Rome Engraving

“Sole transport of the corpse of Maria Luisa di Borbone (…)”. Framed engraving. Rome, Italy, [Sl : sn, 1819]. Framed engraving titled below the image as “TRASPORTO SOLENNE DEL CADA...

He won the 1st Grand Prix de Rome for engraving in 1880. He received a silver medal at the 1900 Paris Universal Exhibition and a first-class medal at the Salon des Artistes Français ...

Piranesi’s exceptional skill in manipulating light, shadow, and perspective elevates the scene, immersing the viewer in the grandeur of 18th-century Rome. The engraving not only serv...

In 1868, he won the Prix de Rome for intaglio engraving. After producing small pieces, he devoted himself to large-scale interpretive engravings of many great masters, including Dela...

Career Perret was born in Antwerp around 1555 and studied with Maerten de Vos and Gerard de Jode before learning engraving in Rome with Cornelis Cort. He later worked in Madrid in th...

At first he had to engrave fashion-plates to make money enough to live, but his application to his art brought him the Prix de Rome for engraving, in 1856. At his first public showin...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

These copper engravings were based on the drawings made by Francesco Smuglewicz ( 1745-1807 ) of the frescoes which had been uncovered in the ruins of Nero’s House of Gold ‘ Domus Au...

There is a stain in the lower bottom margin away from the image and well below the mat line Wilfred Fairclough joined the Royal College of Art in 1931, where he excelled as a printm...

The title page from a popular Grant Tour publication featuring a cartouche with Fame and Winged Victory, and an allegory to artistic inspiration. Rome: 1618. Engraving on cream lai...

Rome: Scudellari, 1822. Engraving on laid paper, 13 3/8 x 18 1/4 inches (350 x 464 mm), the full sheet, trimmed at the platemark.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

An early impression from an exceptional English collection. Rome: M. Scheap, 1658. Engraving on cream laid paper, 4 5/8 x 5 7/8 inches (117 x 125 mm); sheet 5 x 6 1/8 inches (128 x...

by Jacopo Caraglio (after Rosso Fiorentino) Rome: Carlo Losi, 1526. Engraving on cream laid paper, 8 1/2 x 4 3/8 inches, 215 x 110 mm), thread margins.

Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermark, 11 1/4 x 14 1/2 (285 x 360 mm), f...

Rome: Nicolas van Aelst, 1613. Engraving on cream laid paper with a foolscap watermark, 8 x 11 1/4 inches (203 x 282 mm), thread margins.

Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi.

Keywords: Roman naval battle, naumachia, Roman warship, ancient Roman ships, Roman galley, ancient ships, naval history print, maritime engraving, ancient Rome print, Roman antiquiti...

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...

In 1886, he won the first Grand Prix de Rome in engraving for his Académie masculine. He then went to Rome where he stayed for four years, and where he met many artists such as engra...

Obtaining the Grand Prix de Rome in engraving in 1898, after failing two years earlier, this artist with refined lines entered the Villa Medici in Rome.

Born in Monaco, won the Grand Prix de Rome for engraving in 1950, and illustrated the Mouton label the same year.

During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits.

During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits.

Giampaolo Berto: He lives in Rome where he taught engraving techniques at the Academy of Fine Arts.

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...

In 1888, he was awarded the second Grand Prix de Rome for intaglio engraving. After graduating from the Beaux-Arts, he devoted himself primarily to engraving and pastel.

In 1852, Bellay was awarded the Prix de Rome for his engraving work and then joined the prestigious Villa Medici, working there from 1853 to 1857.

Rome: 1795. Each an engraving with extensive hand coloring on laid paper, some with a partial heraldic watermark, each 6 5/8 x 4 3/4 inches (165 x 120 mm); (sheet) 10 1/4 x 7 1/8 in...

Ancient wall mirror found in the Vatican City, Rome, signed with engraving in the back BARRIS ROME 1875 Measures cm: H 85, W 60, D 10.

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...

Trained at the École des Beaux-Arts in Paris, he won the Grand Prix de Rome for engraving and exhibited regularly at the Salon des Artistes Français.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

Then, in 1887, he enrolled at the École des Beaux-Arts in Paris, where his primary instructors were William Bouguereau and Tony Robert-Fleury (for painting), and Louis Pierre Henriqu...

HE WINS GREAT PRIZES SUCH AS THE BERGAMO PRIZE, THE CREMONA PRIZE, THE SUZZARA PRIZE, THE VERONA PRIZE AND THE FIRST PRIZE AT THE EXHIBITION OF ENGRAVINGS IN ROME. BROTTO DOES NOT DE...

Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

During his career he won many design and artistic awards such as the ones in Bergamo, Cremona, Suzzara, and Verona, as well as the first exhibition of engravings in Rome. Brotto coll...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

During the late 40s, he created pieces in Venice for Peggy Guggenheim’s collection, and during his career he won many design and art awards, including awards in Bergamo, Cremona, Suz...

During the late 40s, he created pieces in Venice for Peggy Guggenheim’s collection, and during his career he won many design and art awards, including awards in Bergamo, Cremona, Suz...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

The verso shows a Pietà, pricked for transfer. The Engraving by Francesco Villamena In 1613 the composition was engraved by Francesco Villamena (c. 1564–1624), one of the leading pr...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.