Siecle Paris

Wilfredo Lam (1902-1982) Les affinities ambigues Color lithograph, 1963 Unsigned (as issued) From: XXe Siecle, No. 21 Publisher: G. di San Lazzaro, Paris.

This exquisite lithograph by Marc Chagall (1887–1985), titled Hommage a G. di San Lazzaro (Homage to G. di San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur ...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

Lami, Dictionnaire des Sculpteurs de l'Ecole Française au Dix Neuvieme Siècle, Paris, 1919, p. 122.

Encyclopédie de la pendule française: du Moyen Age au XXe siècle. Paris: Les éditions de l'amateur, 1997, p. 230 (pl.

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

This exquisite lithograph after Alberto Magnelli (1888–1971), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la...

This exquisite lithograph after Rene Magritte (1898–1967), titled Les Bijoux indiscrets (The Indiscreet Jewels), from the album San Lazzaro et ses Amis, Hommage au fondateur de la re...

This exquisite lithograph after Lucio Fontana (1899–1968), titled Concetto Spaziale (Spatial Concept), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe si...

This exquisite lithograph by Graham Sutherland (1903–1980), titled The Cathedral I, from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro a...

Printed with the embossed blindstamp of Les Maîtres de l’Affiche lower right, this lithograph remains a collector’s jewel, embodying de Feure’s delicate artistry and the flourishing ...

Literature: Les Bronzes du XIXe Siecle, P. Kjellberg, Les Editions de L'amateur, Paris.

'Parisian Model' by Georg Pauli, 1911. Paris, Royal Academy, André Lhote, Fin de Siècle, Carmen --- Initialed lower right, 'GP', for Georg Pauli (Swedish, 1855-1935) titled, 'Paris'...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Jean Paul Gaultier designed his rare and memorable 1995 runway collection influenced by combining a mix of decades to achieve a totally modern silhouette creating a "old new one". T...

Alexandre won a medal at the 1889 Paris Exposition Universelle. Literature Denise Ledoux-Lebard, Le Mobilier Français du XIX Siècle, Les Éditions de l’Amateur, Paris, 2000, p. 26...

The design embodies the eclectic style of fin-de-siècle Paris, where decorative detail and functionality met to create urban residences that were both refined and modern.

Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, ...

This exquisite lithograph by Zao Wou-Ki (1920–2013), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XX...

This exquisite lithograph after Serge Poliakoff (1900–1969), titled Composition rouge et bleue (Red and Blue Composition), from the album San Lazzaro et ses Amis, Hommage au fondateu...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album San Lazzaro et ses Amis, Hommage au fondateur de la ...

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

It is a remarkable example of how graphic design and modernist theater intersected in fin-de-siècle Paris. Illustrated Program Theater - Avant-Garde - France Salle de la Comédie P...

Kjellberg, Le mobillier français du XVIII siècle, Paris, 2002, p. 226). In the nineteenth century, various ébénistes of the Second Empire and Belle Époque incorporated Cressent's mou...

This exquisite lithograph by Hans Hartung (1904–1989), titled L differe-2 (The Deferred-2), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San L...

This exquisite lithograph by Alexander Calder (1898–1976), titled A San Lazzaro (To San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle ...

This exquisite lithograph by Max Ernst (1891–1976), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...

This exquisite lithograph by Joan Miro (1893–1983), titled L’Oiseau s’envole sur la zone poussée d’or sur les collines ensoleillées (The Bird Flies Over the Golden Zone on the Sunlit...

LITERATURE Illustrated p.266 of P.Kjellberg, Les Bronzes Du XIXe Siecle Paris JEAN DIDIER DEBUT (1824-1893) studied under David d’Angers and was the father of Marcel Debut.

Ledoux-Lebard, Le mobilier français du XIX siècle, Paris, 1984, p. 148. Henry Dasson was considered one of the finest makers of gilt bronze mounted furniture in the nineteenth Centu...

Vandekar of Knightsbridge References Régine de Plinval de Guillebon, Porcelain of Paris 1770–1850 (New York: Walker, 1972). Régine de Plinval de Guillebon, Faïence et porcelaine de ...

Agulhon and others, La Sculpture du XIXe siècle, une mémoire retrouvée, Paris, 1986, p. 96 M.

The "Almanac of general indication or Vray Mérite" of 1769 quotes him as one of the most important cabinetmakers of Paris. See: Pierre Kjellberg: Le Mobilier Francais du XVIIIe ...

Kjellberg, Encyclopédie de la pendule française du Moyen Âge au XXe siècle, Paris, 1997, p. 219. This clock was exhibited in 2009-10 at the Wallraf-Richartz-Museum, Cologne and pu...

This plate originates from Henri Delange’s *Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles* (Paris, 1869), one of the finest published catalogues dedicated to Italian ...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Unlike the more flamboyant prints for Parisian cabarets, this work feels introspective and literary, aligning perfectly with the mission of Le Théâtre Libre—a hub for serious, experi...

This rare poster is a testament to Antoine’s cultural significance and the thriving theatrical life of fin-de-siècle Paris, making it an exceptional piece for collectors of antique p...

With this 1897 illustrated program, Henri Lebasque contributed to one of the great artistic experiments of fin-de-siècle Paris — the radical, introspective world of the Théâtre de l’...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

This lithograph originates from Henri Delange’s *Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles* (Paris, 1869), one of the most remarkable catalogues of Italian tin-gl...

A distinctive collector’s work combining a named theatrical sitter, documented Salon exhibition history and the work of an accomplished woman artist active in fin-de-siècle Paris. A...

This print is from Henri Delange’s *Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles* (Paris, 1869), a celebrated catalogue of Renaissance maiolica and faience masterpie...

Kjellberg, Encyclopédie de la pendule française du Moyen Âge au XXe siècle, Paris, 1997, p. 219.

This lithograph originates from Henri Delange’s *Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles* (Paris, 1869), a lavish folio documenting the finest examples of Itali...

Frame size: 23.87 x 20.75 inches. Published by XXe Siècle, Paris, 1963. Printed by Mourlot, Paris. Maeght 370.

This lithograph originates from Henri Delange’s celebrated Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles (Paris, 1869), a monumental folio dedicated to the finest exa...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Compare: Kjellberg, Pierre: Le mobilier francais du XVIIIe siecle, Paris, 2008, p. 469, fig. g

This plate originates from Henri Delange’s 'Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles' (Paris, 1869), one of the most luxurious and scholarly catalogues of Italia...

This image originates from Henri Delange’s 'Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles' (Paris, 1869), one of the most important 19th-century catalogues documentin...

This lithograph originates from Henri Delange’s *Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles* (Paris, 1869), one of the most sumptuous 19th-century catalogues dedic...

This example belonged to the noted Parisian collector Mr. de Basilewski and is here recorded in Henri Delange’s 'Recueil de Faïences Italiennes des XVe, XVIe et XVIIe Siècles' (Paris...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.

Designed as an illustrated program for a special transformation of La Revue Blanche and a performance of Gerhart Hauptmann’s Lonely Lives (Âmes Solitaires), this artwork embodies the...

Works of Jacques Bircklé nowadays are displayed e.g. at the Musée des Arts Décoratifs and the Musee Cognacq-Jay in Paris and the Musée Lambinet at Versailles. Literature: Kjellberg,...

Costumes des Femmes Françaises du XIIe au XVIIIe siècle. Paris: Librairie Charles Tallandier, 1900.