Raised Edge

A fine, very large, 18th century English creamware pottery charger or wall plate. With a raised

by Bianconi and is formed like a gathered handkerchief with the edges raised and forming points in a

George III mahogany tilt top table with a ribbon and leaf carved edge, raised on a carved and

green, lending a vibrant pop of color and a touch of Old World charm. The raised tray edges not only

rounded corners and a moulded edge. It is raised on a beautiful reeded column terminating in four reeded

band on the edge of the raised, exposed rim. Branded by the Diana's head mark, the Viennese official

tray with solid brass handles, with a Grecian urn inlaid in the centre, raised gallery edge, Original

on corners and turn-ins, gilt ruled board edges, raised bands with gilt dots, spine lavishly gilt in

Classic shaped edge, raised gilding on the shoulders and exquisitely hand-painted by and ordered through

rectangular tops which are edged by raised borders. The tables’ friezes step inwards and are decorated with

interior shelving resting on a raised molded edge plinth. All original, Late 18th century. Measure: 8'10

The large round tabletop painted in a mottled red-brown faux marble finish with a bull nose edge

conforming stepped molded edge further raised on bun feet with primitive inset casters. Dimensions

design that we treasure. It composed of two concentric circles- the inner one subtly raised with beveled

shelving resting on a raised molded edge plinth. All original, Late 18th century. Leather can be added to

edge, raised on six square legs. The drawers with gilt bronze wreath shaped hardware, circa 1900

raised braided edge. The sides of the drum are similarly decorated with triple and double ridges in 3

drawer and cabriole legs. Table top is edged with a raised trim to prevent slippage of items, similar to

raised on the edge of the prairie, gives me a sense of my place in the landscape.

element, support the top that is configured as the unifying part of what raises it. The colored milled

, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs

, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs

, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs

with openwork silver and garlands and bows. Top and bottom of the baskets with pearl edge. The baskets

cold-tooling evident. The signature for BARYE is gingerly raised around the edges. Note Charles VII is

element, support the top that is configured as the unifying part of what raises it. The colored milled

top with raised trim around the edge, topped with lovely round glass which rests upon clear bumpers

is surrounded by flowing floral patterns and lines. The top is edged with a raised walnut gallery

cockbeading to edges Raised upon tapered legs with circular cup mouldings over spade feet This is a

, letting raised surfaces, carved edges, and layered paint create a physical, relief-like presence. Her

swords on horseback. The chaotic action of the scene is offset by the whimsical décor on the raised

West there is a grayish-white seed pearl bead set into a raised square setting with beveled edges

, the bowls are based on oblong raised feet having edges decorated with pendants of laurel leaves, too

bottom edges with interlocking raised work in gilt bronze round linen couched threads, gilt bronze wires

raised surfaces, carved edges, and layered paint create a physical, relief-like presence. Her

maker PM & M Bavaria, Germany. Round in form, the dish features scalloped edges, with raised dot details

leaves which are joined by a carved rib in the centre and scroll outwards to up-curled edges. It is

inspiration giving equal importance to the paint’s thickness and thus creating sharp edges and raised textures

inspiration giving equal importance to the paint’s thickness and thus creating sharp edges and raised textures

— squared edges with raised floral decoration — closely resembles Art Nouveau to early Art Deco transitional

) balances on tiptoes. The figurine’s left arm is raised. - SIGNED AT LATERAL EDGED AREA OF BASE: 'E.BECK

out thanks to the simple, uncluttered design. The top features a raised “lip” or edge, a playful and

endpapers, all edges gilt, raised bands. Bound beautifully in calf leather with tan inlays on covers. Gilt

an introductory notice by the translator. Top edges gilt. Raised bands on spine. Bound in 3/4 navy

. Marbled endpapers with inner dentelles, top edges gilt, raised bands on spine. Bound beautifully by

back of book. Marbled endpapers. All edges gilt. Raised bands. Bound by Bayntun in full emerald green

. Edited by H Buxton Forman. Marbled endpapers, all edges gilt, raised bands on spine. Bound by Zaehnsdorf

. Marbled endpapers, top edges gilt, raised bands on spine. Bound in 3/4 red Morocco leather with marbled

ship and anchors on spine panel compartments. Marbled endpapers. Top edges gilt. Raised bands on spine

endpapers, all edges gilt, raised bands on spines. Housed in linen slipcase. Rebound beautifully by Bayntun

-written notes. Illustrated frontispiece. Marbled edges. Top edges gilt. Raised bands. Bound in full tree

. Marbled edges. All edges gilt. Raised bands. Bound in full tree calk leather with gilt borders on covers

. Illustrated throughout. Marbled endpapers, top edges gilt, raised bands. Bound in 3/4 brown calf leather

. Marbled endpapers. Top edges gilt. Raised bands on spine with gilt embellishment on spine panel

illustrations. Illustrated portrait frontispiece of Grant with facsimile signature. Marbled edges. Marbled

the Close of the Present Century. With fold-out maps. Marbled endpapers, raised bands, all edges gilt

. Top edges gilt. Raised bands on spine. Marbled endpapers. Published Boston: Little, Brown, and Company