Raised Edge

., elegant red morocco with dry-stamped fillets on covers and spine compartments, gilt fillets on edges, headbands, 5 raised bands, gilt titles, all edges brightly gilt ; turn-ins wi...

An Oval tray with solid brass handles, with a Grecian urn inlaid in the centre, raised gallery edge, Original label and Impressed stamp on the bottom.

The corners are adorned with sculpted fruit and foliage motifs in warm shades of red, orange, and green, lending a vibrant pop of color and a touch of Old World charm. The raised tra...

These feature their Classic shaped edge, raised gilding on the shoulders and exquisitely hand-painted by and ordered through the fine gilded age retailer of.

English Chippendale mahogany broken pediment breakfront with carved floral medallions, candle light molding, four upper case glass doors with adjustable shelving, lower case conceali...

The tables feature rectangular tops which are edged by raised borders. The tables’ friezes step inwards and are decorated with raised broken bands.

English Chippendale mahogany breakfront with carved molded cornice, four upper case glass doors with arched oval mullions, adjustable interior shelving, lower case concealing a slidi...

It composed of two concentric circles- the inner one subtly raised with beveled edges in beautiful star fire glass.

The large round tabletop painted in a mottled red-brown faux marble finish with a bull nose edge. Raised on a classical carved solid tripod base with faux marble painted panels and e...

(plant stand - indoor planter - conservatory or solarium garden box - flower display) Born in Italy in the late 19th century, most likely originating in the Veneto region of North...

Top and bottom of the baskets with pearl edge. The baskets raised on 4 standing legs, which one of the baskets single legs are damaged.

Crushed green morocco with gilt rules and intricate gilt floral and pointillé decorations on corners and turn-ins, gilt ruled board edges, raised bands with gilt dots, spine lavishly...

No matter what direction or approach I take, these pictorial devices and philosophical leanings are infused in my sensibility - that, and being raised on the edge of the prairie, giv...

The cones at the base, arranged in circle to create a single visual element, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs,...

The cones at the base, arranged in circle to create a single visual element, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs,...

The cones at the base, arranged in circle to create a single visual element, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs,...

The cones at the base, arranged in circle to create a single visual element, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs,...

This lost wax casting of a drum is ornamented with 8 frogs stacked in twos and placed at four equidistant points on the outer edge of the tympanum, the center of which is decorated w...

The central medallion is surrounded by flowing floral patterns and lines. The top is edged with a raised walnut gallery to prevent the silver from sliding off.

Graceful Pembroke table of generous size and proportion Displays a desirable aged patina with pleasingly aged top Select mahogany offers fine grain interest and deep russet hues P...

The cones at the base, arranged in circle to create a single visual element, support the top that is configured as the unifying part of what raises it. The colored milled-edge ribs,...

One smaller side table, again with central frieze drawer and cabriole legs. Table top is edged with a raised trim to prevent slippage of items, similar to silver tables.

It is comprised of a metal frame that has been given a fresh coat of black paint, a wonderful round top with raised trim around the edge, topped with lovely round glass which rests u...

The signature for BARYE is gingerly raised around the edges. Note Charles VII is missing his baton.

The chaotic action of the scene is offset by the whimsical décor on the raised platter’s edge, which consists of mascarons, fruits, flowers, and animalia with a crimped edge.

This finely made saucer of is of flat rounded form standing on a narrow shallow rounded foot rim and hjas a raised fluted patterned edge with a gilded rim. The body of the saucer is ...

Working exclusively in black and white, she builds bold geometric forms in thick impasto, letting raised surfaces, carved edges, and layered paint create a physical, relief-like pres...

Finally, to the North, South, East, and West there is a grayish-white seed pearl bead set into a raised square setting with beveled edges. Additionally, on the back of the brooch, at...

Finally, the bowls are based on oblong raised feet having edges decorated with pendants of laurel leaves, too.

Round in form, the dish features scalloped edges, with raised dot details and raised whimsical patterns surrounding the outer corners.

Chinoiserie (Asian Style / Orientalism)Aesthetic: Western interpretations and artistic imitations of East Asian artistic traditions.Details: The table design borrows heavily from tra...

The wide applique and embroidered borders down the side and bottom edges with interlocking raised work in gilt bronze round linen couched threads, gilt bronze wires and tinsel curls....

Working exclusively in black and white, she builds bold shapes in thick impasto, letting raised surfaces, carved edges, and layered paint create a physical, relief-like presence.

He found inspiration giving equal importance to the paint’s thickness and thus creating sharp edges and raised textures. The final result approaches a kitsch aesthetic.

He found inspiration giving equal importance to the paint’s thickness and thus creating sharp edges and raised textures. The final result approaches a kitsch aesthetic.

The everted sides have fleshy palmettes and paired acanthus leaves, while the top has four pairs of leaves which are joined by a carved rib in the centre and scroll outwards to up-cu...

The pattern style — squared edges with raised floral decoration — closely resembles Art Nouveau to early Art Deco transitional designs (roughly 1890s–1930s).

The figurine’s left arm is raised. - SIGNED AT LATERAL EDGED AREA OF BASE: 'E.BECK' .

This solid wood model has a beautiful veneer that stands out thanks to the simple, uncluttered design. The top features a raised “lip” or edge, a playful and practical design element.

Bound in 3/4 navy blue Morocco leather with linen boards and beautiful gilt embellishment across spine panel compartments. Raised bands on spine, top edges gilt, marbled endpapers.

Bound in 3/4 wine red Morocco leather with marbled boards and endpapers. Top edges gilt. Raised bands on spine. Published New York: Century Co. 1896.

Bound beautifully in 3/4 bright calf leather and cloth boards, with blue and brown panels on spine and ornate gilt embellishments. Top edges gilt, raised bands on spine, marbled endp...

Leather inner dentelles with dainty gilt embellishment with marbled endpapers, gilt frames on covers, all edges gilt, raised bands on spines. Housed in cloth clamshell case with pull...

Marbled endpapers with inner dentelles with gilt floral motifs, top edges gilt, raised bands. Bound beautifully by Hatchards in full brown Morocco leather with gilt floral embellishm...

A New Edition, with an introductory notice by the translator. Top edges gilt. Raised bands on spine. Bound in 3/4 navy blue Morocco leather.

Marbeled endpapers, all edges gilt, raised bands on spine. Published London: Macmillan and Co.

Marbled endpapers. All edges gilt. Raised bands. Bound by Bayntun in full emerald green clad leather with gilt borders on covers.

Illustrated throughout. Top edges gilt, raised bands on spine. Bound in full brown Morocco leather with elaborate gilt floral embellishments on front and back covers and beautiful gi...

Illustrated with over sixty hand-colored engravings. Marbled edges. All edges gilt. Raised bands. Bound in full tree calk leather with gilt borders on covers and gilt floral embellis...

Marbled endpapers. Top edges gilt. Raised bands on spine. Published New York: Random House, 1930.

Marbled endpapers, top edges gilt, raised bands on spine. Bound in 3/4 red Morocco leather with marbled boards, gilt detailing on covers and floral gilt motifs on spine compartments.

Illustrated portrait frontispiece of Grant with facsimile signature. Marbled edges. Marbled endpapers. Raised bands on spines.

Frontispiece in 3 states. Tope edges gilt. Raised bands. Marbled edges. Bound in 3/4 brown Morocco leather with marbled boards.

With fold-out maps. Marbled endpapers, raised bands, all edges gilt. Bound in 3/4 blue Morocco leather, linen boards with gilt embellishment and motifs on spine panels.

Marbled endpapers. Top edges gilt. Raised bands on spine with gilt embellishment on spine panel compartments.

Gilt floral embellishment on spine panels. Top edges gilt. Raised bands on spine. Marbled endpapers.

Marbled endpapers, top edges gilt, raised bands. Bound in 3/4 bold blue Morocco leather, linen boards with gilt embellishments and motifs on spine panels.

Bound in full blue morocco by Zaehnsdorf, all edges gilt, raised bands, gilt panels, marbled endpapers.

Limited Edition, limited to 250 numbered copies, of which this is No. 162. Top edges gilt. Raised bands. Bound in full midnight blue Morocco leather with gilt geometric borders on co...

Bound in Full green polished calf, all edges gilt, raised bands, ornate gilt on spine, three gilt characters to the center of the front cover by Bayntun.