Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

17th Century portrait oil painting of a gentleman

C1690

About the Item

Circle of John Riley British, (1646-1691) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inches A fine half-length portrait of a gentleman set in a feigned stone oval, C1690, circle of John Riley. The sitter wears a lace jabot over a velvet jacket and is posed in a long dark wig, which was highly fashionable at the time. His bearing and pose indicate this is a gentleman of some standing and has been executed by an artist of great ability who has been influenced by John Riley. John Riley or Ryley was born in London in 1646 the son of William Ryley, Lancaster Herald and keeper of the records in the Tower of London. He studied painting under Isaac Fuller and Gerard Soest and began earning his living painting portraits of courtiers and the nobility. After the death of Sir Peter Lely he became one of the leading portrait painters of the day, gaining commissions from King Charles II and James II to paint portraits. He was later appointed Principal Painter in Ordinary, jointly with Sir Godfrey Kneller, to King William and Queen Mary. One of his pupils was Jonathan Richardson (1667–1745) who later married his niece. Riley died in 1691, and was buried in the church of St Botolph in Bishopsgate. His work is held by a number of public collections including the Ashmolean Museum, Birmingham Museum, Bodleian Library, Christchurch College, Cromwell Museum, English Heritage, National Portrait Gallery, National Trust, Traquair House and Walker Art Gallery. Presentation: The painting is housed in a period ebonised and gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creation Year:
    C1690
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 31 in (78.74 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement & Style:
  • Circle Of:
    John Riley (1646 - 1691, English)
  • Period:
  • Condition:
  • Gallery Location:
    Moreton-In-Marsh, GB
  • Reference Number:
    1stDibs: LU15628895052
More From This SellerView All
  • 17th Century portrait oil painting of a gentleman
    By Willem Wissing
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Willem Wissing Dutch, (1656-1687) Portrait of a Gentleman Oil on canvas Image size: 29 inches x 24.5 inches Size including frame: 35 inches x...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 17th Century portrait oil painting of a lady
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Sir Peter Lely Dutch, (1618-1680) Portrait of a Lady, traditionally identified as Princess Henrietta Anne Stuart Oil on canvas Image...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 18th Century portrait oil painting of a girl with an orange
    By Robert Byng
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Robert Byng British, (1666-1720) Girl with Orange Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inc...
    Category

    18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 18th Century portrait oil painting of a lady in an ermine trimmed cloak
    By Sir Godfrey Kneller
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Sir Godfrey Kneller Dutch, (1646-1723) Portrait of a Lady in an Ermine Trimmed Cloak Oil on canvas Image size: 26.5 inches x 22.5 inches Size including frame: 33.5 inches x 29.5 inches A well-executed half-length portrait of a lady painted in a feigned oval, circle of Sir Godfrey Kneller. The use of a feigned oval was a device used in portraiture to give a sense of depth and add an intimacy to the painting, drawing your attention to the sitter. The subject, posed without her wig in the undressed fashion of the day, wears a blue ermine trimmed blue cloak over a white silk robe...
    Category

    18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 18th Century portrait oil painting of a boy
    By Robert Byng
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Robert Byng British, (1666-1720) Portrait of a Boy Oil on canvas Image size: 28.5 inches x 23.5 inches Size including frame: 34.5 inches x 29.5 inches A fine half-length ...
    Category

    18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 17th Century portrait oil painting of a Lady
    By Michael Dahl
    Located in Moreton-In-Marsh, Gloucestershire
    Circle of Michael Dahl Swedish, (1659-1743) Portrait of a Lady Oil on canvas Image size: 29 inches x 24 inches Size including frame: 36 inches x 31 inches A fine half-length portra...
    Category

    17th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

You May Also Like
  • Portrait of a Lady with a Chiqueador
    Located in New York, NY
    Provenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017 While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches. This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks. While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs. The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery. We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...
    Category

    17th Century Old Masters Paintings

    Materials

    Canvas, Oil

  • 19th century portrait painted in St Petersburg in 1819
    Located in London, GB
    Signed, inscribed and dated, lower right: 'Geo Dawe RA St Petersburgh 1819', also signed with initials, lower centre: 'G D RA'; and signed and inscribed verso: 'Geo Dawe RA Pinxit 1819 St Petersburgh'; Also inscribed on the stretcher by Cornelius Varley with varnishing instructions. Collections: Private collection, UK, 2010 Literature: Galina Andreeva Geniuses of War, Weal and Beauty: George Dawe...
    Category

    19th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of a Lady with fun
    Located in MADRID, ES
    Spanish school Circa 1800 Portrait of a Lady with fun Oil on canvas 70 x 55 cm
    Category

    Late 18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • 19th century English portrait of a White/grey hunter in a stable
    By Charles Towne
    Located in Woodbury, CT
    English 19th century portrait of a White / Grey hunter in a stable. Charles Towne was born in Wigan in 1763. He was trained as a coach painter, and by ...
    Category

    1820s Old Masters Animal Paintings

    Materials

    Canvas, Oil

  • English 18th Century Portrait Painting of Giles Moore
    Located in Bath, Somerset
    Portrait of Giles Moore by Christopher Steele (1733-1767), three-quarter length, standing beside a table in an interior, wearing a grey silk jacket with blue and silver brocade waist...
    Category

    18th Century Old Masters Portrait Paintings

    Materials

    Canvas, Oil

  • Portrait of Julien Prieur as a hunter - Circle of Jean-Baptiste Oudry 1686-1755
    By Jean-Baptiste Oudry
    Located in PARIS, FR
    This portrait depicts us the trusted confidant of the Conflans d'Armentières family. More precisely, Julien Prieur was the fiscal procurator of the Marquisate of Armentières, playing...
    Category

    1730s Old Masters Portrait Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All

The 1stDibs Promise

Learn More

Expertly Vetted Sellers

Confidence at Checkout

Price-Match Guarantee

Exceptional Support

Buyer Protection

Trusted Global Delivery