Nicolas De Stael

His work bears affinities both to Lyrical Abstraction and to Tachisme artists such as Nicolas de Staël, Serge Poliakoff, Andre Lanskoy, Hans Hartung, Jean-Paul Riopelle, Gustave Sing...

The research that followed in Frédéric Menguy's work initially brought him closer to abstract landscape painting and evoked Nicolas de Stael. His lithographic work began in 1964, bef...

RELATED ARTISTS AND STYLISTIC REFERENCES Nicolas de Staël (1914–1955): for the synthesis of planes and the expressive use of muted color.

Though less radical than his peers Picasso, Dali, and Kandinsky, his influence was deep and lasting, shaping postwar French painters like Jean Bazaine, Maurice Esteve, Alfred Manessi...

Henri Matisse (France) – Known for his simplified forms and vibrant palettes in Mediterranean landscapes. 3. Nicolas de Staël (France/Russia) – Celebrated for his color planes and ...

The simplified spatial construction and emphasis on the visual rhythm of waves also relate to later developments in modern landscape painting associated with Nicolas de Staël, Richar...

Artistic Context This painting recalls the Mediterranean luminosity of Joaquín Sorolla, the poetic coastal atmosphere of Henri Manguin, the chromatic harmony of Richard Diebenkorn’s...

Many influences on this painting; the expressionism of Jackson Pollock ; the abstract geometric of Wassily Kandinsky and the colour field style of Nicolas de Staël. A painting full o...

Though less radical than his peers Picasso, Dali, and Kandinsky, his influence was deep and lasting, shaping postwar French painters like Jean Bazaine, Maurice Esteve, Alfred Manessi...

Though less radical than his peers Picasso, Dali, and Kandinsky, his influence was deep and lasting, shaping postwar French painters like Jean Bazaine, Maurice Esteve, Alfred Manessi...

Though less radical than his peers Picasso, Dali, and Kandinsky, his influence was deep and lasting, shaping postwar French painters like Jean Bazaine, Maurice Esteve, Alfred Manessi...

However, her focus shifted toward modern and contemporary masters such as Dalí, Nicolas de Staël, Giorgio Morandi, Jean-Michel Basquiat, and Joan Mitchell.

However, her focus shifted toward modern and contemporary masters such as Dalí, Nicolas de Staël, Giorgio Morandi, Jean-Michel Basquiat, and Joan Mitchell.

The biomorphic forms, the construction through chromatic fields, and the absence of direct figurative references recall the abstract research developed in France after World War II, ...

Though less radical than his peers Picasso, Dali, and Kandinsky, his influence was deep and lasting, shaping postwar French painters like Jean Bazaine, Maurice Esteve, Alfred Manessi...

More broadly, the expressive handling of structure and color relates to European modern cityscape traditions developed by Maurice Utrillo, André Derain and Raoul Dufy, while the arch...

About the Artist: Gustave Singier (1909–1984) was a Belgian born French painter and leading figure of postwar European abstraction whose radiant biomorphic compositions, shaped by th...

Moving to Paris in 1951, he spent two influential years at the Academy of Fernand Léger where his fellow students included Le Corbusier, Sam Francis and Nicolas de Staël. During this...

Following Paris’ liberation by the Allies, Bolin returned to the city and immersed himself in the artistic milieu around the Café Dôme, becoming good friends with Alberto Giacometti ...

Following Paris’ liberation by the Allies, Bolin returned to the city and immersed himself in the artistic milieu around the Café Dôme, becoming good friends with Alberto Giacometti ...

Its vigorous impasto and emotional handling of color recall the intensity of Vincent van Gogh, while its chromatic freedom and structural rhythm may appeal to collectors interested i...

Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva, Sam Francis, Norman Bluhm and Jean-Paul Riopelle, they often gather at the Galerie Nina Da...

Making the acquaintance of Hans Hartung, Nicolas de Staël, Pierre Soulages, Viera da Silva, Sam Francis, Norman Bluhm and Jean-Paul Riopelle, they often gather at the Galerie Nina Da...

Important proponents were Jean-Paul Riopelle, Wols, Jean Dubuffet, Pierre Soulages, Nicolas de Staël, Hans Hartung, Gérard Schneider, Serge Poliakoff, Georges Mathieu and Jean Messag...

Its vigorous impasto and fusion of figure and landscape also recall the expressive energy of Nicolas de Staël and the gestural color of the postwar European painters.

Artistic Context / Pictorial Inspiration This work belongs to the expressive tradition of Spanish and European landscape painting, where the real motif is transformed through color, ...

The chromatic energy and surface texture may also appeal to collectors interested in the Mediterranean intensity of Joaquín Sorolla, the structural color of Nicolas de Staël, the joy...

Education In these early years his work focused on abstract paintings inspired by the work of Nicolas de Staël. Interesting facts about Arman Inspired by Vincent van Gogh, he signed ...

In the 1930s, Semiatin became an active member of the Brooklyn Society of Artists where artists such as Jackson Pollock and Nicolas de Stael would exhibit. During this period many of...

In the 1930s, Semiatin became an active member of the Brooklyn Society of Artists where artists such as Jackson Pollock and Nicolas de Stael would exhibit. During this period many of...

His constant search for balance between form and color, as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Manessier... lead him down different paths from what we typ...

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

It was later occupied by other artists; notably Nicolas de Staël and the sculptor, Abel Chrétien [fr], both of whom died there.

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

The constant search for balance between shapes and colors as well as his passion for Nicolas de Staël, André Lanskoy, Alfred Mannessier… takes him on different paths from what we kno...

Utrillo's profound sensitivity influenced later artists including Balthus, Jean Dubuffet, Nicolas de Stael, and Giorgio Morandi, as well as Edward Hopper and Wayne Thiebaud, who echo...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

Utrillo's profound sensitivity influenced later artists including Balthus, Jean Dubuffet, Nicolas de Stael, and Giorgio Morandi, as well as Edward Hopper and Wayne Thiebaud, who echo...

Throughout the 1940s and 1950s, his studio became a collaborative hub for key figures of the Nouvelle École de Paris. He printed works for and formed close personal friendships with ...

Artistic inspiration This painting will appeal to collectors drawn to the Spanish light of Joaquín Sorolla, the architectural poetry of Edward Hopper, the village atmosphere of Mauri...

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

His art influenced later painters including Nicolas de Stael, Richard Diebenkorn, and David Hockney, who admired his balance of form and radiance.

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

In the year 1947 he produced the work Reves Cosmiques and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a fri...

Alongside Jean Dubuffet, Hans Hartung, and Nicolas de Staël (the latter’s commitment to nonobjective art especially influencing the artist), Poliakoff is regarded as a member of the ...

Alongside Jean Dubuffet, Hans Hartung, and Nicolas de Staël (the latter’s commitment to nonobjective art especially influencing the artist), Poliakoff is regarded as a member of the ...

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.

After the Liberation Deyrolle returned to Paris where in the company of Nicolas de Stael, Magnelli, and Andre Lanskoy he continues his evolution towards geometric abstraction.