, New Orleans. She was part of a regional art scene that included Ida Kohlmeyer, George Rodrigue, Noel Rockmore and Hunt Slonem. Towards the end of her life while confined to bed, her last works were colored pen drawings and sketches. McKinley collected major contemporary artworks and she donated many of these works to public institutions. She donated over 15 works to Wakefield Art Gallery, UK, in the 1930s, and in 1938 presented the painting Cossacks...

Porcelain sculpture with metallic finish. Printed with Jeff Koons' signature, title, date and edition number (2275/2300) on applied label to verso. Published by Museum of Contempor...

Sterling Ruby (American, b. 1972) 2015 CHINATI FLAG (DNM) Tag printed with SR STUDIO LA CA printed with handwritten edition number Ed # 88/100 Hand signed "Sterling Ruby" in black pe...

Lithograph in colors on Arches paper. Hand signed lower right by Marc Chagall. Hand numbered 53/75 lower left. Paper size: 40.06 x 28.12 inches. Image size: 35.12 x 25.12 inches....

Carved giltwood sculpture. Signed Pedro Friedberg on the underside of the base. Size: 10 x 3.25 x 1.5 inches. Certificate of Authenticity is included. Artwork is in excellent co...

Ted Egri (American, 1913-2010) Bronze sculpture Rabbi Signed Egri and numbered 4/30 on side. Dimensions: 12"L x 8.5"H x 6.75" D Born in New York city in 1913 to a Hungarian Jewish emigre family (both of his parents were born in Hungary), Egri was first exposed to music later dropping that for art. He studied with Howard Giles at the Master Institute of the Roerich Museum in New York where he was introduced to Oriental arts, Chinese and Japanese art forms, and later with Hans Hofmann. He worked for the Federal Arts Project, the WPA, making mural paintings and silkscreen prints as well as easel painting. Once WWII began, Egri signed up to serve as a map maker for the Navy, and was witness to some of the fiercest battles in the Pacific. As an artist, he painted many important depictions of his wartime experiences and these works have all be donated to the U.S. Naval Museum. Already a practicing painter and instructor at the Kansas City Art Institute, Ted Egri came to Taos, New Mexico with his wife Kit in 1950 to continue his study of painting at Ribak's Taos Valley Art School on the GI Bill. Louis Ribak quickly introduced Egri to Eulalia Emetaz, the owner of La Galleria Escondida, who gave him his first one-person show in 1951. A prolific and versatile artist, as well as arts organizer and advocate, Egri's contributions to underserved African American, Native American, Hispanic and women were honored by two Taos mayors, with no less than two Ted Egri days during his 50-year art career in Taos. Egri remained in Taos. He became widely known for his sculpture, influenced by cubism and painting, with his style ranging from abstract to realistic. Egri had incredible draftsmanship - charcoal, pencil, pastel, watercolor, oils, mixed media, pen and ink, acrylic, gouache Over time his work gradually shifted from its focus on human struggle to an exploration of natural elements and the changes that come about as a result of living in a physical environment like Taos. "The impact of the majestic Sangre de Cristo Mountain Range and the vast spaces of the mesas directed me toward space and form. I moved into sculpture," Egri said in a 1987 interview with ARTSPACE magazine. He was included in a show at Stables Gallery along with Emil Bisttram, Louis Catusco, Edward Corbett, Lawrence Calcagno, Keith Crown, Andrew Dasburg, John De...

JAY PHILLIPS – "BEL-AIR GATE" ⚜ Enamel on Aluminum Wall Sculpture ⚜ Hand Signed and Numbered Lower Right ⚜ Roy Boyd Gallery Provenance ⚜ Acrylic Shadow Box Frame BOLD GEOMETRIC ENAM...

Amancio. pool. gold and black bronze. iron. EL SALTO III. original sculpture sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish scu...

"black" original abstract acrylic canvas painting Original work by the Spanish painter Rafael RUZ. Acrylic on canvas . Perfect condition. RUZ, Rafael (Barcelona 1956) While contempla...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

Robert Vernet-Bonfort (French, 1934-2017) LA VIEILLE MAISON Oil painting on canvas Hand signed lower right, signed and inscribed on verso In a heavy carved frame Dimensions: 19 ¼ x 23 ¾”, frame 29 x 33 Provenance: Cambridge Art Gallery, Brentwood, California. Born in Marseille, France in 1934, he began his life as a healthy, happy child. Rendered deaf by an early childhood illness, Vernet-Bonfort embraced visual arts in study and practice as a refuge from the silence of the outer world, permitting elaborate expression through a vivid and colourful visual language. He studied at L'école des Beaux-Arts in Marseille from 1948 to 1957. A frequently exhibited and lauded French artist active since the 1950's, Vernet-Bonfort's work demonstrates the intersection of old and new masters' technique, with a strong personal sensibility with an element of surrealism. Upon completion of his studies he was awarded the Prix Claverie, the first of many future accolades. The year of his graduation also marked his first gallery exhibition at the Galerie Reboul in Marseille. In the next decade Vernet-Bonfort exhibited in many French cities, earning many honours, including the Prix de l'U.N.A.M., for Young Mediterranean Artists He has exhibited over the years with Albert-Ernest De Carrier-Belleuse, Maximilien Luce, Jean Pesce, Lucien Guerber, Honore Jacquet, Georgette Nivert...

Dejame - original abstract acrylic canvas painting. framed , Rafael (Barcelona 1956) While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in t...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) P.A I/III (Proof of Artist) ID: HER-157-1"

"Alberto Castro Leñero (Mexico, 1951) 'Untitled III', 2020 woodcut on paper Velin Arches 300 g. 62.6 x 31 in. (159 x 78.5 cm.) Edition of 30 ID: ...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

Capelán's work stands out for its rigorous handling of diverse artistic techniques and procedures, ranging from drawing to installation, including painting, printmaking, photography,...

LEONARDO NIERMAN – UNTITLED TAPESTRY ⚜ Wool tapestry ⚜ Signed in the weaving lower right ⚜ Weaver: Gobelinos Riedl ⚜ Features original hanging loops ABSTRACT EXPRESSIONIST TAPESTRY ...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-003 Hand-signed by a...

Bolero Mallorquin original expressionist watercolor painting. virtual framed Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrist...

RALPH ROSENBORG – "LANDSCAPE: GARDEN OF FLOWERS, 1973" Oil on Canvas ⚜ Signed and Dated Lower Left and on Verso ⚜ Custom Conservation Frame A VIBRANT ABSTRACT LANDSCAPE BY AN AMERIC...

Serigraph in colors with deckled edges. Hand signed lower left in gold ink by Jiang Tiefeng. Hand numbered 232/260 lower front in gold ink. Artwork size: 30 x 30 inches. New blac...