Rome Engraving

Charles Lock Eastlake, After by Charles William Sharpe, British (1793 - 1865) - Pilgrims in Sight of Rome, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, I...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...

Lauro produced a series of engravings of the ancient monuments of Classical Rome with detailed descriptions in Latin below. 180mm by 240mm (plate mark) 240mm by 345mm (sheet)

Keywords: Ottoman Empire, Ottoman Sultans, Ottoman genealogy, Islamic rulers, Turkish history, Roman engraving, early modern history, dynastic table, genealogical chart, wall table, ...

This finely detailed copperplate engraving reflects the Grand Tour era’s fascination with classical antiquity and the documentation of Rome’s monumental sculpture.

Title: Column of Trajan, Rome – Original Hand-Colored Engraving, 1798 This original hand-colored engraving titled "Column of Trajan" was published in London on May 14th, 1798 by L.

Agricultural Print: Haycart in Rome, 1820s Hand-Colored Engraving Description: This charming hand-colored engraving, titled "Haycart – Rome," offers a picturesque glimpse into rural...

Circus Flaminius, Rome – Antique Engraving after Jan Goeree, 1704 This detailed early 18th-century engraving presents a reconstruction of the Circus Flaminius, one of the great publ...

Set of Three Antique Rome Trades & Costume Engravings, Papal Guard & Street Merchants, circa 1850 DESCRIPTION: Striking set of three original antique hand-colored engravings depicti...

Roman Noblewomen Costume Engravings, Hand-Colored Pair, Rome 1581 This elegant pair of mid-18th century hand-colored costume engravings depicts two noble Roman women in richly detai...

Costume Print: Traditional Dress of Rome, 1820 Hand-Colored Engraving This charming hand-colored engraving depicts two figures in traditional dress from Rome, Italy, capturing a mom...

Genealogy of the Founders of Rome – Giacomo Lauro Engraving, c.1612 A rare and visually engaging early 17th-century engraving by the Italian artist and antiquarian Giacomo Lauro, or...

Saint Francis of Paola, engraving by Antonio Gramignani, Rome, circa 1670–1690 Description: This devotional engraving by Antonio Gramignani (active Rome, late 17th century) depicts ...

- This original old antique print shows a rostral column in Rome, Italy. It is a type of victory column, originating in ancient Greece and Rome where they were erected to commemorate...

Travel Print: Going to Rome by Vetturino, 1820s Hand-Colored Engraving This delightful hand-colored engraving depicts a lively scene titled "Going to Rome by Vetturino," offering a ...

each large engraving framed in period ebonized frame, the scenes depicting Roman views with architecture and figures

Refined pair of engravings on paper, set in carved and painted wooden frames.

A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...

Genre Scene Print: A Letter Writer in Rome, 1820s Hand-Colored Engraving This delightful hand-colored engraving, titled *A Letter Writer, Rome*, captures a charming and now-vanished...

A fine hand coloured 18th Century engraving after the original by Piranesi (Rome 1743), published by Danisy, Paris.

Antique print, titled: 'Niobe in Hortis Mediceis.' - Statue of Niobe in Rome. In Greek mythology, Niobe was a daughter of Tantalus and Dione. From the 1660 Dutch edition of 'Icones ...

Description: Antique print, titled: 'Meleager in Aedibus Pichinys.' Statue of Meleager in Rome. In Greek mythology, Meleager was a hero venerated in his temenos at Calydon in Aet...

A pair of rare and quite beautiful pair of engravings of the city of Rome, printed in 1816. Both are printed from original copper plate.

Antique Engraving of the Baths of Titus in Rome, Ruins, Niquet Family, c.1780 This refined late 18th-century engraving presents a picturesque and historically informed view of the r...

Antique print, titled: 'Sabina in Hortis Ludovisianis.' - Statue of a Sabine woman in Rome. The Sabines were an Italic tribe which lived in the central Apennines of ancient Italy. F...

Many of his works are known only from the engravings which in Rome were produced by Giovanni Giacomo de Rossi alla Pace (including these examples).

Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: St Peters Basilica interior print, Vatican lithograph 1869, Rome dans sa Grandeur, Félix Benoi...

Metal Content: 18k Yellow Gold Theme: St.Peter's Basilica, Rome, Italy Souvenir Measurements Tall (from stationary bail): 1 1/32" (26.1mm) Wide: 7/8" (22.1mm) Interior of top bail...

A typical example of this phenomenon for Rome are Piranesi's engravings marked by a dramatic intonation, marked by an idea of ??

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

The second engraving depicts the Colosseum theatre in the heart of Rome, lined with greenery including two figures in the lower right.

This stunning print is set within its original and mottled rectangular Giltwood frame and is modeled after the original fresco by Guido Reni painted in 1613 and located at the Palazz...

“Sole transport of the corpse of Maria Luisa di Borbone (…)”. Framed engraving. Rome, Italy, [Sl : sn, 1819]. Framed engraving titled below the image as “TRASPORTO SOLENNE DEL CADA...

He won the 1st Grand Prix de Rome for engraving in 1880. He received a silver medal at the 1900 Paris Universal Exhibition and a first-class medal at the Salon des Artistes Français ...

Piranesi’s exceptional skill in manipulating light, shadow, and perspective elevates the scene, immersing the viewer in the grandeur of 18th-century Rome. The engraving not only serv...

In 1868, he won the Prix de Rome for intaglio engraving. After producing small pieces, he devoted himself to large-scale interpretive engravings of many great masters, including Dela...

Career Perret was born in Antwerp around 1555 and studied with Maerten de Vos and Gerard de Jode before learning engraving in Rome with Cornelis Cort. He later worked in Madrid in th...

At first he had to engrave fashion-plates to make money enough to live, but his application to his art brought him the Prix de Rome for engraving, in 1856. At his first public showin...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

The title page from a popular Grant Tour publication featuring a cartouche with Fame and Winged Victory, and an allegory to artistic inspiration. Rome: 1618. Engraving on cream lai...

There is a stain in the lower bottom margin away from the image and well below the mat line Wilfred Fairclough joined the Royal College of Art in 1931, where he excelled as a printm...

Rome: Scudellari, 1822. Engraving on laid paper, 13 3/8 x 18 1/4 inches (350 x 464 mm), the full sheet, trimmed at the platemark.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

An early impression from an exceptional English collection. Rome: M. Scheap, 1658. Engraving on cream laid paper, 4 5/8 x 5 7/8 inches (117 x 125 mm); sheet 5 x 6 1/8 inches (128 x...

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins.

Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermark, 11 1/4 x 14 1/2 (285 x 360 mm), f...

Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins.

Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi.

Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley, ancient ships, naval history print, maritime engraving, ancient Rome print, Roman antiquiti...

In 1886, he won the first Grand Prix de Rome in engraving for his Académie masculine. He then went to Rome where he stayed for four years, and where he met many artists such as engra...

Born in Monaco, won the Grand Prix de Rome for engraving in 1950, and illustrated the Mouton label the same year.

Obtaining the Grand Prix de Rome in engraving in 1898, after failing two years earlier, this artist with refined lines entered the Villa Medici in Rome.

During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits.

During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits.

Giampaolo Berto: He lives in Rome where he taught engraving techniques at the Academy of Fine Arts.

In 1960 he won the Prix de Rome in Engraving, taking him to Rome where he lived for three years, travelling extensively throughout Italy.

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...