Salon Des Arts Menagers

The 1935 original poster by Roger Pérot for the XIIe Salon des Arts Ménagers showcases the

The 1930 original poster by Francis Bernard for the VIIe Salon des Arts Ménagers is a remarkable

The original 1932 poster by Will Lacroix for the 9th Salon des Arts Ménagers at the Grand Palais

In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand

This was shown for the first time at the Salon des Arts Ménagers in February 1962 on the stand of

-lacquered aluminum Height 130 x Diameter 33 cm References Stand Charron, Salon des Arts ménagers, Paris

René Gabriel prize at the Salon des Arts Ménagers for the Armchair 740 in 1957. The pair is very rare

, pragmatic modernism. His first creations followed the evolution of the Salon des arts ménagers, which

. His first creations followed the evolution of the Salon des arts ménagers, which focused on modern

. His first creations followed the evolution of the Salon des arts ménagers, which focused on modern

modernism. His first creations followed the evolution of the Salon des arts ménagers, which focused on

presented at the 1938 Salon des Arts Ménagers and was published by a french company called Norma the same

presented at the 1938 Salon des Arts Ménagers and was published by a french company called Norma the same

Salon des arts ménagers, overseeing the "Foyer d'aujourd'hui" section and the René-Gabriel prize

creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high

stretch out in total ease. Unveiled in 1973 at the Salon des Arts Ménagers, the TOGO was introduced by

creations followed the evolution of the Salon des arts ménagers, which focused on modern, economical, high

was exhibited at the Salon des Arts Ménagers in 1956, which was to be produced by Jacques Gillen

economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements

l’habitation, qu’il présente au Salon des artistes décorateurs et au Salon des arts ménagers.

Salon des Arts Ménagers in 1973, the sculptural foam form — wrapped in quilted upholstery and stitched

actors of the Salon des arts ménagers created the famous René Gabriel Prize which rewarded every year for

economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements

economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements

décorateurs and the Salon des arts ménagers. In addition to his usual work as a decorator equipping small

economical version that he presented in 1934 at the Salon des arts ménagers under the name of RG elements

that he presented in 1934 at the Salon des arts ménagers under the name of RG elements. Another major

that he presented in 1934 at the Salon des arts ménagers under the name of RG elements. Another major

1934 at the Salon des arts ménagers under the name of RG elements. Another major turning point came in

actors of the Salon des arts ménagers created the famous René Gabriel Prize which rewarded every year for

actors of the Salon des arts ménagers created the famous René Gabriel Prize which rewarded every year for

of his teachers, Marcel Gascoin. He began to exhibit his own work in the Salon des Arts Ménagers and

first designs at the Salon des Artistes Décorateurs and the Salon des Arts Ménagers. In 1953, he

regularly at the Salon des artistes décorateurs (SAD) or at Salon des arts ménagers (SAM). In 1960, he turns

, Marcel Gascoin. He began to exhibit his own work in the Salon des Arts Ménagers and the Salon des

he would work. In 1938, he participated in the Salon des Arts Ménagers and created a line of storage

1938, he participated in the Salon des Arts Ménagers and created a line of storage furniture with a

First presented at the Salon des Arts Ménagers in Paris in 1967, Pierre Chapo’s B17 bookshelf

presented in 1967 at the Salon des Arts Ménagers, the 'B17' surprises with its discretion and elegance

furniture at the Salon des arts ménagers until the 1960s4. After this pioneering period, René-Jean

Decorateurs regularly and at editions of Salon des Arts Ménagers. His work was shown at the 1937 Exposition

, including the famous Rotaflex lamp, which he exhibited at the Salon des Arts ménagers and then at the Salon

, including the famous Rotaflex lamp, which he exhibited at the Salon des Arts ménagers and then at the Salon

Société des Artistes Decorateurs regularly and at editions of Salon des Arts Ménagers. His work was shown

salons of Société des Artistes Decorateurs regularly and at editions of Salon des Arts Ménagers. His work

accessible, pragmatic modernism. His first creations followed the development of the Salon des arts ménagers

Marcel Gascoin. In 1954, they participated in the Salon des Arts Ménagers and realized that they had the

agency of designer Marcel Gascoin. In 1954, they participated in the Salon des Arts Ménagers and realized

department stores, decoration magazines and the Salons des arts ménagers. So many actors who passionately

was very present at the Salon des Arts Ménagers and remained at the forefront of mass-produced

des Arts Ménagers in 1954, where he would present his designs for more than two decades. In 1955 he

, and the 1937 Paris Exposition Internationale des Arts et Techniques dans la Vie Moderne, Salons des

(Renée Mathieu, Robert Mathieu, Guariche...). He exhibited his designs at the Salon des Arts Ménagers

the Salon des Arts Ménagers, the Salon des artistes décorateurs, the CNIT (Centre des Nouvelles

. Presented for the first time in 1962 at the prestigious Salon des Arts Ménagers, this unique work was

Artistes Décorateurs (SAD), between 1952 and 1958, he regularly exhibited at the Salon des Arts Ménagers

, and the 1937 Paris Exposition Internationale des Arts et Techniques dans la Vie Moderne, Salons des