Marc Chagall Paintings

This limited edition lithograph by Marc Chagall ( Russian-French 1887–1985), titled "Carmen," is a captivating work that beautifully encapsulates Chagall's unique surrealist style. ...

Marc Chagall 1887-1985 I Russian Couple dans la nuit (Couple in the night) Signature stamp of the estate "Marc Chagall" (lower right) Tempera and India ink on Masonite Couple dans...

Marc Chagall 1887-1985 Russian Couple sur le lit (Couple on bed) Signed 'Marc Chagall' (lower right) Oil and India ink on canvas Marc Chagall's exquisite work, Couple sur le lit, completed in 1952, epitomizes the motif of a lover's embrace—a theme recurrent and highly sought after throughout his illustrious career. Additionally, this work serves as a tribute to Chagall's native Russia, a motif that defines his oeuvre. Chagall’s works in warm, vibrant tones—specifically those rendered in reds and oranges—strongly evoke the passion of love the artist so fervently sought to portray and are among the most desirable of his works. The motif of lovers is a hallmark of Chagall’s masterpieces, often symbolizing his deep affection for his first wife, Bella Rosenfeld, and his grief upon her death in 1944. In this remarkable composition, a couple overlooks a Russian cityscape inspired by the artist's birthplace—his beloved village that was destroyed during World War II. Instead of succumbing to resentment over this and the many other tragedies he endured, Chagall employed bold, intense colors and dream-like settings to reflect the emotional turbulence of his life. After initially rejecting vibrant pink and red hues during his mourning for Bella and his displacement during the Second World War, Chagall eventually returned to these bright colors as a testament to the adversities he had overcome. This use of color solidified Chagall's reputation as a master colorist in his later works, with his red hues being among the most coveted in his palette. The beautiful female figure in this painting is bathed in warmth, and sits upright on the bed, implying her impending departure. Her companion, rendered in cool blue...

Marc Chagall 1887-1985 Russian Mère et enfant sur l'âne marron (Mother and child on brown donkey) Stamped with signature “Marc Chagall” (lower left) Oil on canvas This intriguing...

Marc Chagall 1887-1985 Russian Les fleurs rouges Signed “Marc Chagall“ (lower right) Gouache and pastel on paper An intoxicating all-over composition rendered in a dizzying arra...

Marc Chagall 1887-1985 Russian Danseuse au double profil vert (Dancer with double green profile) Signed "Chagall" (Lower Right) and "Marc Chagall" en verso Oil and tempera on canvas “If all life moves inevitably towards its end, then we must, during our own, colour it with our colours of love and hope.” - Marc Chagall Glowing with a vivid magenta hue, Marc Chagall’s Danseuse au double profil vert is a vibrant masterpiece and celebration of the towering artist’s prolific oeuvre. A bold composition, the painting’s overwhelming pink tones are accented by bright swathes of green, dots of red and shades of blue. Chagall’s works in these jewel tones — specifically those rendered in red and pink — strongly evoke the emotions of love the artist so fervently sought to portray and are among the most desired of his works by top museums and collectors.The work includes several of Chagall’s favorite motifs in a single canvas, celebrating the many influences in the artist’s multi-decade career. Painted in circa 1978, during the later yet extremely vital years of the artist’s life, the work is nearly biographical—telling the story of Chagall’s body of work and also the story of the exalted artist’s life. The work’s bold use of intense color firmly situates this painting in the remarkable later, yet extremely vital, years of the artist’s life. In 1973, when Chagall finally traveled back to Russia more than 50 years after he fled, the emotional return inspired his brightest compositions. No longer a young artist, the 85-year-old Chagall had an enormous wealth of life experience. He had lived in cities across the globe, further engrossed himself in the world of music and dance as he created across multiple mediums, helplessly watched from afar as his childhood town of Vitebsk was razed during the German invasion, mourned the loss of his beloved first wife Bella and celebrated the joy of his new marriage to his second wife Valentina (“Vava”), all as he ascended as an artistic icon. During his visit, Chagall was honored with an exhibition in the capital, and perhaps more importantly to the artist, he reunited with some members of his family. Shortly after the trip was over, Chagall reflected on his journey, stating, “It did me good. It refreshed me for my work.” The impact of this trip is clearly evident in the artist’s work as he began creating with vibrant colors that celebrated the joys of life. Themes of love and nostalgia permeated Chagall's gem-colored canvases of the 1970s. His creative output became increasingly personal and self-referential, illustrating how returning to his native Russia spurred deep reflections and conjured cherished memories. Danseuse au double profil vert embodies this pivotal moment. The lower register of the painting features a familiar landscape of assorted rooftops that recall the artist’s birthplace in Vitebsk. Chagall renders his trademark young rooster in the middle register of the composition. He superimposes the faint figure of a man with his head bowed within the cockerel’s body, suggesting the young rooster as a possible representation of the artist himself as it straddles the plane between Chagall’s childhood home and the rising heavens. A large floating figure, another signature element in many of Chagall’s works typically characterized as a “flying lover,” representing the euphoria of love, looms above. Interestingly, Chagall’s flying lover figure bears not one countenance, but rather carries two visages enmeshed within a single body. This is perhaps a representation of both of Chagall’s beloved wives Bella and Valentina, suggesting an inextricable link in the love the artist felt for both of these women. This notion is further underscored by the bushel of flowers clutched in the flying figure’s hand, with art historian André Verdet noting “In his work bouquets of flowers held a special place... Usually, they created a sense of joy, but they could also reflect the melancholy of memories.” All three figures — the praying man...

Marc Chagall 1887-1985 Russian L’ile de Saint-Louis Stamped “Marc Chagall” (lower right) Later signed "Pour Vava / [heart] souvenir / Marc 1981 Chagall" (en verso) Oil on paper wi...

Artist: Marc Chagall Medium: Lithographic Poster, 1964 Dimensions: 28.3 x 20.3 in, 71.8 x 52 cm

Stunning and evocative religious Heliogravure of Isaiah's oracle on the ruins of Babylon (Isaiah XIII), Plate 93, part of Marc Chagall's Etchings for the Bible (1930-939; Edition: T...

54.5 x 65 cm (21 ½ x 25 ⅝ inches) Signed with Estate stamp lower left, Marc Chagall This work is accompanied by a certificate from Jean-Louis Prat, on behalf of the Comité Chaga...

A lithograph on Arches vellum of Marc Chagall's Metropolitan Opera, Carmen. Lithograph is signed in black and numbered in white pencil, matted and f...

MARC CHAGALL 1887-1985 [Shagal, Mark, Zakharovich, Moses] Vitebsk, Belarus 1887-1985 Saint-Paul-de-Vence (French) Title: Yellow Goat over a Bouquet o...