The Hamptons

This RARE and outstanding large coffee table measuring 43 inches in diameter and weighing over 200 lbs from the thick molded glass plateau. This is a SIGNED piece from 1983. VERY b...

This is a highly sought after piece of equestrian excellence. A classic Hermès Steinkraus close-contact jumping saddle with key features such as silver metal buttons/nailheads and t...

Original oil on board little gem of a small painting attributed to the hand of Norwood Hodge MacGilvery. Unsigned. Attributed verso by The Gallery at Juniper Hill. Condition is exce...

Original oil on canvas painting of a lakeside Norwegian landscape complete with several rustic cabins and snow covered mountains in the background. The artist of the painting is Joh...

Original oil paint on canvas board panel of old houses and a church on a snow covered county road. The painter is the well known American artist Gardner Symons. Signed lower right. ...

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

Original acrylic on wooden panel painting by the well known American folk artist, Black Joe Jackson. Circa 1985. Signed vertically on the left side. Titled bottom left. Condition is...

Beautiful tonalist landscape at sunset with a figure near a stream by the well known American artist, Charles P. Appel. Signed by the artist lower left. Circa 1905. Condition is ver...

Original oil on canvas painting of the Pantheon in Paris by Antonio DeVity. Signed lower right by the artist. Condition is very good. Circa 1975. The painting is housed in an antiqu...

Original oil on canvas painting of a young woman in a pink hat by the well known American portrait artist, Lawton Silas Parker. Signed by the artist lower right. Circa 1920. Condit...

Original watercolor and gouache on paper of a busy street scene in India done in 1912 by the American artist, William Henry Drake. Copyrighted signed and dated 1912 lower left. Condition is good. Recently professionally matted. Unframed. Overall matte size is 12 by 16 inches. Provenance: A Long Island, New York estate. William Henry Drake Born: 1856 New York Died: 1926 Los Angeles Nationality: American Education: Académie Julian, Art Students League of New York Known for: Painting, illustration Awards: National Academy Biography: Drake studied at the Académie Julian in Paris, with Jean-Joseph Benjamin-Constant and Henri Lucien Doucet. Back from Europe, he studied at the Cincinnati School of Design, and would often go to the zoo, where he could draw the animals. He was then employed by the Museum of Natural History. He continued to study at the Art Students League of New York. In 1878 he worked as a freelance pen-and-ink artist for such periodicals as Century or Harper’s with animal studies...

Original oil paint on heavy archival paper abstract by the American artist, Martin Rosenthal. Bold, vibrant colors. Signed lower right by the artist and dated 1965. Condition is ver...

Original oil on canvas board painting of a fall landscape by the American artist, Arthur Mitchell. Signed lower left by the artist. Circa 1890. Condition is very good. The paintin...

Whitney Myron Hubbard's wife in the garden Signed in pencil lower left Whitney M. Hubbard. Framed in a contemporary gold leaf frame 16 by 13.75 inches. A seventy year resident of G...

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

Original mixed media on canvas painting by the Hampton’s artist, Timothy Roepe. Composed of archival inks and acrylic paint on canvas. Signed lower right and dated 2022 by the artist. Condition is excellent. Titled “American Flag Series 4” Framed with artist raw wood strip frame. Overall framed measurements are 49.5 by 63.5 inches. Timothy Roepe born New York 1962 Past exhibitions: Arthur Kalaher Fine Art RVS Fine Art 2008-13 Lawrence Fine Art 2013-15 Chase Edwards 2014-15 Winston (now Monika Olko) 2011 Orange County Choppers, Montgomery, 2011 Winter Tree, Sag harbor 2008 Hayground School Group: Springs Historic Society, Ashawague Hall Gild Hall...

Oil on canvas painting done in heavy impasto paint. Signed lower right. Has 2 patches that are much bigger than actual holes. Each repair is half the size of a dime and is not visible from the front of the painting. Original bill of sale from the Gallerie Ferrero in Geneve comes with the painting. Titled in French verso "La Cartomancienne" which translates to the fortune teller...

Here for your consideration is a mid century modern oil painting on masonite by the well known Russian/American artist, Nahum Tschacbasov. The painting depicts an old man with a long wispy beard holding a group of birds. Signed lower right and dated 1954. Presently unframed. Condition is very good. Provenance: The estate of the artist Nahum Tschacbasov. Nahum Tschacbasov Biography : Russian-American artist Nahum Tschacbasov (1899-1984) is known for his cubo-surrealistic works which feature a strong psychological element. Some of his work bears a resemblance to work of another Russian-American artist--David Burliuk. He was somewhat of a late starter, moving to Paris in 1932 to study under Adolph Gottlieb, Marcel Gromaire and Fernand Leger. He had his first exhibition in Paris in 1934. He then returned to the US where he joined Rothko and Gottlieb at the Galery Seccession. He was one of the co-founders of The Ten, a group of social conscious abstract painters which included Rothko, Gottlieb, Joseph Solman and Ilya Bolotowsky, among others. In 1944, he began to work at Stanley Hayter's Atelier 17, a center for surrealistic ideas. Between 1936 and 1943, he had five one-man exhibitions at the ACA Galleries and participated in five group shows. He also exhibited at the Whitney, the Pennsylvania Academy of Fine Arts, the Knox Albright Museum, the Chicago Institute of Fine Art and Corcoran, among others. His work can be found in the permanent collections of the Met, the Whitney, the Brooklyn Museum and the Jewish Museum. Tschacbasov has been the subject of two recent retrospective at Fletcher Gallery, Woodstock, NY and Arthur...

Original hand colored lithograph by the French artist, Maurice Jacque of the Place du Tertre in Montmartre Paris, France. Signed in lower right margin. Titled in lower left margin. ...

Original oil on canvas painting of the landmark Cafe Dome in Paris by Andre Picot. Adjacent to the Dome is another famous cafe, Cafe Tabac as seen in thi...

Very well executed portrait of Jacob Dolson Cox. See the sitter’s biography below. Signed top right and dated 1881. Relined canvas, very good condition. The portrait is housed in a contemporary replica of a period frame. Overall framed measurements are 33.25 by 28.25 inches. Provenance: A East Hampton, Long Island collector. Biography George Peter Alexander Healy was born in Boston on July 15, 1813, the first of five children of William Healy, an Irish immigrant and captain of a merchant vessel, and his wife Mary Hicks. Healy showed an early artistic interest: by 1830 the self-taught painter had opened a portrait studio from which he hoped to help to support his family. Although commissions were at first sparse, young Healy received important encouragement from Thomas Sully (1783-1872)) who advised him to make painting his profession. His fortunes also improved in 1831 when Mrs. Harrison Gray Otis, a leader in Boston society, granted him permission to paint her portrait and recommended his talents to other potential patrons. In 1834 Healy went to France where he studied with Baron Antoine-Jean Gros (1771-1835). A year later he traveled through Italy, visiting museums and churches in the company of Lady and Sir Arthur Faulkner who soon provided his introduction to London society. It was in England that Healy met and, in 1839, married Louisa Phipps. The couple settled in Paris where Healy embarked upon the beginning of a long and happy marriage and thriving career. His diplomatic and affable demeanor, together with his obvious skill, brought him tremendous success throughout Europe and the United States. Prolific, as well as talented, he had by 1867 produced more than six hundred portraits. The constant stream of commissions included dignified, imposing portraits of such celebrated figures as Pope Pius IX and Queen Elizabeth of Romania, the latter of whom developed a warm friendship with Healy and his family. Although Healy, sometimes accompanied by his wife, traveled to the United States several times during the 1840s and early 1850s, it was not until 1856 that the entire family settled in America. They took up residence in the booming city of Chicago, which Healy used as a base for his work in Boston, Philadelphia, New Orleans, and other cities. During the Civil War years he often traveled to Washington to paint military figures and members of the President's cabinet. The family returned to Europe in 1867, but George Healy...

Original and rare bronze sculpture of a young woman in contemplation by the well known American sculptor Helene Sardeau. Signed on the lower back “h. Sardeau” and dated 1928. Valsu...

Set of Eight Gebruder Thonet Vienna, 'Czech' Dining Chairs In Flame Red. Designed in 1994, the Hermann Czech chair represents the turning point of modern furniture towards the passio...

"A Norman Peasant's Home," (Near Caudebec -en-Caux, Seine, France); and also identified as, "Peasant's Doorway." by Hezekiah Anthony Dyer. This area would be considered Normandy hence the title. Watercolor and gouache on archival paper. Signed lower left by the artist. Condition is very good. Included with the purchase is dated 1925 correspondence between the artist and purchaser of the painting with apologies from the artist for the painting not being shipped from Newport on time. Recently professionally custom double matted and framed under glass. Overall framed measurements are 19.25 by 15.5 inches. Provenance: Rhode Island collector. H. A. Dyer 1872 - 1943 Historical Rhode Island artist Hezekiah Anthony Dyer, son of Elisha and Nancy Anthony Dyer , was born into a prominent Rhode Island family, having both his grandfather and father serve as governor of the state. A descendent of the Hoppin family, known for their own artistic inclination, Dyer inherited both an interest in the arts as well as his father’s interest in public affairs. He fulfilled his destiny by becoming a notable figure in Rhode Island politics and public service as well as an accomplished artist. Dyer attended boarding school at St. Paul’s Church in Concord, New Hampshire and then went on to attend Brown University. Following his graduation from Brown in 1894, Dyer became serious about pursuing an art career and made the decision to travel abroad to Holland, Italy and France where he focused on refining his watercolor technique. Following his initial trip to Europe, Dyer returned to Providence and attended classes at the Rhode Island School of Design. By 1919 he received an Honorary Masters of Arts Degree from Brown University. Throughout his life, Dyer traveled to Europe for several months of each year to paint. He had a particular affinity for European seascapes and landscapes, as well as for picturesque scenes of old European villages. Dyer’s travels took him throughout the continent including Belgium, Brittany, Normandy, England and both the Swiss and Italian Alpine regions. Hezekiah was heavily influenced by the English School of painting, and in the early years of his career as a painter, worked exclusively in a deliberately realistic style. During this time, Dyer also began showcasing his paintings in exhibits that consisted of only his own work and which were very successful. As his painting progressed, Dyer allowed himself to experiment more in the field of watercolor. He developed a technique of painting on grey or tan paper and would paint everything lighter than the paper using an opaque gouache, and everything darker than the paper in transparent washes of color. This technique allowed Dyer to represent a great deal of detail not usually found in watercolor paintings. It also resulted in wonderfully vibrant colors that would not fade when dry. H. A. Dyer was a prominent member of both the art community and of Rhode Island public life. While he never held an office, Dyer became very involved in politics and from 1916 to 1919 was president of the Republican Club of Rhode Island. At the beginning of the First World War, Hezekiah was made chairman of the speaker’s bureau for the Food Administration of Rhode Island, and was later made chairman of the speaker’s bureau for the Council of Defense. Dyer also became a chairman for a philanthropic organization called Rhode Island of the Fatherless Children of France. In 1922, France presented both Hezekiah Dyer...

Vipp Chair 451 in Sand Colored Leather Upholstery The Vipp chair is suitable for the dining or living room and is the first chair introduced in Vipp's portfolio of furniture. The cha...

Original watercolor and gouache on archival paper of a winding old Paris street by the well known American artist, Henry Martin Gasser. Signed by the artist lower left, Paris. Circa...

Unique concrete planter by Swiss architect Willy Guhl. Planter in the shape of a chalice with faceted edges along the top and bottom. Great age and patina from decades of European wi...

Unique concrete planter by Swiss architect Willy Guhl. Planter in the shape of a chalice. Gorgeous patinas and lichen on these planters. Great vintage condition. 3 available as shown...

French neoclassical style tall mirrored cabinet/armoire Beautiful reproduction, originally with legs, legs were cut off. Selling as is. Parcel-...

Original oil on canvas laid down on board by the well known American artist, Jean Paul Selinger. Signed top right by the artist along with “Florence” where the artist visited in the...

Beautiful set of painted concrete cubes in a pastel orange by Swiss architect and designer Willy Guhl. Handmade in the early 1960s in Switzerland. Produced by Eternit. Set of 9 cubes...

Original post impressionist watercolor of Notre Dame in the rain by the well know French artist, Rene Leverd. Signed by the artist lower left. Condition is excellent. Circa 1920. Fr...

Fantastic hand carved footstool, circa 1970s. Hand carved legs with hand carved Oxford shoes. Amazing details throughout. Leather laces. Hand painted with great coloring. Excellent c...

American Mahogany Gondola Chair, c. 1815 This American Mahogany Gondola Chair features a boxed slip seat & single vertical baluster form silhou...

18th century French walnut Louis XV Provincial Buffet A period handcrafted buffet made of solid walnut with three drawers above two beveled doors opening to a single shelf open. Ori...

Stunning concrete planter by Swiss architect Willy Guhl. Faceted edges around the top and bottom. Planter in the shape of a chalice. Good vintage condition. Decades of age and patina...

Wonderful Mastercraft heavy tubular brass shelves with five tiers in glass and rich dark patina. Tapering feet and VERY solid - RARE to find in a pair.

WE have TWO (2) ALL vintage aquatic swim club locker stands which can be perfectly re-purposed for a pantry, foyer, kids toy storage, shoe storage, etc. 21 ALL original mesh cage lo...

Egyptian Revival ebony and inlaid settee, late 19th century "Of architectural form with geometric borders and inlaid with fruitwoods, ivory, mother of pearl and wire, the carved giltwood cresting rail in the form of serpents centred by a tablet inlaid with a winged bird, probably the symbol of the Egyptian Goddess, Nekhbet, clutching a payrus stalk, the padded back between two moulded cartouches depicting Horus and Iris, the arm supports in the form of Canopic jars surmounted by the head of Anubis, with a padded seat and shaped legs terminating in paw feet. Measures: 26" deep x 56" wide x 45.5" high x 18" seat height In the nineteenth century, the Egyptian Revival became fashionable following the Napoleonic campaigns in Egypt with the publication of Voyage (1802) by Vivant Denon...

Casamidy black powder coated iron Manchez chairs covered in muslin fabric. These chairs could be used for indoor or outdoor use with the appropriat...

Amazing industrial cement dog kennel by Swiss designer Willy Guhl for Eternit. Large size with dark, heavy patina and lichen. Doggy door opening on left front side. A beautiful minim...

Beautiful egg-shaped rattan and wicker chair from the 1970s. Original cushions newly reupholstered in white wool boucle. Chair swivels 360 degrees and tilts backwards. Incredibly uni...

An Iconic pair of French Art Deco armchairs, club or lounge chairs in classic French oak by René Gabriel upholstered in a loose back and seat cushion with linen fabric. The chairs f...

After Marc Chagall (1887–1985), “Place de la Concorde” 1952. Not examined out of frame. Under glass. Color lithograph on wove paper. Unsigned. Unknown edition. Condition is very g...

Add a brutalist flare to your interior with this piece by Swiss architect Willy Guhl. A sculptural concrete cube with a hollow interior and curved edges, this object would make for a...

Here for your consideration is an original beautifully patinated solid bronze standing female nude by the Bulgarian/American artist, Ana Ranguel Daltchev. Incised artist signature o...

Classic French two seater Togo sofa by Michel Ducaroy for luxury brand Ligne Roset. Originally designed in the 1970s the iconic togo sofa is now a design classic. This sofa comes in ...

1920s Art Deco Vanity Dressing Table Attributed to Henry Van De Velde This dressing table, attributed to Henry Van der Velde, showcases the elegant simplicity and functional design c...

The image is an original animation drawing of Bugs Bunny and Yosemite Sam by Virgil Ross, a legendary animator from the "Golden Years of Animation" at Warner Bros. Graphite, colored ...

A beautifully timeworn hand-hewn wooden farm table dating from the late 19th century, crafted in solid oak or elm. The thick plank top bears visible adze and plane marks, giving the ...

Original oil on canvas painting of a young woman with child in a garden in the moon light. The artist is the well known American painter, Edward Percy Moran. Signed by the artist low...

Original oil on canvas still life painting by the well known French painter, Prosper Rotge. Signed lower right. Circa 1950. Condition is very good. The painting is housed in a newer...

18th Century American Queen Anne Cherry Lowboy Table It features four drawers, each fitted with simple, yet elegant, brass pulls. The table rests on cabriole legs, ending in pad feet...

This “Garrigue” model round shape coffee table features ceramic tiles decorated with leaves, with a constructivist base in oak. The base is separate from the round top which sits ne...

A charming example of utilitarian American craftsmanship, this late 19th-century rustic cabinet is constructed from solid pine and features a timeworn patina that speaks to its endur...

Original etching and drypoint on wove paper. This is the third version and the second edition printed in 1921 of Le Chapeau Epingle. Condition is very good...

Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...

Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches. Biography Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster. Life and work Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News. On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades. Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...

Here for your consideration is an outstanding example of the landscape mastery of American artist, Edmund Darch Lewis. Fabulous light and clarity of the bucolic scene. Signed lower right and dated 1870. Recently cleaned. Several old patches verso with corresponding in paint. Condition is very good The painting is framed in its original gold leaf period frame which is in fine condition. Overall measurements are 35 by 46.5 inches. Edmund Darch Lewis was born in Philadelphia, the son of a prominent businessman. According to family tradition he was educated at a private school...

Original oil on canvas painting of a nocturnal bonfire with several figures, a moored boat and a glowing moon. The artist signature is lower right “J. Hammerstad”. Condition is exc...