Royal Worcester Antique

Painted by William Bagnall, each depicting different Egyptian scenes. Marked on the verso

The chocolate-brown reserve with pate-sur-pate fruit and flowers atop a gilt accentuated wicker basket, the cartouche surrounded by cartyatid figures, masks, dogs, snakes and scrolls...

Painted in colors with London scenes, the interiors, handles and rims all gilt. Signed H. Davis, painted titles, impressed and printed marks in puce.

Ivory ground vases with Japanese style faux bronze storks, bamboo and blossoms.

In orientalist style with molded decoration in high relief.

Set of 5 English Victorian aqua and white porcelain tea cups and saucers (Royal Worcester) (PRICED AS SET)

Jeweled with a band of enameled drops above a gilt laced pattern, on a dark cobalt blue background. Marked underneath. With six spoons.

An amazing ceramic early 20th century jug, pitcher or vase made probably in Asia, circa 1900s. This is a heavy vase but you can also use it as a sculpture. Vase is in very good condi...

30 Piece English Victorian white and blue porcelain dinner service with urn and garland motif (Royal Worcester, Rosemary pattern) (8 cups, 8 soup bowls, 7 plates, 7 saucers).  

Rare antique Royal Worcester blue and white porcelain tea / coffee pot featuring "The Queens Pattern" aka "Royal Lily".

18th century English Worcester bowl Royal Worcester was established in 1751 by John Wall, this bowl is made during so called the Dr.

In 1872 His Excellency Sionii Tomomi Iwakura, Junior Prime Minister of Japan, visited Royal Worcester and saw Japanese-style wares being made for display in Vienna the following year.

Two 18th Century English Worcester porcelain lidded baskets, ca 1770 Royal Worcester was established in 1751 by John Wall, these bowls where made during so called the Dr.

Unmarked but attributed to Royal Worcester...

Royal Worcester figure of a boy piping in white porcelain by James Hadley.

Standing 19 cm high on a canted hexagonal base, the underside features a printed Royal Worcester backstamp in green alongside an impressed shape number 851 and a Victorian kite regis...

The Hope Service was designed and created by the Royal Flight Worcester Company, commissioned by the Duke of Clarence and St Andrews (later King William IV) in 1789.

Provenance: Albert Amor Ltd., London References: Gardiner Museum, G91.7.43 and G89.1.1 Museum of fine Arts Houston, 85.116.1-2 Museum of Royal Worcester, 1450 and 1451.

Pair of yellow dessert plates with exotic bird medallions and butterfly cameos. Impressed crown mark on verso. Retains antique shop stickers on verso with retail price of $2500. cir...

Rare English Majolica strawberry plate signed Worcester, circa 1875.

A set of three (3) Chamberlin's Worcester hand painted dinner plates with rose pattern decoration and primary colors of gold and cobalt blue. Featuring the iron-red signature mark...

The two matching footed compotes are a brilliant addition to the grouping for serving and display. They were made by Worcester Royal Porcelain Works circa 1860s and are in amazing co...

A fine antique English porcelain bowl or basin. Attributed to Worcester. Decorated throughout with grey and black floral Chinoserie decoration with gilt highlights. With a ...

Museum of Royal Worcester. “Flight and Barr Partnerships.”

The firm merged with Flight, Barr & Barr in 1840 and in 1862 was renamed Royal Worcester Porcelain Company Ltd. The present platter would make a lovely addition to the holiday t...

An incredibly fine set of 8 Worcester porcelain plates. With raised, enameled flowers to the borders on a custard colored ground. Each flower is layered. The bottom layer has ...

This pair of simulated marble covered urns are amphora-shaped, raised on gilt hoof feet on a stepped trefoil base, each domed cover has a lobed finial with "jewelled" and graduated m...

This is a very good early, First period (Dr. Wall), Worcester porcelain leaf shaped Pickle Dish in a deep cobalt blue floral pattern with a Crescent mark to the base. dating to 1770 ...

Similar example in the Museum of Royal Worcester.

This 18th-century porcelain dish was made by the Worcester porcelain factory in England around 1785. It is decorated in underglaze cobalt blue with a classic English interpretation o...

This is a very good early, First period (Dr. Wall), Worcester porcelain open Desert Dish in a deep cobalt blue floral pattern with a Crescent mark to the base. dating to 1765 to 1770...

This is a good late 18th century Worcester porcelain TRIO of Coffee Cup, Tea Bowl and Saucer in a combined blue and gold pattern, fully marked and dating to circa 1780. All pieces...

Noke's work at Worcester caught the eye of Doulton's Art Director John Slater (whom Noke would later succeed) and after 16 years at Royal Worcester (1889) Noke joined Royal Doulton a...

This is a very good hard paste porcelain early Coffee Can or cup with a loop handle, hand decorated in the Royal Lily pattern by Worcester during the Barr period, fully marked to the...

Following its merger with Chamberlain’s Worcester in 1840, the celebrated name of Royal Worcester emerged.

The Earl’s coronet is surmounted by a helmet bearing the crest of a boar's head erased and erect. A comparative Royal Worcester bowl with dark blue and gilt border and centred by...

Charming Victorian ceramics with pleasingly decorated finish Displays a desirable aged patina and in good original order Quality ceramic with light yellow wash, enhanced with pale ...

This mid-18th century First Period Worcester Porcelain bowl was made in England circa 1755. It is hand-painted in the beautiful Worcester Imari style ”Fan Pattern.” The pattern is al...

The design is asymmetric yet well-balanced. Marks: Under a royal crown, "Chamberlains Worcester No. 155 New Bond Street London" Dimensions:** 9.5" x 7.75" x 1.25" Condition:** Excell...

These were produced by the likes of Poole Pottery, Royal Worcester and Royal Doulton. Her initial works were exhibited under her maiden name McLeish before she married her husband, ...

The printed mark, rarely found, attests to the proprietors, Flight, Barr & Barr of the Royal Porcelain Works Worcester, establsihed 1751, and their allegiance to "their Majesties and...

Chivers (1881-1965) Fruit & Flower Painter: Worked for the Royal Worcester Porcelain Company, but by 1906 worked at Coalport Pottery specialising in Fruit Studies.

The impressed BFB and full printed mark stating: BARR FLIGHT & BARR, Royal Porcelain Works WORCESTER London House No. 1 Coventry Street, with Crown and Prince of Wales feather...

It was traditionally named for Queen Charlotte, consort of George III, following the royal visit to the Worcester factory in 1788, but the design was already in production in the Dr.

A rare Victorian Harrach Gilded Ivory coloured glass Jug in the classic shape of a claret jug later this was more-commonly made in porcelain (in factories like Royal Worcester) thi...

He was a joint designer with Léon Solon of Secessionist ware from 1901-1902. He moved to the Royal Worcester Porcelain Company as Art Director in 1915 and returned to Mintons from 19...

He was a joint designer with Léon Solon of Secessionist ware from 1901-1902. He moved to the Royal Worcester Porcelain Company as Art Director in 1915 and returned to Mintons from 19...

An underglaze blue crescent mark is present which coinsides with Early Royal Worcester Dr. Wall period. It is possible that the ceramic form is from that period.

Bates was born in Cambridge and from 1855 worked as a porcelain painter at the Royal Worcester porcelain works in Worcester - where he came to specialise in painting flowers.

An underglaze blue crescent mark is also present which coinsides with Early Royal Worcester Dr. Wall period. It is possible that the ceramic forms are from that period.

It was because of its close associations with the state that the name KPM – along with Meissen – would become synonymous with German porcelain, just as with Sevres in France, Royal W...

By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed ...

From 1855 he was apprenticed at the Royal Worcester Porcelain Works, where he specialised in painting flowers.

By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed ...

By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed ...

In 1862, the firm became known as the Worcester Royal Porcelain Company. Additional Dimensions Tile only: 6 x 6 inches, ¾ inch depth Base ø: 15 cm

He was educated at the Royal Grammar School in Worcester and initially followed in his father’s footsteps to become an engineer.

In 1862, the firm became known as the Worcester Royal Porcelain Company.

In 1862, the firm became known as the Worcester Royal Porcelain Company.

In 1862, the firm became known as the Worcester Royal Porcelain Company.