French Art-deco-orientalist Spelter of a Nude Young Maiden, Attributed to Hottot

A fine French 19th century patinated spelter bust figure of a young wearing a head scarf. The young lady, in a brown-copper patina, posing with a right-side gaze and wearing a beaded...

A very fine and rare lifesize French 19th century patinated metal figure of a standing maiden holding a lantern, the impressive figure depicting a young scantily dressed and barefoot...

An Austrian 19th-20th century Orientalist terracotta bust of a young girl in Middle-Eastern Garb. The young smiling beauty wearing a head scaft and shawl tied with a broche-pin brooch pin and jewlry around her neck, raised on a circular ebonized wood stand. Probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik) - The backside stamped: "T - No. 258". circa 1900. The Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...

A Fine and Large French 19th Century Cast-Iron Fountain Figure Modeled as a Nude Maiden Seated on a Rocky Outcrop Holding a Cornucopia in Her Raised Right Hand, by J.J Ducel. Cast-Signed "J.J. DUCEL Me de FORGES, PARIS". Circa: Paris, 1880. A retailer of fine cast-iron ornaments, J. J. Ducel was recorded as supplying cast-iron works through Paris as early as 1810 in the Pas-de-Calais. The factory was sold in 1878 to the Fonderie de la Haute-Marne and all of the firm's models were subsequently bought by the Val d'Osne foundry. However, prior to the firm's sale, critics at the 1867 Paris Exposition Universelle proclaimed that "Ducel is the great manufacturer of works in cast-iron, to whom Paris is so largely indebted for the grace and elegance that supply so many of the adornments of its streets". Ducel, Val d'Osne and other associated foundries produced both bronze and cast-iron statuary. Cast-iron is corrosive, whereas non-ferrous bronze does not suffer the same detrimental effects of weathering and is therefore a superior and more expensive material. Height: 51 1/2 inches (130.8 cm) Width: 22 inches (55.9 cm) Depth: 30 inches (76.2 cm) The foundry of Val d'Osne became highly regarded for the varied nature and quality of its castings in the second half of the 19th century. Commonly known after 1870 as simply Val D'Osne, the company was originally founded by J.P.V. André in Val d'Osne 1835 and developed rapidly, absorbing smaller foundries in the Haute-Marne area east of Paris. The foundry contributed to the London International Exhibition of 1851, where a bronze fountain cast with classical figures attracted much attention. André also specialised in fancy castings and architectural fittings. His Paris adress was at 14 Rue Neuve, Menilmontant. In 1855 the Barbezat & Cie Foundry was born out of the André workshop. In 1867 Barbezat & Cie changed its name to Houille & Cie. Then, in 1870, it changed its name to Société Anonyme du Val d'Osne. With the change of name came the change of casting mark and adress: Fonderies d'Art du Val d'Osne, 58 Bd Voltaire, Paris or simply Val d'Osne. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought-iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for indoor/outdoor statuary...

Very fine and monumental pair of French 19th century patinated bronze figural torchere sculptures titled "La Nuit" (The Night) attributed to Albert Carrier-Belleuse (French, 1824-188...

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

Very large spelter Orientalist sculpture attributed to Hottot French, Late 19th Century Height 194cm, width 84cm, depth 75cm This sensational life-size figural group depicts a femal...

An Orientalist Lifesize Figural Bronze Statue, Attributed to Louis Hottot (French, 1834-1906). Modelled as a lady in Ottoman dress standing beneath an Eastern style pagoda with mina...

Each of a baluster form in a brown patina and cold painted in polychrome, with an oriental figure in exotic dress, fanned by two servants perched upon t...

Beautiful large size 2-piece Louis Hottot statue of a lady in traditional clothing standing on a leather base. This is a hand painted plaster composition statue with incredible detai...

Monumental French sculpture of a female figure with table by Louis Hottot French, late 19th century Measures: Height 145cm, width 51cm, depth 57cm Cast by the renowned sculptor ...

Antique French spelter statue of Maiden by Rullony was created during the early years of the Art Deco Period, with the beautiful subject in a cl...