Rome Engraving

During his career, Campiglia was employed in Rome and Florence, painting and engraving historical subjects and portraits.

Giampaolo Berto: He lives in Rome where he taught engraving techniques at the Academy of Fine Arts.

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...

In 1960 he won the Prix de Rome in Engraving, taking him to Rome where he lived for three years, travelling extensively throughout Italy.

In 1888, he was awarded the second Grand Prix de Rome for intaglio engraving. After graduating from the Beaux-Arts, he devoted himself primarily to engraving and pastel.

In 1852, Bellay was awarded the Prix de Rome for his engraving work and then joined the prestigious Villa Medici, working there from 1853 to 1857.

Rome: 1795. Each an engraving with extensive hand coloring on laid paper, some with a partial heraldic watermark, each 6 5/8 x 4 3/4 inches (165 x 120 mm); (sheet) 10 1/4 x 7 1/8 in...

He received numerous design and artistic honors throughout his career, including ones in Bergamo, Cremona, Suzzara, and Verona as well as at the inaugural Rome Exhibition of Engravin...

Trained at the École des Beaux-Arts in Paris, he won the Grand Prix de Rome for engraving and exhibited regularly at the Salon des Artistes Français.

Ancient wall mirror found in the Vatican City, Rome, signed with engraving in the back BARRIS ROME 1875 Measures cm: H 85, W 60, D 10.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

Then, in 1887, he enrolled at the École des Beaux-Arts in Paris, where his primary instructors were William Bouguereau and Tony Robert-Fleury (for painting), and Louis Pierre Henriqu...

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

He published a series of engravings of Rome, Paris, one of Venice, one of Florence, one of Naples and one of Milan; he also dedicated himself to lithography.

HE WINS GREAT PRIZES SUCH AS THE BERGAMO PRIZE, THE CREMONA PRIZE, THE SUZZARA PRIZE, THE VERONA PRIZE AND THE FIRST PRIZE AT THE EXHIBITION OF ENGRAVINGS IN ROME. BROTTO DOES NOT DE...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

Since 1958, she has taught in Rome Techniques of Engraving, first assistant of Mino Maccari, then of Arnoldo Ciarrocchi.

During his career he won many design and artistic awards such as the ones in Bergamo, Cremona, Suzzara, and Verona, as well as the first exhibition of engravings in Rome. Brotto coll...

During the late 40s, he created pieces in Venice for Peggy Guggenheim’s collection, and during his career he won many design and art awards, including awards in Bergamo, Cremona, Suz...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

Pietro in Vaticano... drawn and engraved by Giovanni Acquaroni. Copperplate engraving printed in Rome, 1867. Plate size: 7 3/8 x 9 1/4 in.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

During the late 40s, he created pieces in Venice for Peggy Guggenheim’s collection, and during his career he won many design and art awards, including awards in Bergamo, Cremona, Suz...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

Arriving in Rome in June 1735 as a resident at the Royal Academy, Pierre was unable to attend the Winter Carnival festivities of 1735, which he nevertheless immortalised in an engrav...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

Austin was born in Leicester where he studied at the School of Art before going on to the Royal College of Art where he won the Rome Scholarship for engraving in 1922. He taught eng...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.

His mission was to glorify the architecture of ancient Rome through his engravings and etchings. His highly dramatized prints often depict imaginary interiors and frequently include ...

He won his first prize of Rome in engraving intaglio in 1948, then gained much success in Italy.