Paolo Veronese

Portrait of Osman I (1254-1323), 17th Century follower of PAOLO VERONESE (1528-1588) Large 17th Century Italian School portrait of Osman I, oil on canvas.

He adopted the name Paolo Cagliari or Paolo Caliari and became known as "Veronese" from his birthplace in Verona.

He adopted the name Paolo Cagliari or Paolo Caliari and became known as "Veronese" from his birthplace in Verona.

This exquisite lithograph and pochoir after Paolo Veronese (1528–1588), titled Tete de jeune negre (Head of a young Black man), originates from the 1968 folio Visages d'Enfants.

Original antique print on chine collé, made after the painting by Paolo Veronese. Source unknown, to be determined.

Paolo Veronese: A Master and His Workshop in Renaissance Venice by Virginia Brilliant and Frederick Ilchman.

Large Pair Oil Canvas Italian Venetian Religious Scenes After Paolo Veronese Italian, 17th-18th Century Canvas: Height 99cm, width 56cm Frame: Height 130cm, width 87cm, depth 9cm T...

Pair of tall Murano lamps in the style of Paolo Veronese Italy 1970's Re-wired No shade included

Very nice Murano glass tall lamp in the style of Paolo Veronèse Circa 1970's

Paolo Veronese (1528 - 1588) was an Italian painter of the Renaissance in Venice.

Since then, various artists have turned to Veronese’s vase for inspiration. Just as Paolo Veronese’s art influences them to innovate, The House of Veronese influences the imagination...

After the 1921 design of the same name by Vittoria Zecchin for Cappelin Venini & Co., the Murano firm, inspired by the vase in Paolo Veronese's 1578 masterpiece painting "The Annunci...

A crystal vase crossed by a beam of light, in the famous painting by Paolo Veronese depicting the Annunciation. This is the image behind the pure lines of an object of consummate ele...

Blown for the first time in 1921, thanks to the intuition of the art director of Venini 1921-1925: the painter Vittorio Zecchin. A 1580 painting by Paolo Veronese " Annunciation " in...

From «The Annunciation» by Paolo Veronese to the Fornace (Kiln): a wonderful journey for this fine vase by Vittorio Zecchin.

From «The Annunciation» by Paolo Veronese to the Fornace (Kiln): a wonderful journey for this fine vase by Vittorio Zecchin.

From «The Annunciation» by Paolo Veronese to the Fornace (Kiln): a wonderful journey for this fine vase by Vittorio Zecchin.

From «The Annunciation» by Paolo Veronese to the Fornace (Kiln): a wonderful journey for this fine vase by Vittorio Zecchin.

From «The Annunciation» by Paolo Veronese to the Fornace (Kiln): a wonderful journey for this fine vase by Vittorio Zecchin.

First depicted by 16th century Renaissance painter Paolo Veronese in his Annunciation of the Virgin and later realized by Vittorio Zecchin for Venini in 1921, the quintessential glas...

The Veronese vase was first blown between 1921 and 1925 under the artistic direction of painter Vittorio Zecchin, inspired by Paolo Veronese’s 1580 painting “The Annunciation of the ...

First blown in 1921 under the artistic direction of Vittorio Zecchin, the Veronese vase was inspired by Paolo Veronese’s 1580 painting “The Annunciation of the Virgin”.

First blown in 1921 under the artistic direction of Vittorio Zecchin, the Veronese vase was inspired by Paolo Veronese’s 1580 painting “The Annunciation of the Virgin”.

First blown in 1921 under the artistic direction of Vittorio Zecchin, the Veronese vase was inspired by Paolo Veronese’s 1580 painting “The Annunciation of the Virgin”.

Engraved by Augustin de Saint-Aubin after Paolo Veronese.

It was designed and built by the Italian architect Andrea Palladio, with frescos by Paolo Veronese and sculptures by Alessandro Vittoria.

I soggetti riprendono celebri opere della pittura veneta: Diana e Atteone, da Giambattista Pittoni Venere e Adone, da Paolo Veronese I disegni sono ottenuti incidendo la superficie ...

For the Lower Saxony State Museum, Hanover, Finné is noted to have restored paintings by Paolo Veronese, Jacopo Bassano, Carlo Maratta, Guido Reni, Pieter Claesz, Carle Van Loo, Hugo...

The Veronese is one of the most celebrated forms in the Venini catalogue—an icon of Murano glass design—originally inspired by the vase depicted in Paolo Veronese’s 1580 painting The...

While the patterns and texture are inspired by Dalpayrat ceramics, many of the colours are the same as in the paintings of Paolo Veronese, a Venetian painter much admired by renowned...

While the patterns and texture are inspired by Dalpayrat ceramics, many of the colours are the same as in the paintings of Paolo Veronese, a Venetian painter much admired by renowned...

While the patterns and texture are inspired by Dalpayrat ceramics, many of the colours are the same as in the paintings of Paolo Veronese, a Venetian painter much admired by renowned...

This example is numbered 13/90, signed on the base, and accompanied by its original Venini box and certificate signed by Giancarlo Chimento, the former CEO of this famous italian fir...

This example is numbered 13/90, signed on the base, and accompanied by its original Venini box and certificate. The Veronese is one of the most celebrated forms in the Venini catalog...

This example is numbered 13/90, signed on the base, and accompanied by its original Venini box. The Veronese is one of the most celebrated forms in the Venini catalogue, an icon of M...

This example is numbered 106/199, signed on the base, and accompanied by its original Venini box and certificate. The Veronese is one of the most celebrated forms in the Venini catal...

This example is numbered 13/90, signed on the base, and accompanied by its original Venini box and certificate signed by Giancarlo Chimento, the former CEO of this famous italian fir...

This example is numbered 188/199, signed on the base, and accompanied by its original Venini box and certificate. The Veronese is one of the most celebrated forms in the Venini catal...

Pair of tall Murano glass lamps Grey and black Re-wired No shade included

Very interesting pair of brass sconces with Murano glass Circa 1960's.

The colors, reminiscent of Paolo Veronese's paintings—a beloved Venetian painter of Peter Marino—infuse the piece with rich, historical hues that evoke a sense of luxury and refineme...

Though initially a collaboration, it was Zecchin’s role as art director that shaped the firm’s artistic identity—infusing Renaissance inspirations, like the “Veronese” vase modeled a...

This painting, which irresistibly evokes the art of Paolo Veronese (1528–1588), is the work of one of his compatriots, Felice Brusasorci, an artist who dominated the Veronese art sce...

Ours is later, circa 1780, and inspired by Venetian models, particularly with reference to the colour and stylisation. Paolo Veronese’s Penitent Magdalene is useful for comparison.

Making reference to the giants of Western painting—from Paolo Veronese, Peter Paul Rubens, and Edgar Degas to Willem de Kooning, Francis Bacon, and Joan Mitchell—as well as to popula...

We can also say that Ludovico was able to grasp the 'international' character of the elegant and cultured mannerism of Jacopo Tintoretto and Paolo Veronese, who will find in him a ve...

These sheets, annotated “da Paolo,” clearly indicate their derivation from Veronese’s compositions.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

“I was initially drawn to this idea of internal strife after seeing a painting by the Italian Renaissance Master Paolo Veronese where he portrays the ‘Temptation of St.

Published in London: Sotheby's Publications, 1984. 1st Ed hardcover with dust jacket. Paolo Spezapreda, known as 'Veronese'. It includes previously unpublished drawings, attributed a...