Stained Glass Window Design

It celebrates one of the artist’s most spiritual and ambitious projects: the series of stained-glass windows designed for the Hadassah Medical Center synagogue in Jerusalem.

The stained-glass windows, designed by the Polish painter Jozef Mehoffer and made by local craftsmen Kirsch & Fleckner between 1896 and 1936, constitute one of the most important col...

The cover is a masterpiece of the format: a stained-glass window design — Tintin in his blue sweater cradling Milou, surrounded by figures bearing Christmas gifts, all rendered in th...

Jane Gray (b.1931) Design for stained glass window Pencil and coloured pencil on paper 52 x 68 cm Dated 1975 to lower right.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

This vibrant lithograph created in 1962 by Marc Chagall belongs to the celebrated portfolio Vitraux pour Jérusalem (Windows for Jerusalem), a project inspired by Chagall’s monumental...

Florence Camm (1874-1960) Design for stained glass window 'The Instruments of the Passion' Watercolour 20x10 cm Design for TW Camm & Co., Smethwick, Birmingham embossed with their ...

Search for, or send us a message us about, our other stained glass designs, Modern Britsh Art and T W Camm designs by Florence Camm Florence Camm (1874-1960) Design for stained glas...

Jane Gray (b.1931) Stained Glass Design Watercolour and pencil 33.5 x 20.5 cm Provenance: the artist's studio sale This design for a stained glass window draws together Gray’s moder...

Search for, or send us a message us about, our other stained glass designs, Modern Britsh Art and T W Camm designs by Florence Camm Florence Camm (1874-1960) Design for stained glas...

Search for, or send us a message us about, our other stained glass designs, Modern Britsh Art and T W Camm designs by Florence Camm Florence Camm (1874-1960) Design for domestic sta...

Like many other artists of the day his early career was largely spent in book illustration, as well as some stained glass window design. He started exhibiting at the RA in the mid 18...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

The church is charmingly situated on a hilltop overlooking the Stonor Valley and Hamlet of Pishill, and boasts several spectacular stained glass windows, including one designed by Jo...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Jane Gray (b.1931) Stained Glass Design Watercolour 14.5 x 7.5 cm Signed, dated and studio stamp verso Provenance: the artist's studio sale This design for a staircase window in a p...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Gray’s ‘Martindale Era’ lasted from 1974-1981, in which time, she designed and installed fifteen stained glass windows in St Peter’s Church.

Early 20th Century door with large stained glass window. Art Deco styled design with colorful glass panels.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Jane Gray (b.1931) Stained Glass Design Watercolour 10 x 15.5 cm Signed and dated verso Provenance: the artist's studio sale This design for a domestic window in a Bristol house was...

Jane Gray (b.1931) Stained Glass Design Pencil D. 18.5 cm x2 Dated and detailed in the artist’s hand verso Provenance: the artist's studio sale These pencil-sketch designs for two s...

Gray’s ‘Martindale Era’ lasted from 1974-1981, in which time, she designed and installed fifteen stained glass windows in St Peter’s Church.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Gray’s ‘Martindale Era’ lasted from 1974-1981, in which time, she designed and installed fifteen stained glass windows in St Peter’s Church.

The restoration was completed in 1986, with new stained-glass windows designed by Edelman.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

He established an ecclesiastical art business and designed stained glass windows and other decorative art for churches.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...