Sir Peter Lely

status. Sir Peter Lely (1618-1680) was born in Germany at Soest in Westphalia in 1618. Though his

as court painter, Sir Peter Lely. Kneller was born Gottfried Kniller in Lübeck, Germany, the son of

A 17th century English portrait of a lady by Sir Peter Lely (1618-1680), half-length in a painted

time. Sir Peter Lely (1618-1680) was a painter of Dutch origin, whose career was nearly all spent in

beauties of the court of Charles II painted by his predecessor as court painter,Sir Peter Lely This long

composition that was championed by Beale's friend and mentor Sir Peter Lely. The confident manner in which the

, which was also the birthplace of Sir Peter Lely. It is not clear when he arrived in London, but by 1698

, which was also the birthplace of Sir Peter Lely. It is not clear when he arrived in London, but by 1698

was of his uncle, James Abbot of Salisbury. He moved to London in 1662 and became a pupil of Sir Peter

Portrait Of James II (1633-1701) Property of a British private collection Circle of Sir Peter Lely

to Sir Peter Lely (1618-1680) Large 17th century portrait of Sir John Houblon, Governor Of the Bank

An original hand colored copper plate engraving after Dutch artist Sir Peter Lely (1618-1680

celebrated set of portraits painted by Sir Peter Lely in the early 1660s, assembled for Anne Hyde, Duchess of

Portrait of Frances, Lady Whitmore nee Brooke (c.1638-1690) Circle of Sir Peter Lely (1618-1680

Circle of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady Oil on canvas Image size: 28

. Sir Peter Lely settled in England in c.1641, becoming the leading portrait painter, with many

of the court painter, Sir Peter Lely. The sitter was Duke of Somerset, Marquis of Hertford, Viscount

of mid-17th century portraits, such as Sir Peter Lely's (1618-1680) 'Mary Wilson (c.1632-1705), Lady

those of the portrait painter Sir Peter Lely, who was contemporary with him. The biggest difference

follows the patterns of Sir Peter Lely’s female portraiture, ultimately set out by Van Dyke. As was

Portrait of Mary of Modena (1658-1718) when Duchess of York c.1675-80 Studio of Sir Peter Lely

may have surpassed even that of Sir Peter Lely - England’s dominant artist at the time – had his life

. Lady Denham’s portrait was painted by Peter Lely circa 1663-65 and is part of the ‘Windsor Beauties

of portrait painted by Sir Peter Lely and his contemporaries at this time. The brown silk ‘dress

of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously

artists in England at the time, but most frequently by Sir Peter Lely and Mary Beale, the most important

portrait of an aristocratic lady in grey dress with pearls, 18th century, follower peter lely .Oil

to London around 1662 and became a pupil of Sir Peter Lely, the dominant artist in England in the

Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. Titan Fine

by Van Diest in Sir Peter Lely’s collection. Van Diest died in London in 1704. He is generally known

stated that there were seven pictures by Van Diest in Sir Peter Lely’s collection. Van Diest died in

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury

ten of Charles II's mistresses painted by Kneller's predecessor as court painter, Sir Peter Lely.

introduced her to painting. Her style was influenced by Sir Peter Lely, the leading court painter of the

shoulder. Her pose is inspired by the numerous portraits by Sir Peter Lely (1618-1680) depicting Charles

and working practice than that of many of her contemporaries, including Sir Peter Lely. By the late

practice than that of any of her contemporaries, including Sir Peter Lely, and this has provided to

initially trained in the more respected field of history painting, such as Peter Lely, turned their

the studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he

William Turner RA (1775-1851), Jacob van Ruisdael (1629-1682), Sir Peter Lely (1618-1680), and Claude

symbols of wealth. Bearing a similarity to Dutch artist Sir Peter Lely in pose (and the 50x40” stretcher

Sir Peter Lely, in the 1680’s before taking over Wissing’s own studio after that artist’s death in

Kerseboom’s portraits often follow the formulaic patterns first seen in the works of Sir Peter Lely and Sir

death of court painter Sir Peter Lely. Soon after his arrival Closterman was employed by John Riley as a

a friendship and was employed by Sir Peter Lely for four years in Windsor, Berkshire. During this

. He studied with Sir Peter Lely and effectively took over his business for the seven years between

court portrait painter Sir Peter Lely, eventually taking over Wissing’s own studio after that artist’s

(see Van Dyke, Cornelius Johnson, Sir Peter Lely…) but the physiognomy in these images varies

studio or Sir Peter Lely as an assistant that same year. After Lely’s death in 1680 he effectively took

learnt portraiture in Sir Peter Lely's London studio from 1675. He was the son of a hatmaker and

money at the time. His work was on a level with, and to some excelled, Sir Peter Lely; Riley’s portraits

Dougijns (1630-1697). He came to London in 1676 and most probably joined the studio or Sir Peter Lely as

(including two Van Dykes and one Sir Peter Lely, which is said to be his finest work). Prior to her death

considerable amount of money at the time. His work was on a level with, and to some excelled, Sir Peter Lely

, of both Thomas Catesby and Margaret Catesby, both by Sir Peter Lely. In 1665, Margaret married

death of court painter Sir Peter Lely. Soon after his arrival Closterman was employed by the King’s

James, Duke of York, Sir Peter Lely. This elegant portrait of Lady Catherine Perceval nee Southwell

Neapolitan painter (17th century) - Joseph and Potiphar's Wife. 55 x 40.5 cm. Antique oil painting on canvas, unframed (not signed). Condition report: Lined canvas. The painted su...

"Boat" bed in carved mahogany wood, 19th century. Head and feet of the same height, are decorated with a circular molding, while the rear, by harmony, follows the lines of the front...

The Madonna, Christ Child and St. John Italian Old Master, circa 1700's period oil painting on canvas, unframed Canvas: 28.5 x 24 inches conditon: overall very good for its age, a fe...

Canopus Jar "Asmet", With certificate of authenticity. 1069 - 664 B.C, Egypt. Good condition. Egyptian culture are "Canopus jars". These were vessels that the ancient Egyptians ...

A very fine a superb scale Japanese Cloisonné vase, the light blue ground with flowers and floral details. In perfect condition.

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be on one of its covers. The e...

An important Old Master oil on canvas painting by the Flemish artist, Jan Cossiers, a follower of the style of Caravaggio (1600-1671). Born in Antwerp in 1600, Jan Cossiers was a pup...

Rene Lalique Opalescent Glass with blue staining, 'Camaret' Vase. This pattern features four rows of fish molded in relief. Engraved makers marks, 'R Lalique France No.1010'. Book re...

Work on canvas Work re-lined Plaster and gilded wood frame 86 x 105 x 7 cm

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

Bartholomäus Spranger (Antwerp, 1546 – Prague, 1611) workshop Aristotle and Phyllis Oil on canvas 64 x 54 cm In frame 79 x 72 cm The curious subject of this painting, quite...

Giovanni Bernardo Carbone (Genoa 1614 – Genoa 1683) - Portrait of a gentleman. 200 x 142 cm without frame, 212 x 154 cm with frame. Antique oil painting on canvas, in wooden frame ...

This distinguished early 17th-century portrait, attributed to Flemish Renaissance artist Gortzius Geldorp (1553-1618), depicts Conrad Scheiffart von Merode zu Weilerswist, a Rhenish ...

Gerard Thomas (Antwerp 1663-1720) Attributed to The Artist's Studio Oil on canvas (99 x 115 cm - in frame 70 x 86 cm) This fascinating painting, depicting the interior of an ar...

A romantic painting depicting two women sitting on the shore of a lake, looking at the sailboats. It is painted with oil on canvas. The painting is signed with E.L. Garrido. However,...

Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches (38.1 x 3...