Signed And Numbered Andy Warhol

Framed: 31 x 20 1/4 x 1 in. Signed, titled, numbered bottom Edition 28/100, Printed by Chiron Press Inc.

Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic.

His minimalist clarity and refined aesthetic influenced generations of artists, including Andy Warhol, Jeff Koons, Damien Hirst, and Banksy, each expanding upon his legacy of concept...

His minimalist clarity and refined aesthetic influenced generations of artists, including Andy Warhol, Jeff Koons, Damien Hirst, and Banksy, each expanding upon his legacy of concept...

His minimalist clarity and refined aesthetic influenced generations of artists, including Andy Warhol, Jeff Koons, Damien Hirst, and Banksy, each expanding upon his legacy of concept...

His minimalist clarity and refined aesthetic influenced generations of artists, including Andy Warhol, Jeff Koons, Damien Hirst, and Banksy, each expanding upon his legacy of concept...

He moved there the following year, after which he met artists including Barnett Newman, Cy Twombly, Roy Lichtenstein, and Andy Warhol. His first solo exhibition was at Kornblee Galle...

Space Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” L...

Wesselmann was one of the contributors to the three original portfolios that launched the Pop Art Movement. Thus, along with Andy Warhol, Roy Lichtenstein and Claes Oldenburg, Wesse...

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art.

Kornfeld, 1964) a portfolio of 62 original lithographs by 28 artists, including Andy Warhol, Roy Lichtenstein, Kiki Kogelnik, Tom Wesselmann, James Rosenquist, Asger Jorn, Pierre Ale...

In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.

Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City.

Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City.

Inspired by the artist Andy Warhol and painted on a Vogue Magazine cover of Caroline De Monaco.

While Pachter’s work shares some characteristics with Jim Dine, David Hockney and even Andy Warhol, his style is resoundingly charming, singular and uniquely Canadian.

Like Jasper Johns and Andy Warhol, Dine appropriated quintessential American images in his work, experimenting with modes of reproduction and representation.

Howard Kanovitz Paris Review, 1968 Lithograph on wove paper 33 × 26 inches Pencil signed and numbered 9/200 Published by The Paris Review, New York, publisher; Chiron Press, New York...

Becker - whose work was first published in Andy Warhol’s Interview in 1973 - was born in 1954 and raised in New York City.

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...

His early experiences at Andy Warhol’s Factory exposed him to the interplay between fame, seriality, and popular culture, informing his concept of “Artificial Realism,” a style that ...