Pasadena - Art

Acquired by the gallery directly from the artist UNFRAMED: 16" x 14" FRAMED: 16" x 14" x .75" Exhibited Spring into Art 2024, presented by the San Marino League at The Huntington ...

Old Master, French School red chalk drawing on paper is not signed . Done in Sanguine on paper the nude appear like Hercule . The feel and look of the works while academic studies a...

It is considered a significant work by Picasso, reflecting his themes of peace and humanity. The piece depicts figures in a circular dance around a dove of peace, conveying a sense of optimistic energy and hope for the future. Through the use of crisp vibrant colors and the fluid use of line, Picasso creates a sense of optimistic energy that is focused around the dove of peace in Pablo Picasso La Ronde de...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 24.5" x 30.5" x 1" Artist Statement "This scene was inspired by a trip to Tejon Ranch nearly 10 years ago with a small group of artists from the California Art Club. The golden color offers a different take on “California gold’ and is very much like the the foothill scenery near my home in Angels Camp." — Ray Roberts

Acquired by the gallery directly from the artist UNFRAMED: 16" x 20" FRAMED: 25.5" x 29.5" x 1.75" Exhibited A Journey Along the California Coast, at the California Art Club Galle...

Pablo Picasso Toros Y Toreros Luis Miguel Dominges Lithograph 129 :500 numbered Wonderful Pablo Picasso lithograph of ''Toros Y Toreros...

Provenance Acquired by the artist directly from the artist Artist Statement "Most villages were mostly abandoned, city life was the preference. The few left in the village were very graceful and kind. As I was painting a small crowd gathered to watch. It began to rain. I was kept dry by an umbrella held over me provided by the local people. —John Budicin...

Provenance Consigned to the gallery by private collectors Description This view created en plein air of a trail meandering through a vertical stand of pine trees, reveals an invitin...

Provenance Consigned to the gallery by private collectors Description Jack Wilkinson Smith was a New York-based illustrator before moving out West around 1906 seeking the mythical W...

Provenance Acquired by the gallery directly from the artist Description Painted on plein air in the artist's community of Portuguese Bend, this is a f...

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Provenance Acquired by the gallery directly from the artist Artist Statement “Here, the earth is quietly awakening as the first moments of life creep gently into the valley.” — Geor...

Provenance On consignment with the gallery from a Pasadena, California corporate collection. The painting was displayed at Mutual Savings and Loan on Colorado Blvd. in Pasadena. A 1955 photo showing Bickerstaff paintings on display at the same Mutual Savings and Loan office in Pasadena is available through the Pasadena Museum of History's library. Label on verso: Mutual Savings No. 3107 Description This painting is untitled, however, the landscape appears to be of California's Palm Springs Desert area with a scattering of smoke trees...

Provenance Acquired by the gallery directly from the artist Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad California. Our coastline is stunni...

Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, the sculpture has always been part of the environment of Elisabeth Cibot. She finds it again wi...

Acquired by the gallery directly from the artist UNFRAMED: 20.5" x 11" FRAMED: 20.5" x 11" x .75" Exhibited Spring into Art 2024, presented by the San Marino League at The Hunting...

Artist Statement "While staying at the Forbes' Trinchera Ranch in southern Colorado, I was intrigued by seeing this heavy cloud layer every morning hovering below Mt. Blanca's impressive peak of 14,351 feet. The cloud layer created an atmospheric division between the cool shadows below and the bright, warm light above." ―Peter Adams Description The artist's particular bold, broad brushwork magnifies a sense of epic in this pristine scene. The painting exemplifies the American West as an expansive land of free spirit and boundless possibilities. The colors are opulent and there is an intriguing sense of mystery about the subject, a Shangri-la feeling. The presentation of the painting makes a grand entrance statement. Provenance Acquired by the gallery directly from the artist Gallery Note The artist began the painting in 2006 and completed it in November of 2017. Exhibited Maxwell House...

Provenance Acquired by the gallery directly from the artist. FRAMED: 28.125" x 32.125" x 1.25" UNFRAMED:20" x 24" Artist Statement "I am always looking for different ways to capture the beauty of the San Gabriel Mountains as they loom above Pasadena. I found this view while scouting and exploring the Arroyo Seco...

Acquired by the gallery directly from the artist UNFRAMED: 48" x 48" FRAMED: 56.5" x 56.5" x 2.75" Artist Statement “This painting captures the vibrant spirit of a Native American...

Provenance Acquired by the gallery directly from the artist Artist Statement “Any day at Shark Harbor is a good day.” — Joseph Paquet EXHIBITIONS California Art Club's 103th Annual Gold Medal Exhibition at Autry National Center, March 30- April 20, 2016 Santa Catalina Island...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons. The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface. At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples. An original painting of the series can be seen at Musée d'Orsay in Paris, France...

Acquired by the gallery directly from the artist UNFRAMED: 20" x 24" FRAMED: 29.5" x 33.5" x 2.5" Artist Statement “As the day winds down, both cowboy and horse take a moment to r...

Sepia tones permeate this remarkable oil painting by American artist Geoffrey Johnson, who captures a hauntingly timeless scene. A woman waits by the window of her home, silent, almost absorbed in the diffuse ambiance of the room? The artist emphasizes the intimacy of his subject, a silhouette between presence and absence whose identity he has limited to a shadow. The woman is treated like a ghost, associating her with the invisible and the forgotten. In all its diversity, art is a step towards understanding human emotions and, often, an opening into the soul. The canvas analyzed here is that of a seemingly banal dining room, including an old-style kitchen area, inhabited by this quasi-incorporeal female figure. This eloquent artistic choice echos a reflection on the condition of loneliness. Few details appear some paintings on the wall, a dining table with two visible plates, a chandelier, etc. The sepia tint is emblematic of nostalgia, reminiscent of the photographic process that ages pictures to give them an air of yesteryear. Here, the artist recalls the past, not to idolize it, but to question the persistence of female alienation over time. The deliberate use of a restricted, even desaturated chromatic range reflects a timeless universe in which the female figure echoes across the ages. Like an entity in a sepia photograph, where the being is frozen for eternity, the woman appears and disappears simultaneously, symbolizing the volatility of existence and the fragility of memory. Johnson confronts us with a profound reflection on our solitude and relationship with time, painting the isolation of women in the hues of a bygone era. Through a technique that magnifies the essential and erases the extra, he resurrects an atmosphere inviting us to reinterpret our reflection on existence. -------------------------------------------------------------------- Born in 1965 in Greensboro, North Carolina, Geoffrey Johnson graduated from the Pennsylvania Academy of Fine Arts, where he received several awards and prizes for his artistic excellence. Since 1995, he has exhibited in galleries and venues throughout the United States. His paintings may be found in many private and corporate collections, including those of Coca-Cola, Turner Broadcasting, BellSouth, and Wells Fargo. Johnson draws much of his inspiration from his travel experiences and first-hand observations. Using a monochromatic palette of sepia hues, the artist strives to reproduce the places that inspire him. Johnson’s work is powerfully evocative of the French Impressionists’ depictions of city life, interior spaces, and equestrian scenes. From Gustave Caillebotte’s steely, atmospheric renderings of foggy Paris streets and dusky rooftops to Degas’ spindly-legged racehorses, the influence of these artists upon Johnson’s painting is readily visible. His manner of distorting the human figure has also been likened to the skeletal, surreal forms of Alberto Giacometti. Johnson has established himself as a true innovator, successfully capturing the alluring space between abstraction and realism. His work is significantly influenced by his fascination with both the human figure and the powerful architecture of a modern city. Through a feeling of anonymity, figures become suggestive shapes, and the skyline of New York materializes mysteriously in the background. Johnson’s paintings embody the mood of each urban experience. Johnson has “always been attracted to interiors, work spaces [and] personal spaces.” Inspired by a box of...

Provenance Acquired by the gallery directly from the artist FRAMED: 12" x 9"

Provenance Acquired by the gallery directly from the artist EXHIBITIONS California Art Clubs 95th Annual Gold Medal Juried Exhibition April 2 - 23...

Visual Description: This contemporary painting painted in oil on linen is a portrait of a red-headed woman in an impressionistic style. Provenance Acquired by the gallery directly ...

Through singular facial analysis, the artist dissolves the traditional concept of perspective, presenting the central figure with a multiplication of contours. The main subject, like...

Acquired by the gallery directly from the artist UNFRAMED: 24" x 26" FRAMED: 28" x 30" x 2.125" Artist Statement "Fireworks, an aerial celebration of shimmering explosions that bu...

After A. MODIGLIANI , Tête De Femme, Sculpture 1961 Austin Edition W/Book After A. MODIGIANI , TETE DE FEMME : EX condition of use , no chip or accident visible. Light wear of the ...

Acquired by the gallery directly from the artist UNFRAMED 12" x 9" x .5" FRAMED 12" x 9" x .5" Artist Statement "Which is bejeweled, the blue pearl and gold laced vase, the hummin...

This painting features a yellow sky (as Gastaldi named it) and it is part of 3. The #1 one is featuring a red sky and the third one is the desert light. #1 and 2 show the strength of nature with vigorous large brush strokes and bright colors whereas the colors of #3 depicting the desert light, are more muted and reflect perfectly the desert atmosphere before a storm. See, attached the pictures of the 2 matching ones. Jerome Gastaldi, born in Oakland, California, in 1945, is a contemporary artist. His works have been compared by art critics to that of Robert Rauschenberg, Edward Kienholz...

"Adam and Eve" Whimsical Original Lithograph Limited Edition 55 of 1,000 hand-numbered and plate-signed by Jan Balet. Jan Balet (20 July 1913, in Bremen - 3...

Sculpture in Resin from Elisabeth Cibot Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of...

After Jean-Michel Basquiat, El Gran Espectaculo ( The Nile ) Christie's NYC, 2023. Large Screenprint poster printed on Arches Paper. Natural wood custom frame, hq plexiglass Size is ...

Hailing from Liège and Brussels, with a background in the Académie des Beaux-Arts, Leon Collard (1916-2011) painted this abstract woman on handmade paper with ink and acrylic. Utiliz...

Acquired by the gallery directly from the artist UNFRAMED:30" x 20" FRAMED: 30" x 20" x 1.125" Artist Statement “The magnolia tree and I share common rots in the Southeast. The Carolinas, Georgia, and Tennessee are home to us both. This stately, ancient tree is native to the Southeast. Its large fragrant blossoms and dark, shiny leaves adorn the green lawns and line the streets of the small towns where I am from. So, when I moved to California, I was pleasantly surprised to see this icon from the South growing freely here as well! This paining, with its representatives from the Southeast (the Magnolia and Blue Jay) and the West (the Plums and Persimmons) shows how roots can expand and grow to embrace new beginnings.” — Mary Kay West...

Provenance Acquired by the gallery directly from the artist Artist Statement "While on a recent painting trip along the 101 Highway to Carmel I stopped twice to paint at one of my favorite spots, Rocky...

Acquired by the gallery directly from the artist. UNFRAMED: 12" x 16" FRAMED: 20" x 24" x 1.75" Exhibited Frederick R. Weisman Museum of Art at Pepperdine University in California Art Club's "On Location in Malibu 2024" May 11...

Marc Chagall (1887-1985) was a Belarusian-French artist. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic format...

Provenance Acquired by the gallery directly from the artist Exhibited Fleeting Moments 2nd Biennale: Works en Plein Air, American Legacy Fine Arts, November 22 – December 15, 2019 ...

Acquired by the gallery directly from the artist

Acquired by the gallery directly from the artist Artist Statement “By exploring the forms in this piece, and given the simplicity of the gesture, I can directly address the concept ...

Acquired by the gallery directly from the artist UNFRAMED: 24" x 18" FRAMED: 24" x 18" x 1" Artist Statement "This painting portrays a sense of peace, hope, and new beginnings. T...

Provenance On consignment to the gallery from a private collector in Newport Beach, California. Artist Statement "The location is in a small town within the province of Yunnan in So...

Provenance Acquired by the gallery directly from the artist Artist Statement "I visited Qingdao City in northeast China in 2019 with a group of artists. Qingdao is also spelled Tsingtao. Located on China’s Yellow Sea coast, these old fishing boats are still performing their job." — Mian Situ Exhibited Mian Situ: Passion, History and Culture, American Legacy Fine Arts, Pasadena, California, May 6 – June 11, 2022 California Art Club...

Acquired by the gallery directly from the artist UNFRAMED:16" x 20" FRAMED:27" x 31" x 2.5" Artist Statement "Completed in the studio from plein air notes made in Tehachapi, CA. A...

Provenance: Acquired by the gallery directly from the artist Unframed: 16" x 12"; Framed:18.5" x 22.5" x 1"

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la revue XXe Siècle. Mourlot, Paris, imprimeur ; XXe Siècle, Paris, éditeur. About Pierre Soulages : Pierre Soulages est né le 24 décembre 1919 à Rodez et décédé le mardi 25 octobre 2022 à l’âge de 102 ans. Il a été inhumé le vendredi 4 novembre au cimetière Montparnasse. Très jeune il est attiré par l’art roman et la préhistoire. Il commence à peindre dans cette province isolée que n’ont pas pénétré les courants artistiques contemporains. À 18 ans, il se rend à Paris pour préparer le professorat de dessin et le concours d’entrée à l’École Nationale supérieure des Beaux-Arts. Il y est admis mais convaincu de la médiocrité de l’enseignement qu’on y reçoit refuse d’y entrer et repart aussitôt pour Rodez. Pendant ce bref séjour à Paris il fréquente le musée du Louvre, il voit des expositions de Cézanne et Picasso qui sont pour lui des révélations. Mobilisé en 1940,il sera démobilisé en 1941. Paris occupé, il se rend à Montpellier et fréquente assidûment le musée Fabre. Montpellier à son tour occupé, commence pour lui une période de clandestinité pour échapper au STO pendant laquelle il ne peint plus. Ce n’est qu’en 1946 qu’il peut consacrer tout son temps à la peinture. Il s’installe alors dans la banlieue parisienne. Ses toiles où le noir domine sont abstraites et sombres. Elles sont aussitôt remarquées tant elles diffèrent de la peinture demi-figurative et très colorée de l’après-guerre. Il trouve un atelier à Paris, rue Schoelcher, près de Montparnasse. En 1948, il participe à des expositions à Paris et en Europe, notamment à « Französische abstrakte malerei » dans plusieurs musées allemands. Il est de beaucoup le plus jeune de ce petit groupe de peintres où se trouvent les premiers maîtres de l’art abstrait, Kupka, Domela, Herbin, etc. L’affiche est faite avec une de ses peintures en noir et blanc. 1949, exposition personnelle à Paris, galerie Lydia...

Provenance Acquired by the gallery directly from the artist. Artist Statement "First light on mountain spires reveal brilliant exclamation points— morni...

Acquired by the gallery directly from the artist UNFRAMED: 12" x 16" FRAMED: 20" x 24" x 1.75" Artist Statement “It is always exciting seeing the remnants of a storm rolling out t...

Provenance Acquired by the gallery directly from the artist Artist Statement "The glassy surface of the river almost seems calm. Below the gentle ripples though, is a swift and powerful current that moves anything in its way. A mile or so farther down the river, the elevation drops and the river turns into a wild, tumultuous force as it moves toward the falls." —Richard Humphrey...

Provenance Acquired by the gallery directly from the artist Artist Statement “Painted late one day after hiking up into the Comstock hills outside my home in Silver City, Nevada, to...

Acquired by the gallery directly from the artist UNFRAMED: 58" x 45" FRAMED: 66" x 53" x 4" Artist Statement “The painting was created during a live rodeo, and shows the skills, e...

A burst of color, simplicity, and joy in modern American folk art American artist John Botz captures here the essence of childlike spontaneity with painterly sophistication. A radi...

Guillaume ROCHE The artist translates movement and energy through the dynamism of assemblages and seeks the balance of composition. His sculptures offer aerial movements, round shapes with powerful lines, delicate and sensual cuts. The contextualization of his works, inscribing the approach of Guillaume Roche in the field of architecture: work of structure, lines, matter and skin, study of a volume and its proportions according to context and environment. His work is conceived to be connected with the territory. The EXCLOS series is born from the encounter of the concepts of EXPLOSION and ECLOSION. The artist conceives these imposing spheres of steel as a powerful breath contained by a gentle force that channels and envelops this primary energy. Working with stainless steel, Guillaume seeks contrast through concepts such as full-void, light-weight, balance-fall. In contrast, he finds total freedom of creation...

THOMSEN René Born in Paris in 1897 and died in 1976 in Paris. 20th century. French. Painter of figures, nudes, portraits, landscape, still life, flowers. Pupil of Louis ...

Acquired by the gallery directly from the artist UNFRAMED: 9" x 12" FRAMED: 12.25" x 15.25' x 1.125"

Acquired by the gallery directly from the artist UNRAMED: 16.5" x 11.5" FRAMED: 11.5" x 16.5" x 1" Exhibited Spring into Art 2024, presented by the San Marino League at The Huntin...

Acquired by the gallery directly from the artist UNFRAMED: 24" x 30" FRAMED: 30.75" x 36.625" x 1.5" Artist Statement "The dramatic Scenery surrounding Ojai and the coastal range made for some tough choices as to what to paint. Add to that, the changing light throughout the day and the marine layer coming and going, made options even greater. I have always been attracted to waterways when scouting for paintings. This scene overlooking the Ventura River deeply spoke to me as a big fan of the geology and plant life of the Ojai Valley." — Ray Roberts